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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0CD09F it is the complementary color #F32F60. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0CD09F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0CD09F shade: #11D09A, #22E2AD, #33F4C0, #44FFD3 and #55FFE6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0CD09F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0CD09F shade: #0CD09F, #00BE8C, #00AC79, #009A66 and #008853

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0CD09F shade: #0CCF9E, #0CCF6A, #0CCF35, #18CF0C and #4CCF0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0CD09F shade: #0CCF9E, #0CCBCF, #0C97CF, #0C62CF and #0C2ECF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0CD09F shade matches the following richer shades: #0CCF9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0CD09F shade: #0CCF9E, #1EBD96, #30AC8D, #419A84 and #53887B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0CD09F shade: #0CCF36, #0CCF6A, #0CCF9E, #0CCCCF and #0C98CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0CD09F shade: #088163, #0AA881, #0CCF9E, #13F1BA and #3AF4C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0CD09F shade: #0CD09F, #0C16CF and #CF500C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0CD09F shade: #0CD09F, #9E0CCF and #CF9E0C

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0CD09F shade: #0CD09F, #0C16CF, #CF0C3D and #CFC50C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0CD09F shade: #0CD09F, #3D0CCF, #CF0C3D and #9ECF0C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 24 / 18

HEX #0CD09F

RGB 12 208 159

HSL 165, 0.89%, 0.43%

LAB 74.63, -54.18, 12.45

 

Complementary color

CMYK 0 / 81 / 60 / 5

HEX #F32F60

RGB 243 47 96

HSL 345, 0.89%, 0.57%

LAB 53.96, 73.44, 21.66

 

CMYK 92 / 0 / 26 / 18

HEX #11D09A

RGB 17 208 154

HSL 163.04, 0.85%, 0.44%

LAB 74.55, -55.17, 15.01

 

CMYK 85 / 0 / 23 / 11

HEX #22E2AD

RGB 34 226 173

HSL 163.44, 0.77%, 0.51%

LAB 80.6, -56.64, 13.48

 

CMYK 79 / 0 / 21 / 4

HEX #33F4C0

RGB 51 244 192

HSL 163.83, 0.9%, 0.58%

LAB 86.61, -57.76, 12.08

 

CMYK 73 / 0 / 17 / 0

HEX #44FFD3

RGB 68 255 211

HSL 165.88, 1%, 0.63%

LAB 90.53, -55.82, 7.87

 

CMYK 67 / 0 / 10 / 0

HEX #55FFE6

RGB 85 255 230

HSL 171.18, 1%, 0.67%

LAB 91.31, -48.96, -0.79

 

CMYK 94 / 0 / 24 / 18

HEX #0CD09F

RGB 12 208 159

HSL 165, 0.89%, 0.43%

LAB 74.63, -54.18, 12.45

 

CMYK 100 / 0 / 26 / 25

HEX #00BE8C

RGB 0 190 140

HSL 164.21, 1%, 0.37%

LAB 68.55, -52.19, 14.11

 

CMYK 100 / 0 / 30 / 33

HEX #00AC79

RGB 0 172 121

HSL 162.21, 1%, 0.34%

LAB 62.41, -49.77, 15.92

 

CMYK 100 / 0 / 34 / 40

HEX #009A66

RGB 0 154 102

HSL 159.74, 1%, 0.3%

LAB 56.16, -47.26, 17.82

 

CMYK 100 / 0 / 39 / 47

HEX #008853

RGB 0 136 83

HSL 156.62, 1%, 0.27%

LAB 49.78, -44.64, 19.82

 

CMYK 94 / 0 / 24 / 19

HEX #0CCF9E

RGB 12 207 158

HSL 164.92, 0.89%, 0.43%

LAB 74.3, -54.03, 12.52

 

CMYK 94 / 0 / 49 / 19

HEX #0CCF6A

RGB 12 207 106

HSL 148.92, 0.89%, 0.43%

LAB 73.38, -64.62, 38.29

 

CMYK 94 / 0 / 74 / 19

HEX #0CCF35

RGB 12 207 53

HSL 132.62, 0.89%, 0.43%

LAB 72.87, -70.98, 60.56

 

CMYK 88 / 0 / 94 / 19

HEX #18CF0C

RGB 24 207 12

HSL 116.31, 0.89%, 0.43%

LAB 72.79, -72.25, 70.01

 

CMYK 63 / 0 / 94 / 19

HEX #4CCF0C

RGB 76 207 12

HSL 100.31, 0.89%, 0.43%

LAB 73.67, -64.61, 71.09

 

CMYK 94 / 0 / 24 / 19

HEX #0CCF9E

RGB 12 207 158

HSL 164.92, 0.89%, 0.43%

LAB 74.3, -54.03, 12.52

 

CMYK 94 / 2 / 0 / 19

HEX #0CCBCF

RGB 12 203 207

HSL 181.23, 0.89%, 0.43%

LAB 74.38, -38.96, -13.81

 

CMYK 94 / 27 / 0 / 19

HEX #0C97CF

RGB 12 151 207

HSL 197.23, 0.89%, 0.43%

LAB 58.71, -12.81, -37.85

 

CMYK 94 / 53 / 0 / 19

HEX #0C62CF

RGB 12 98 207

HSL 213.54, 0.89%, 0.43%

LAB 43.24, 19.47, -62.53

 

CMYK 94 / 78 / 0 / 19

HEX #0C2ECF

RGB 12 46 207

HSL 229.54, 0.89%, 0.43%

LAB 30.73, 52.11, -83.07

 

CMYK 94 / 0 / 24 / 19

HEX #0CCF9E

RGB 12 207 158

HSL 164.92, 0.89%, 0.43%

LAB 74.3, -54.03, 12.52

 

CMYK 94 / 0 / 24 / 19

HEX #0CCF9E

RGB 12 207 158

HSL 164.92, 0.89%, 0.43%

LAB 74.3, -54.03, 12.52

 

CMYK 84 / 0 / 21 / 26

HEX #1EBD96

RGB 30 189 150

HSL 165.28, 0.73%, 0.43%

LAB 68.66, -47.84, 8.86

 

CMYK 72 / 0 / 18 / 33

HEX #30AC8D

RGB 48 172 141

HSL 165, 0.56%, 0.43%

LAB 63.39, -40.99, 6.32

 

CMYK 58 / 0 / 14 / 40

HEX #419A84

RGB 65 154 132

HSL 165.17, 0.41%, 0.43%

LAB 57.94, -32.12, 3.59

 

CMYK 39 / 0 / 10 / 47

HEX #53887B

RGB 83 136 123

HSL 165.28, 0.24%, 0.43%

LAB 52.82, -20.85, 1.42

 

CMYK 94 / 0 / 74 / 19

HEX #0CCF36

RGB 12 207 54

HSL 132.92, 0.89%, 0.43%

LAB 72.87, -70.9, 60.22

 

CMYK 94 / 0 / 49 / 19

HEX #0CCF6A

RGB 12 207 106

HSL 148.92, 0.89%, 0.43%

LAB 73.38, -64.62, 38.29

 

CMYK 94 / 0 / 24 / 19

HEX #0CCF9E

RGB 12 207 158

HSL 164.92, 0.89%, 0.43%

LAB 74.3, -54.03, 12.52

 

CMYK 94 / 1 / 0 / 19

HEX #0CCCCF

RGB 12 204 207

HSL 180.92, 0.89%, 0.43%

LAB 74.68, -39.41, -13.36

 

CMYK 94 / 27 / 0 / 19

HEX #0C98CF

RGB 12 152 207

HSL 196.92, 0.89%, 0.43%

LAB 59.01, -13.37, -37.38

 

CMYK 94 / 0 / 23 / 49

HEX #088163

RGB 8 129 99

HSL 165.12, 0.88%, 0.27%

LAB 47.82, -37.46, 7.95

 

CMYK 94 / 0 / 23 / 34

HEX #0AA881

RGB 10 168 129

HSL 165.19, 0.89%, 0.35%

LAB 61.36, -45.82, 10.03

 

CMYK 94 / 0 / 24 / 19

HEX #0CCF9E

RGB 12 207 158

HSL 164.92, 0.89%, 0.43%

LAB 74.3, -54.03, 12.52

 

CMYK 92 / 0 / 23 / 5

HEX #13F1BA

RGB 19 241 186

HSL 165.14, 0.89%, 0.51%

LAB 85.3, -60.11, 13.3

 

CMYK 76 / 0 / 19 / 4

HEX #3AF4C5

RGB 58 244 197

HSL 164.84, 0.89%, 0.59%

LAB 86.82, -55.88, 9.79

 

CMYK 94 / 0 / 24 / 18

HEX #0CD09F

RGB 12 208 159

HSL 165, 0.89%, 0.43%

LAB 74.63, -54.18, 12.45

 

CMYK 94 / 89 / 0 / 19

HEX #0C16CF

RGB 12 22 207

HSL 236.92, 0.89%, 0.43%

LAB 27.18, 62.62, -88.99

 

CMYK 0 / 61 / 94 / 19

HEX #CF500C

RGB 207 80 12

HSL 20.92, 0.89%, 0.43%

LAB 50.72, 47.72, 58.12

 

CMYK 94 / 0 / 24 / 18

HEX #0CD09F

RGB 12 208 159

HSL 165, 0.89%, 0.43%

LAB 74.63, -54.18, 12.45

 

CMYK 24 / 94 / 0 / 19

HEX #9E0CCF

RGB 158 12 207

HSL 284.92, 0.89%, 0.43%

LAB 41.27, 75.58, -65.23

 

CMYK 0 / 24 / 94 / 19

HEX #CF9E0C

RGB 207 158 12

HSL 44.92, 0.89%, 0.43%

LAB 67.83, 7.08, 70.03

 

CMYK 94 / 0 / 24 / 18

HEX #0CD09F

RGB 12 208 159

HSL 165, 0.89%, 0.43%

LAB 74.63, -54.18, 12.45

 

CMYK 94 / 89 / 0 / 19

HEX #0C16CF

RGB 12 22 207

HSL 236.92, 0.89%, 0.43%

LAB 27.18, 62.62, -88.99

 

CMYK 0 / 94 / 71 / 19

HEX #CF0C3D

RGB 207 12 61

HSL 344.92, 0.89%, 0.43%

LAB 44.04, 68.7, 28.77

 

CMYK 0 / 5 / 94 / 19

HEX #CFC50C

RGB 207 197 12

HSL 56.92, 0.89%, 0.43%

LAB 78.01, -13.31, 77.59

 

CMYK 94 / 0 / 24 / 18

HEX #0CD09F

RGB 12 208 159

HSL 165, 0.89%, 0.43%

LAB 74.63, -54.18, 12.45

 

CMYK 71 / 94 / 0 / 19

HEX #3D0CCF

RGB 61 12 207

HSL 255.08, 0.89%, 0.43%

LAB 28.8, 66.6, -86.22

 

CMYK 0 / 94 / 71 / 19

HEX #CF0C3D

RGB 207 12 61

HSL 344.92, 0.89%, 0.43%

LAB 44.04, 68.7, 28.77

 

CMYK 24 / 0 / 94 / 19

HEX #9ECF0C

RGB 158 207 12

HSL 75.08, 0.89%, 0.43%

LAB 77.23, -38.51, 75.45

 

Description

Color code: HEX #0CD09F | qconv.com Color code: HEX #0CD09F | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 208 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 208 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 24 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 24% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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