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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D4ECE it is the complementary color #F2B131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D4ECE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0D4ECE shade: #124EC9, #2360DC, #3472EF, #4584FF and #5696FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D4ECE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0D4ECE shade: #0D4ECE, #003CBB, #002AA8, #001895 and #000682

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0D4ECE shade: #0D4ECE, #0D1ACE, #340DCE, #680DCE and #9C0DCE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0D4ECE shade: #0D4ECE, #0D1ACE and #0D0DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0D4ECE shade matches the following richer shades: #0D4ECE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0D4ECE shade: #0D4ECE, #1F54BC, #315AAB, #426099 and #546587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0D4ECE shade: #0DB8CE, #0D84CE, #0D51CE, #0D1DCE and #310DCE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0D4ECE shade: #083181, #0B3FA7, #0D4ECE, #155EF0 and #3B79F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0D4ECE shade: #0D4ECE, #B10DCE and #9ECE0D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0D4ECE shade: #0D4ECE, #CE0D51 and #51CE0D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0D4ECE shade: #0D4ECE, #B10DCE, #CE8B0D and #2ACE0D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0D4ECE shade: #0D4ECE, #CE0DB1, #CE8B0D and #0DCE2A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

Complementary color

CMYK 0 / 27 / 80 / 5

HEX #F2B131

RGB 242 177 49

HSL 39.79, 0.88%, 0.57%

LAB 76.4, 12.99, 69.46

 

CMYK 91 / 61 / 0 / 21

HEX #124EC9

RGB 18 78 201

HSL 220.33, 0.84%, 0.43%

LAB 37.47, 30.5, -68.46

 

CMYK 84 / 56 / 0 / 14

HEX #2360DC

RGB 35 96 220

HSL 220.22, 0.73%, 0.5%

LAB 44.08, 27.09, -68.59

 

CMYK 78 / 52 / 0 / 6

HEX #3472EF

RGB 52 114 239

HSL 220.11, 0.85%, 0.57%

LAB 50.68, 24.21, -68.54

 

CMYK 73 / 48 / 0 / 0

HEX #4584FF

RGB 69 132 255

HSL 219.68, 1%, 0.64%

LAB 57.06, 20.73, -67.07

 

CMYK 66 / 41 / 0 / 0

HEX #5696FF

RGB 86 150 255

HSL 217.28, 1%, 0.67%

LAB 62.52, 12.25, -58.29

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 100 / 68 / 0 / 27

HEX #003CBB

RGB 0 60 187

HSL 220.75, 1%, 0.37%

LAB 31.39, 36.28, -70.26

 

CMYK 100 / 75 / 0 / 34

HEX #002AA8

RGB 0 42 168

HSL 225, 1%, 0.33%

LAB 25.21, 40.55, -69.14

 

CMYK 100 / 84 / 0 / 42

HEX #001895

RGB 0 24 149

HSL 230.34, 1%, 0.29%

LAB 19.32, 44.05, -67.3

 

CMYK 100 / 95 / 0 / 49

HEX #000682

RGB 0 6 130

HSL 237.23, 1%, 0.25%

LAB 14.07, 45.66, -64.15

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 94 / 87 / 0 / 19

HEX #0D1ACE

RGB 13 26 206

HSL 235.96, 0.88%, 0.43%

LAB 27.52, 60.97, -87.83

 

CMYK 75 / 94 / 0 / 19

HEX #340DCE

RGB 52 13 206

HSL 252.12, 0.88%, 0.43%

LAB 28.05, 65.77, -86.91

 

CMYK 50 / 94 / 0 / 19

HEX #680DCE

RGB 104 13 206

HSL 268.29, 0.88%, 0.43%

LAB 33.32, 69.08, -78

 

CMYK 24 / 94 / 0 / 19

HEX #9C0DCE

RGB 156 13 206

HSL 284.46, 0.88%, 0.43%

LAB 40.92, 75.01, -65.25

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 94 / 87 / 0 / 19

HEX #0D1ACE

RGB 13 26 206

HSL 235.96, 0.88%, 0.43%

LAB 27.52, 60.97, -87.83

 

CMYK 94 / 94 / 0 / 19

HEX #0D0DCE

RGB 13 13 206

HSL 240, 0.88%, 0.43%

LAB 26.24, 64.86, -89.96

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 84 / 55 / 0 / 26

HEX #1F54BC

RGB 31 84 188

HSL 219.75, 0.72%, 0.43%

LAB 38.31, 22.28, -59.5

 

CMYK 71 / 47 / 0 / 33

HEX #315AAB

RGB 49 90 171

HSL 219.84, 0.55%, 0.43%

LAB 39.42, 13.84, -47.67

 

CMYK 57 / 37 / 0 / 40

HEX #426099

RGB 66 96 153

HSL 219.31, 0.4%, 0.43%

LAB 40.93, 6.67, -34.5

 

CMYK 38 / 25 / 0 / 47

HEX #546587

RGB 84 101 135

HSL 220, 0.23%, 0.43%

LAB 42.67, 2.6, -20.9

 

CMYK 94 / 11 / 0 / 19

HEX #0DB8CE

RGB 13 184 206

HSL 186.84, 0.88%, 0.43%

LAB 68.62, -30.3, -21.97

 

CMYK 94 / 36 / 0 / 19

HEX #0D84CE

RGB 13 132 206

HSL 203.01, 0.88%, 0.43%

LAB 53, -2.22, -46.29

 

CMYK 94 / 61 / 0 / 19

HEX #0D51CE

RGB 13 81 206

HSL 218.86, 0.88%, 0.43%

LAB 38.6, 30.28, -69.52

 

CMYK 94 / 86 / 0 / 19

HEX #0D1DCE

RGB 13 29 206

HSL 235.03, 0.88%, 0.43%

LAB 27.9, 59.82, -87.2

 

CMYK 76 / 94 / 0 / 19

HEX #310DCE

RGB 49 13 206

HSL 251.19, 0.88%, 0.43%

LAB 27.84, 65.66, -87.26

 

CMYK 94 / 62 / 0 / 49

HEX #083181

RGB 8 49 129

HSL 219.67, 0.88%, 0.27%

LAB 23.11, 20.75, -48.55

 

CMYK 93 / 62 / 0 / 35

HEX #0B3FA7

RGB 11 63 167

HSL 220, 0.88%, 0.35%

LAB 30.44, 26.8, -59.91

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 91 / 61 / 0 / 6

HEX #155EF0

RGB 21 94 240

HSL 220, 0.88%, 0.51%

LAB 44.88, 35.18, -78.59

 

CMYK 76 / 50 / 0 / 5

HEX #3B79F3

RGB 59 121 243

HSL 219.78, 0.88%, 0.59%

LAB 53.03, 22.03, -66.96

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 14 / 94 / 0 / 19

HEX #B10DCE

RGB 177 13 206

HSL 290.98, 0.88%, 0.43%

LAB 44.36, 78.02, -59.49

 

CMYK 23 / 0 / 94 / 19

HEX #9ECE0D

RGB 158 206 13

HSL 74.92, 0.88%, 0.43%

LAB 76.95, -38.05, 75.11

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 0 / 94 / 61 / 19

HEX #CE0D51

RGB 206 13 81

HSL 338.86, 0.88%, 0.43%

LAB 44.24, 69.37, 16.54

 

CMYK 61 / 0 / 94 / 19

HEX #51CE0D

RGB 81 206 13

HSL 98.86, 0.88%, 0.43%

LAB 73.49, -63.11, 70.89

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 14 / 94 / 0 / 19

HEX #B10DCE

RGB 177 13 206

HSL 290.98, 0.88%, 0.43%

LAB 44.36, 78.02, -59.49

 

CMYK 0 / 33 / 94 / 19

HEX #CE8B0D

RGB 206 139 13

HSL 39.17, 0.88%, 0.43%

LAB 63.02, 16.94, 66.33

 

CMYK 80 / 0 / 94 / 19

HEX #2ACE0D

RGB 42 206 13

HSL 110.98, 0.88%, 0.43%

LAB 72.67, -70.18, 69.87

 

CMYK 94 / 62 / 0 / 19

HEX #0D4ECE

RGB 13 78 206

HSL 219.79, 0.88%, 0.43%

LAB 37.83, 32.25, -70.78

 

CMYK 0 / 94 / 14 / 19

HEX #CE0DB1

RGB 206 13 177

HSL 309.02, 0.88%, 0.43%

LAB 47.73, 78.6, -36.89

 

CMYK 0 / 33 / 94 / 19

HEX #CE8B0D

RGB 206 139 13

HSL 39.17, 0.88%, 0.43%

LAB 63.02, 16.94, 66.33

 

CMYK 94 / 0 / 80 / 19

HEX #0DCE2A

RGB 13 206 42

HSL 129.02, 0.88%, 0.43%

LAB 72.49, -71.42, 63.66

 

Description

Color code: HEX #0D4ECE | qconv.com Color code: HEX #0D4ECE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 78 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 78 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 62 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 62% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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