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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0D1DA9 it is the complementary color #F2E256. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0D1DA9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0D1DA9: #121DA4, #232FB7, #3441CA, #4553DD and #5665F0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0D1DA9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0D1DA9: #0D1DA9, #000B96, #000083, #000070 and #00005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

Complementary color

CMYK 0 / 7 / 64 / 5

HEX #F2E256

RGB 242 226 86

HSL 53.85, 0.86%, 0.64%

LAB 88.89, -10.5, 67.88

 

CMYK 89 / 82 / 0 / 36

HEX #121DA4

RGB 18 29 164

HSL 235.48, 0.8%, 0.36%

LAB 22.61, 46.98, -71.01

 

CMYK 81 / 74 / 0 / 28

HEX #232FB7

RGB 35 47 183

HSL 235.14, 0.68%, 0.43%

LAB 28.93, 44.4, -71.94

 

CMYK 74 / 68 / 0 / 21

HEX #3441CA

RGB 52 65 202

HSL 234.8, 0.59%, 0.5%

LAB 35.55, 41.67, -72.16

 

CMYK 69 / 62 / 0 / 13

HEX #4553DD

RGB 69 83 221

HSL 234.47, 0.69%, 0.57%

LAB 42.27, 39.14, -72.05

 

CMYK 64 / 58 / 0 / 6

HEX #5665F0

RGB 86 101 240

HSL 234.16, 0.84%, 0.64%

LAB 48.98, 36.91, -71.8

 

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

CMYK 100 / 93 / 0 / 41

HEX #000B96

RGB 0 11 150

HSL 235.6, 1%, 0.29%

LAB 17.65, 49.8, -70.7

 

CMYK 100 / 100 / 0 / 49

HEX #000083

RGB 0 0 131

HSL 240, 1%, 0.26%

LAB 13.46, 48.31, -65.8

 

CMYK 100 / 100 / 0 / 56

HEX #000070

RGB 0 0 112

HSL 240, 1%, 0.22%

LAB 10.33, 43.18, -58.8

 

CMYK 100 / 100 / 0 / 64

HEX #00005D

RGB 0 0 93

HSL 240, 1%, 0.18%

LAB 7.14, 37.74, -51.54

 

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

CMYK 88 / 93 / 0 / 33

HEX #140CAA

RGB 20 12 170

HSL 243.04, 0.87%, 0.36%

LAB 21.26, 55.52, -76.9

 

CMYK 72 / 93 / 0 / 33

HEX #2F0CAA

RGB 47 12 170

HSL 253.29, 0.87%, 0.36%

LAB 22.89, 56.47, -74.13

 

CMYK 57 / 93 / 0 / 33

HEX #490CAA

RGB 73 12 170

HSL 263.16, 0.87%, 0.36%

LAB 25.51, 58.18, -69.71

 

CMYK 42 / 93 / 0 / 33

HEX #630CAA

RGB 99 12 170

HSL 273.04, 0.87%, 0.36%

LAB 28.95, 60.75, -63.92

 

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

CMYK 92 / 83 / 0 / 14

HEX #1126DC

RGB 17 38 220

HSL 233.79, 0.86%, 0.46%

LAB 31.05, 60.26, -90.06

 

CMYK 94 / 81 / 0 / 94

HEX #010310

RGB 1 3 16

HSL 232, 0.88%, 0.03%

LAB 0.98, 1.43, -5.51

 

CMYK 93 / 84 / 0 / 74

HEX #050B43

RGB 5 11 67

HSL 234.19, 0.86%, 0.14%

LAB 6.11, 20.96, -35.25

 

CMYK 92 / 83 / 0 / 54

HEX #091476

RGB 9 20 118

HSL 233.94, 0.86%, 0.25%

LAB 14.77, 35.8, -55.29

 

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

CMYK 0 / 93 / 8 / 33

HEX #AA0C9D

RGB 170 12 157

HSL 304.94, 0.87%, 0.36%

LAB 39.99, 69.32, -37.63

 

CMYK 45 / 0 / 93 / 33

HEX #5EAA0C

RGB 94 170 12

HSL 88.86, 0.87%, 0.36%

LAB 62.64, -46.31, 62.3

 

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

CMYK 0 / 93 / 82 / 33

HEX #AA0C1F

RGB 170 12 31

HSL 352.78, 0.87%, 0.36%

LAB 35.81, 58.17, 35.5

 

CMYK 82 / 0 / 93 / 33

HEX #1FAA0C

RGB 31 170 12

HSL 112.78, 0.87%, 0.36%

LAB 60.84, -60.97, 60.07

 

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

CMYK 0 / 93 / 8 / 33

HEX #AA0C9D

RGB 170 12 157

HSL 304.94, 0.87%, 0.36%

LAB 39.99, 69.32, -37.63

 

CMYK 0 / 11 / 93 / 33

HEX #AA980C

RGB 170 152 12

HSL 53.16, 0.87%, 0.36%

LAB 62.53, -6.32, 64.42

 

CMYK 93 / 0 / 85 / 33

HEX #0CAA1A

RGB 12 170 26

HSL 125.32, 0.87%, 0.36%

LAB 60.7, -62.12, 57.07

 

CMYK 92 / 83 / 0 / 34

HEX #0D1DA9

RGB 13 29 169

HSL 233.85, 0.86%, 0.36%

LAB 23.1, 48.45, -73.24

 

CMYK 0 / 93 / 35 / 33

HEX #AA0C6E

RGB 170 12 110

HSL 322.78, 0.87%, 0.36%

LAB 37.73, 63.44, -12.11

 

CMYK 0 / 11 / 93 / 33

HEX #AA980C

RGB 170 152 12

HSL 53.16, 0.87%, 0.36%

LAB 62.53, -6.32, 64.42

 

CMYK 93 / 0 / 57 / 33

HEX #0CAA49

RGB 12 170 73

HSL 143.16, 0.87%, 0.36%

LAB 61.05, -57.62, 39.33

 

Description

Color code: HEX #0D1DA9 | qconv.com Color code: HEX #0D1DA9 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 13 red, 29 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
13 29 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 83 magenta, none yellow and 34 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 83% 0% 34% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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