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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0DAB6E it is the complementary color #F25491. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0DAB6E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0DAB6E shade: #12AB69, #23BD7C, #34CF8F, #45E1A2 and #56F3B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0DAB6E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0DAB6E shade: #0DAB6E, #00995B, #008748, #007535 and #006322

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0DAB6E shade: #0DAB6E, #0DAB43, #0DAB19, #2CAB0D and #56AB0D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0DAB6E shade: #0DAB6E, #0DAB98, #0D93AB, #0D68AB and #0D3DAB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0DAB6E shade matches the following richer shades: #0DAB6E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0DAB6E shade: #0DAB6E, #1C9C6A, #2B8D67, #397E64 and #486F60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0DAB6E shade: #0DAB17, #0DAB41, #0DAB6C, #0DAB96 and #0D96AB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0DAB6E shade: #075E3C, #0A8455, #0DAB6E, #10D186 and #1CEE9D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0DAB6E shade: #0DAB6E, #0D2CAB and #AB2C0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0DAB6E shade: #0DAB6E, #6C0DAB and #AB6C0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0DAB6E shade: #0DAB6E, #0D2CAB, #AB0D4C and #AB8B0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0DAB6E shade: #0DAB6E, #1D0DAB, #AB0D4C and #9BAB0D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

Complementary color

CMYK 0 / 65 / 40 / 5

HEX #F25491

RGB 242 84 145

HSL 336.84, 0.86%, 0.64%

LAB 59.22, 65.2, 0

 

CMYK 89 / 0 / 39 / 33

HEX #12AB69

RGB 18 171 105

HSL 154.12, 0.81%, 0.37%

LAB 61.89, -52.03, 23.94

 

CMYK 81 / 0 / 34 / 26

HEX #23BD7C

RGB 35 189 124

HSL 154.68, 0.69%, 0.44%

LAB 68.17, -53.38, 22.24

 

CMYK 75 / 0 / 31 / 19

HEX #34CF8F

RGB 52 207 143

HSL 155.23, 0.62%, 0.51%

LAB 74.41, -54.29, 20.7

 

CMYK 69 / 0 / 28 / 12

HEX #45E1A2

RGB 69 225 162

HSL 155.77, 0.72%, 0.58%

LAB 80.59, -54.88, 19.3

 

CMYK 65 / 0 / 26 / 5

HEX #56F3B5

RGB 86 243 181

HSL 156.31, 0.87%, 0.65%

LAB 86.71, -55.25, 18.01

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 100 / 0 / 41 / 40

HEX #00995B

RGB 0 153 91

HSL 155.69, 1%, 0.3%

LAB 55.62, -49.27, 23.17

 

CMYK 100 / 0 / 47 / 47

HEX #008748

RGB 0 135 72

HSL 152, 1%, 0.26%

LAB 49.25, -46.51, 25.22

 

CMYK 100 / 0 / 55 / 54

HEX #007535

RGB 0 117 53

HSL 147.18, 1%, 0.23%

LAB 42.73, -43.54, 27.31

 

CMYK 100 / 0 / 66 / 61

HEX #006322

RGB 0 99 34

HSL 140.61, 1%, 0.19%

LAB 36.06, -40.22, 29.3

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 92 / 0 / 61 / 33

HEX #0DAB43

RGB 13 171 67

HSL 140.51, 0.86%, 0.36%

LAB 61.32, -58.7, 42.49

 

CMYK 92 / 0 / 85 / 33

HEX #0DAB19

RGB 13 171 25

HSL 124.56, 0.86%, 0.36%

LAB 61.03, -62.4, 57.62

 

CMYK 74 / 0 / 92 / 33

HEX #2CAB0D

RGB 44 171 13

HSL 108.23, 0.86%, 0.36%

LAB 61.39, -59.37, 60.47

 

CMYK 50 / 0 / 92 / 33

HEX #56AB0D

RGB 86 171 13

HSL 92.28, 0.86%, 0.36%

LAB 62.62, -49.25, 62

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 92 / 0 / 11 / 33

HEX #0DAB98

RGB 13 171 152

HSL 172.78, 0.86%, 0.36%

LAB 62.91, -40.78, -0.57

 

CMYK 92 / 14 / 0 / 33

HEX #0D93AB

RGB 13 147 171

HSL 189.11, 0.86%, 0.36%

LAB 55.98, -23.39, -21.71

 

CMYK 92 / 39 / 0 / 33

HEX #0D68AB

RGB 13 104 171

HSL 205.44, 0.86%, 0.36%

LAB 42.65, 1.23, -42.55

 

CMYK 92 / 64 / 0 / 33

HEX #0D3DAB

RGB 13 61 171

HSL 221.77, 0.86%, 0.36%

LAB 30.31, 29.83, -62.52

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 82 / 0 / 32 / 39

HEX #1C9C6A

RGB 28 156 106

HSL 156.56, 0.7%, 0.36%

LAB 57.14, -45.24, 16.98

 

CMYK 70 / 0 / 27 / 45

HEX #2B8D67

RGB 43 141 103

HSL 156.73, 0.53%, 0.36%

LAB 52.45, -37.61, 12.22

 

CMYK 55 / 0 / 21 / 51

HEX #397E64

RGB 57 126 100

HSL 157.39, 0.38%, 0.36%

LAB 47.89, -28.48, 7.61

 

CMYK 35 / 0 / 14 / 56

HEX #486F60

RGB 72 111 96

HSL 156.92, 0.21%, 0.36%

LAB 43.64, -17.4, 4

 

CMYK 92 / 0 / 87 / 33

HEX #0DAB17

RGB 13 171 23

HSL 123.8, 0.86%, 0.36%

LAB 61.02, -62.49, 58.08

 

CMYK 92 / 0 / 62 / 33

HEX #0DAB41

RGB 13 171 65

HSL 139.75, 0.86%, 0.36%

LAB 61.3, -58.95, 43.39

 

CMYK 92 / 0 / 37 / 33

HEX #0DAB6C

RGB 13 171 108

HSL 156.08, 0.86%, 0.36%

LAB 61.91, -51.71, 22.33

 

CMYK 92 / 0 / 12 / 33

HEX #0DAB96

RGB 13 171 150

HSL 172.03, 0.86%, 0.36%

LAB 62.86, -41.34, 0.47

 

CMYK 92 / 12 / 0 / 33

HEX #0D96AB

RGB 13 150 171

HSL 187.97, 0.86%, 0.36%

LAB 56.92, -24.94, -20.27

 

CMYK 93 / 0 / 36 / 63

HEX #075E3C

RGB 7 94 60

HSL 156.55, 0.86%, 0.2%

LAB 34.76, -32.61, 12.99

 

CMYK 92 / 0 / 36 / 48

HEX #0A8455

RGB 10 132 85

HSL 156.89, 0.86%, 0.28%

LAB 48.54, -42.02, 17.04

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 92 / 0 / 36 / 18

HEX #10D186

RGB 16 209 134

HSL 156.68, 0.86%, 0.44%

LAB 74.47, -59.97, 25.44

 

CMYK 88 / 0 / 34 / 7

HEX #1CEE9D

RGB 28 238 157

HSL 156.86, 0.86%, 0.52%

LAB 83.88, -64.97, 26.31

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 92 / 74 / 0 / 33

HEX #0D2CAB

RGB 13 44 171

HSL 228.23, 0.86%, 0.36%

LAB 26.24, 40.81, -69.23

 

CMYK 0 / 74 / 92 / 33

HEX #AB2C0D

RGB 171 44 13

HSL 11.77, 0.86%, 0.36%

LAB 38.71, 50.1, 46.71

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 37 / 92 / 0 / 33

HEX #6C0DAB

RGB 108 13 171

HSL 276.08, 0.86%, 0.36%

LAB 30.44, 61.85, -62.02

 

CMYK 0 / 37 / 92 / 33

HEX #AB6C0D

RGB 171 108 13

HSL 36.08, 0.86%, 0.36%

LAB 51.17, 18.55, 55.69

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 92 / 74 / 0 / 33

HEX #0D2CAB

RGB 13 44 171

HSL 228.23, 0.86%, 0.36%

LAB 26.24, 40.81, -69.23

 

CMYK 0 / 92 / 56 / 33

HEX #AB0D4C

RGB 171 13 76

HSL 336.08, 0.86%, 0.36%

LAB 36.87, 60.53, 8.44

 

CMYK 0 / 19 / 92 / 33

HEX #AB8B0D

RGB 171 139 13

HSL 47.85, 0.86%, 0.36%

LAB 59.11, 1.22, 61.69

 

CMYK 92 / 0 / 36 / 33

HEX #0DAB6E

RGB 13 171 110

HSL 156.84, 0.86%, 0.36%

LAB 61.94, -51.28, 21.3

 

CMYK 83 / 92 / 0 / 33

HEX #1D0DAB

RGB 29 13 171

HSL 246.08, 0.86%, 0.36%

LAB 21.91, 55.75, -76.41

 

CMYK 0 / 92 / 56 / 33

HEX #AB0D4C

RGB 171 13 76

HSL 336.08, 0.86%, 0.36%

LAB 36.87, 60.53, 8.44

 

CMYK 9 / 0 / 92 / 33

HEX #9BAB0D

RGB 155 171 13

HSL 66.08, 0.86%, 0.36%

LAB 66.61, -22.8, 66.89

 

Description

Color code: HEX #0DAB6E | qconv.com Color code: HEX #0DAB6E | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 171 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 171 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, none magenta, 36 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 0% 36% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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