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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 100 / 0 / 36 / 35 it is the complementary color CMYK 0 / 65 / 42 / 0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 100 / 0 / 36 / 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 100 / 0 / 36 / 35: CMYK 97 / 0 / 39 / 35, CMYK 88 / 0 / 35 / 28, CMYK 81 / 0 / 31 / 21, CMYK 75 / 0 / 28 / 14 and CMYK 69 / 0 / 26 / 7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 100 / 0 / 36 / 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 100 / 0 / 36 / 35: CMYK 100 / 0 / 36 / 35, CMYK 100 / 0 / 41 / 42, CMYK 100 / 0 / 48 / 49, CMYK 100 / 0 / 56 / 56 and CMYK 100 / 0 / 68 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

Complementary color

CMYK 0 / 65 / 42 / 0

HEX #FF5995

RGB 255 89 149

HSL 338.31, 1%, 0.67%

LAB 62.15, 67.42, 2.2

 

CMYK 97 / 0 / 39 / 35

HEX #05A665

RGB 5 166 101

HSL 155.78, 0.94%, 0.34%

LAB 60.11, -51.7, 23.7

 

CMYK 88 / 0 / 35 / 28

HEX #16B878

RGB 22 184 120

HSL 156.3, 0.79%, 0.4%

LAB 66.37, -53.45, 21.92

 

CMYK 81 / 0 / 31 / 21

HEX #27CA8B

RGB 39 202 139

HSL 156.81, 0.68%, 0.47%

LAB 72.59, -54.71, 20.29

 

CMYK 75 / 0 / 28 / 14

HEX #38DC9E

RGB 56 220 158

HSL 157.32, 0.7%, 0.54%

LAB 78.75, -55.58, 18.81

 

CMYK 69 / 0 / 26 / 7

HEX #49EEB1

RGB 73 238 177

HSL 157.82, 0.83%, 0.61%

LAB 84.86, -56.17, 17.46

 

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

CMYK 100 / 0 / 41 / 42

HEX #009457

RGB 0 148 87

HSL 155.27, 1%, 0.29%

LAB 53.89, -48.26, 23.06

 

CMYK 100 / 0 / 48 / 49

HEX #008244

RGB 0 130 68

HSL 151.38, 1%, 0.25%

LAB 47.47, -45.47, 25.13

 

CMYK 100 / 0 / 56 / 56

HEX #007031

RGB 0 112 49

HSL 146.25, 1%, 0.22%

LAB 40.91, -42.44, 27.23

 

CMYK 100 / 0 / 68 / 63

HEX #005E1E

RGB 0 94 30

HSL 139.15, 1%, 0.18%

LAB 34.19, -39.04, 29.17

 

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

CMYK 100 / 0 / 20 / 34

HEX #00A886

RGB 0 168 134

HSL 167.86, 1%, 0.33%

LAB 61.42, -44.95, 7.32

 

CMYK 100 / 0 / 4 / 34

HEX #00A8A2

RGB 0 168 162

HSL 177.86, 1%, 0.33%

LAB 62.18, -37.01, -7.25

 

CMYK 100 / 14 / 0 / 34

HEX #0091A8

RGB 0 145 168

HSL 188.21, 1%, 0.33%

LAB 55.15, -23.92, -21.27

 

CMYK 100 / 30 / 0 / 34

HEX #0075A8

RGB 0 117 168

HSL 198.21, 1%, 0.33%

LAB 46.38, -8.45, -34.9

 

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

CMYK 100 / 0 / 36 / 15

HEX #00D98B

RGB 0 217 139

HSL 158.43, 1%, 0.43%

LAB 76.97, -62.33, 26.22

 

CMYK 100 / 0 / 38 / 95

HEX #000D08

RGB 0 13 8

HSL 156.92, 1%, 0.03%

LAB 2.76, -4.2, 0.77

 

CMYK 100 / 0 / 36 / 75

HEX #004029

RGB 0 64 41

HSL 158.44, 1%, 0.13%

LAB 23.09, -25.28, 8.94

 

CMYK 100 / 0 / 37 / 55

HEX #007349

RGB 0 115 73

HSL 158.09, 1%, 0.23%

LAB 42.37, -38.75, 15.58

 

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

CMYK 100 / 83 / 0 / 34

HEX #001CA8

RGB 0 28 168

HSL 230, 1%, 0.33%

LAB 22.51, 48.33, -73.62

 

CMYK 0 / 77 / 100 / 34

HEX #A82700

RGB 168 39 0

HSL 13.93, 1%, 0.33%

LAB 37.44, 50.68, 50.28

 

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

CMYK 37 / 100 / 0 / 34

HEX #6A00A8

RGB 106 0 168

HSL 277.86, 1%, 0.33%

LAB 29.14, 63.14, -62.37

 

CMYK 0 / 37 / 100 / 34

HEX #A86A00

RGB 168 106 0

HSL 37.86, 1%, 0.33%

LAB 50.25, 18.13, 57.59

 

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

CMYK 100 / 83 / 0 / 34

HEX #001CA8

RGB 0 28 168

HSL 230, 1%, 0.33%

LAB 22.51, 48.33, -73.62

 

CMYK 0 / 100 / 64 / 34

HEX #A8003D

RGB 168 0 61

HSL 338.21, 1%, 0.33%

LAB 35.32, 60.43, 15.97

 

CMYK 0 / 17 / 100 / 34

HEX #A88C00

RGB 168 140 0

HSL 50, 1%, 0.33%

LAB 59.05, -0.9, 63.57

 

CMYK 100 / 0 / 36 / 35

HEX #00A66A

RGB 0 166 106

HSL 158.31, 1%, 0.33%

LAB 60.17, -50.88, 21.07

 

CMYK 87 / 100 / 0 / 34

HEX #1600A8

RGB 22 0 168

HSL 247.86, 1%, 0.33%

LAB 20.03, 58.17, -77.73

 

CMYK 0 / 100 / 64 / 34

HEX #A8003D

RGB 168 0 61

HSL 338.21, 1%, 0.33%

LAB 35.32, 60.43, 15.97

 

CMYK 14 / 0 / 100 / 34

HEX #91A800

RGB 145 168 0

HSL 68.21, 1%, 0.33%

LAB 64.98, -25.83, 67

 

Description

Color code: CMYK 100 / 0 / 36 / 35 | qconv.com Color code: CMYK 100 / 0 / 36 / 35 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 166 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 166 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 36 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 36% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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