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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAB1B it is the complementary color #F254E4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAB1B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAB1B shade: #12AB16, #23BD29, #34CF3C, #45E14F and #56F362

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAB1B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAB1B shade: #0DAB1B, #009908, #008700, #007500 and #006300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAB1B shade: #0DAB1B, #29AB0D, #54AB0D, #7FAB0D and #A9AB0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAB1B shade: #0DAB1B, #0DAB45, #0DAB70, #0DAB9B and #0D90AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAB1B shade matches the following richer shades: #0DAB1B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAB1B shade: #0DAB1B, #1C9C27, #2B8D33, #397E40 and #486F4C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAB1B shade: #54AB0D, #2AAB0D, #0DAB1A, #0DAB44 and #0DAB6E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAB1B shade: #075E0F, #0A8415, #0DAB1B, #10D121 and #1CEE2F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAB1B shade: #0DAB1B, #0D7EAB and #AB0D3F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAB1B shade: #0DAB1B, #1A0DAB and #AB1A0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAB1B shade: #0DAB1B, #0D7EAB, #AB0D9E and #AB3A0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAB1B shade: #0DAB1B, #0D4FAB, #AB0D9E and #AB690D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

Complementary color

CMYK 0 / 65 / 6 / 5

HEX #F254E4

RGB 242 84 228

HSL 305.32, 0.86%, 0.64%

LAB 62.35, 75.85, -42.71

 

CMYK 89 / 0 / 87 / 33

HEX #12AB16

RGB 18 171 22

HSL 121.57, 0.81%, 0.37%

LAB 61.06, -62.2, 58.35

 

CMYK 81 / 0 / 78 / 26

HEX #23BD29

RGB 35 189 41

HSL 122.34, 0.69%, 0.44%

LAB 67.21, -64.83, 58.99

 

CMYK 75 / 0 / 71 / 19

HEX #34CF3C

RGB 52 207 60

HSL 123.1, 0.62%, 0.51%

LAB 73.34, -66.68, 58.68

 

CMYK 69 / 0 / 65 / 12

HEX #45E14F

RGB 69 225 79

HSL 123.85, 0.72%, 0.58%

LAB 79.43, -67.94, 57.86

 

CMYK 65 / 0 / 60 / 5

HEX #56F362

RGB 86 243 98

HSL 124.59, 0.87%, 0.65%

LAB 85.48, -68.79, 56.78

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 100 / 0 / 95 / 40

HEX #009908

RGB 0 153 8

HSL 123.14, 1%, 0.3%

LAB 54.87, -58.62, 55.54

 

CMYK 100 / 0 / 100 / 47

HEX #008700

RGB 0 135 0

HSL 120, 1%, 0.26%

LAB 48.67, -53.73, 51.86

 

CMYK 100 / 0 / 100 / 54

HEX #007500

RGB 0 117 0

HSL 120, 1%, 0.23%

LAB 42.34, -48.47, 46.78

 

CMYK 100 / 0 / 100 / 61

HEX #006300

RGB 0 99 0

HSL 120, 1%, 0.19%

LAB 35.84, -43.07, 41.57

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 76 / 0 / 92 / 33

HEX #29AB0D

RGB 41 171 13

HSL 109.37, 0.86%, 0.36%

LAB 61.33, -59.86, 60.4

 

CMYK 51 / 0 / 92 / 33

HEX #54AB0D

RGB 84 171 13

HSL 93.04, 0.86%, 0.36%

LAB 62.54, -49.86, 61.9

 

CMYK 26 / 0 / 92 / 33

HEX #7FAB0D

RGB 127 171 13

HSL 76.71, 0.86%, 0.36%

LAB 64.7, -34.51, 64.55

 

CMYK 1 / 0 / 92 / 33

HEX #A9AB0D

RGB 169 171 13

HSL 60.76, 0.86%, 0.36%

LAB 67.72, -16.68, 68.22

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 92 / 0 / 60 / 33

HEX #0DAB45

RGB 13 171 69

HSL 141.27, 0.86%, 0.36%

LAB 61.34, -58.44, 41.58

 

CMYK 92 / 0 / 35 / 33

HEX #0DAB70

RGB 13 171 112

HSL 157.59, 0.86%, 0.36%

LAB 61.98, -50.85, 20.27

 

CMYK 92 / 0 / 9 / 33

HEX #0DAB9B

RGB 13 171 155

HSL 173.92, 0.86%, 0.36%

LAB 62.99, -39.93, -2.12

 

CMYK 92 / 16 / 0 / 33

HEX #0D90AB

RGB 13 144 171

HSL 190.25, 0.86%, 0.36%

LAB 55.04, -21.83, -23.15

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 82 / 0 / 75 / 39

HEX #1C9C27

RGB 28 156 39

HSL 125.16, 0.7%, 0.36%

LAB 56.26, -55.61, 48.84

 

CMYK 70 / 0 / 64 / 45

HEX #2B8D33

RGB 43 141 51

HSL 124.9, 0.53%, 0.36%

LAB 51.61, -46.9, 38.94

 

CMYK 55 / 0 / 49 / 51

HEX #397E40

RGB 57 126 64

HSL 126.09, 0.38%, 0.36%

LAB 47.19, -35.73, 27.18

 

CMYK 35 / 0 / 32 / 56

HEX #486F4C

RGB 72 111 76

HSL 126.15, 0.21%, 0.36%

LAB 43.16, -21.67, 15.25

 

CMYK 51 / 0 / 92 / 33

HEX #54AB0D

RGB 84 171 13

HSL 93.04, 0.86%, 0.36%

LAB 62.54, -49.86, 61.9

 

CMYK 75 / 0 / 92 / 33

HEX #2AAB0D

RGB 42 171 13

HSL 108.99, 0.86%, 0.36%

LAB 61.35, -59.7, 60.42

 

CMYK 92 / 0 / 85 / 33

HEX #0DAB1A

RGB 13 171 26

HSL 124.94, 0.86%, 0.36%

LAB 61.03, -62.35, 57.37

 

CMYK 92 / 0 / 60 / 33

HEX #0DAB44

RGB 13 171 68

HSL 140.89, 0.86%, 0.36%

LAB 61.33, -58.57, 42.04

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 93 / 0 / 84 / 63

HEX #075E0F

RGB 7 94 15

HSL 125.52, 0.86%, 0.2%

LAB 34.16, -39.76, 35.6

 

CMYK 92 / 0 / 84 / 48

HEX #0A8415

RGB 10 132 21

HSL 125.41, 0.86%, 0.28%

LAB 47.78, -51.21, 46.56

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 92 / 0 / 84 / 18

HEX #10D121

RGB 16 209 33

HSL 125.28, 0.86%, 0.44%

LAB 73.43, -72.59, 66.89

 

CMYK 88 / 0 / 80 / 7

HEX #1CEE2F

RGB 28 238 47

HSL 125.43, 0.86%, 0.52%

LAB 82.7, -79.18, 71.9

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 92 / 26 / 0 / 33

HEX #0D7EAB

RGB 13 126 171

HSL 197.09, 0.86%, 0.36%

LAB 49.43, -11.97, -31.85

 

CMYK 0 / 92 / 63 / 33

HEX #AB0D3F

RGB 171 13 63

HSL 341.01, 0.86%, 0.36%

LAB 36.56, 59.69, 16.44

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 85 / 92 / 0 / 33

HEX #1A0DAB

RGB 26 13 171

HSL 244.94, 0.86%, 0.36%

LAB 21.75, 55.66, -76.67

 

CMYK 0 / 85 / 92 / 33

HEX #AB1A0D

RGB 171 26 13

HSL 4.94, 0.86%, 0.36%

LAB 36.79, 55.46, 45.41

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 92 / 26 / 0 / 33

HEX #0D7EAB

RGB 13 126 171

HSL 197.09, 0.86%, 0.36%

LAB 49.43, -11.97, -31.85

 

CMYK 0 / 92 / 8 / 33

HEX #AB0D9E

RGB 171 13 158

HSL 304.94, 0.86%, 0.36%

LAB 40.27, 69.53, -37.78

 

CMYK 0 / 66 / 92 / 33

HEX #AB3A0D

RGB 171 58 13

HSL 17.09, 0.86%, 0.36%

LAB 40.76, 44.5, 48.14

 

CMYK 92 / 0 / 84 / 33

HEX #0DAB1B

RGB 13 171 27

HSL 125.32, 0.86%, 0.36%

LAB 61.04, -62.3, 57.12

 

CMYK 92 / 54 / 0 / 33

HEX #0D4FAB

RGB 13 79 171

HSL 214.94, 0.86%, 0.36%

LAB 35.24, 17.62, -54.48

 

CMYK 0 / 92 / 8 / 33

HEX #AB0D9E

RGB 171 13 158

HSL 304.94, 0.86%, 0.36%

LAB 40.27, 69.53, -37.78

 

CMYK 0 / 39 / 92 / 33

HEX #AB690D

RGB 171 105 13

HSL 34.94, 0.86%, 0.36%

LAB 50.44, 20.23, 55.15

 

Description

Color code: HEX #0DAB1B | qconv.com Color code: HEX #0DAB1B | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 171 green and 27 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 171 27 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 84 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 84% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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