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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BEA5E it is the complementary color #F415A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BEA5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0BEA5E shade: #10EA59, #21FC6C, #32FF7F, #43FF92 and #54FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BEA5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0BEA5E shade: #0BEA5E, #00D84B, #00C638, #00B425 and #00A212

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0BEA5E shade: #0BEA5E, #0BEA22, #30EA0B, #6CEA0B and #A8EA0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0BEA5E shade: #0BEA5E, #0BEA9A, #0BEAD6, #0BC1EA and #0B85EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0BEA5E shade matches the following richer shades: #0BEA5E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0BEA5E shade: #0BEA5E, #1FD663, #33C268, #46AE6D and #5A9B72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0BEA5E shade: #30EA0B, #0BEA21, #0BEA5D, #0BEA98 and #0BEAD4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0BEA5E shade: #079B3E, #09C24E, #0BEA5E, #29F575 and #51F78E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0BEA5E shade: #0BEA5E, #0B6CEA and #EA0B12

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0BEA5E shade: #0BEA5E, #5D0BEA and #EA5D0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0BEA5E shade: #0BEA5E, #0B6CEA, #EA0B98 and #EA890B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0BEA5E shade: #0BEA5E, #0B29EA, #EA0B98 and #EACC0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

Complementary color

CMYK 0 / 91 / 34 / 4

HEX #F415A1

RGB 244 21 161

HSL 322.33, 0.91%, 0.52%

LAB 54.39, 83.42, -16.57

 

CMYK 93 / 0 / 62 / 8

HEX #10EA59

RGB 16 234 89

HSL 140.09, 0.87%, 0.49%

LAB 81.66, -75.17, 56.01

 

CMYK 87 / 0 / 57 / 1

HEX #21FC6C

RGB 33 252 108

HSL 140.55, 0.97%, 0.56%

LAB 87.5, -77.3, 54.55

 

CMYK 80 / 0 / 50 / 0

HEX #32FF7F

RGB 50 255 127

HSL 142.54, 1%, 0.6%

LAB 88.79, -74.2, 47.5

 

CMYK 74 / 0 / 43 / 0

HEX #43FF92

RGB 67 255 146

HSL 145.21, 1%, 0.63%

LAB 89.29, -69.23, 39.08

 

CMYK 67 / 0 / 35 / 0

HEX #54FFA5

RGB 84 255 165

HSL 148.42, 1%, 0.66%

LAB 89.92, -63.38, 30.55

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 100 / 0 / 65 / 15

HEX #00D84B

RGB 0 216 75

HSL 140.83, 1%, 0.42%

LAB 75.84, -71.99, 55.34

 

CMYK 100 / 0 / 72 / 22

HEX #00C638

RGB 0 198 56

HSL 136.97, 1%, 0.39%

LAB 69.95, -68.63, 56.5

 

CMYK 100 / 0 / 79 / 29

HEX #00B425

RGB 0 180 37

HSL 132.33, 1%, 0.35%

LAB 63.98, -64.94, 57.02

 

CMYK 100 / 0 / 89 / 36

HEX #00A212

RGB 0 162 18

HSL 126.67, 1%, 0.32%

LAB 57.93, -60.84, 56.41

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 95 / 0 / 85 / 8

HEX #0BEA22

RGB 11 234 34

HSL 126.19, 0.91%, 0.48%

LAB 81.31, -79.57, 73.69

 

CMYK 79 / 0 / 95 / 8

HEX #30EA0B

RGB 48 234 11

HSL 110.04, 0.91%, 0.48%

LAB 81.56, -77.47, 77.43

 

CMYK 54 / 0 / 95 / 8

HEX #6CEA0B

RGB 108 234 11

HSL 93.9, 0.91%, 0.48%

LAB 82.94, -65.84, 79.13

 

CMYK 28 / 0 / 95 / 8

HEX #A8EA0B

RGB 168 234 11

HSL 77.76, 0.91%, 0.48%

LAB 85.6, -46.43, 82.36

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 95 / 0 / 34 / 8

HEX #0BEA9A

RGB 11 234 154

HSL 158.48, 0.91%, 0.48%

LAB 82.51, -64.9, 25.98

 

CMYK 95 / 0 / 9 / 8

HEX #0BEAD6

RGB 11 234 214

HSL 174.62, 0.91%, 0.48%

LAB 83.85, -50.45, -3.48

 

CMYK 95 / 18 / 0 / 8

HEX #0BC1EA

RGB 11 193 234

HSL 191.03, 0.91%, 0.48%

LAB 72.33, -25.59, -31.55

 

CMYK 95 / 43 / 0 / 8

HEX #0B85EA

RGB 11 133 234

HSL 207.17, 0.91%, 0.48%

LAB 54.85, 7.87, -59.07

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 86 / 0 / 54 / 16

HEX #1FD663

RGB 31 214 99

HSL 142.3, 0.75%, 0.48%

LAB 75.63, -66.82, 44.48

 

CMYK 74 / 0 / 46 / 24

HEX #33C268

RGB 51 194 104

HSL 142.24, 0.58%, 0.48%

LAB 69.67, -57, 34.69

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 42 / 0 / 26 / 39

HEX #5A9B72

RGB 90 155 114

HSL 142.15, 0.27%, 0.48%

LAB 58.82, -30.26, 15.12

 

CMYK 79 / 0 / 95 / 8

HEX #30EA0B

RGB 48 234 11

HSL 110.04, 0.91%, 0.48%

LAB 81.56, -77.47, 77.43

 

CMYK 95 / 0 / 86 / 8

HEX #0BEA21

RGB 11 234 33

HSL 125.92, 0.91%, 0.48%

LAB 81.31, -79.61, 73.89

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5D

RGB 11 234 93

HSL 142.06, 0.91%, 0.48%

LAB 81.68, -74.88, 54.31

 

CMYK 95 / 0 / 35 / 8

HEX #0BEA98

RGB 11 234 152

HSL 157.94, 0.91%, 0.48%

LAB 82.48, -65.31, 26.96

 

CMYK 95 / 0 / 9 / 8

HEX #0BEAD4

RGB 11 234 212

HSL 174.08, 0.91%, 0.48%

LAB 83.79, -50.99, -2.5

 

CMYK 95 / 0 / 60 / 39

HEX #079B3E

RGB 7 155 62

HSL 142.3, 0.91%, 0.32%

LAB 55.92, -54.54, 38.56

 

CMYK 95 / 0 / 60 / 24

HEX #09C24E

RGB 9 194 78

HSL 142.38, 0.91%, 0.4%

LAB 68.89, -64.69, 46.2

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 83 / 0 / 52 / 4

HEX #29F575

RGB 41 245 117

HSL 142.35, 0.91%, 0.56%

LAB 85.53, -73.3, 48.13

 

CMYK 67 / 0 / 43 / 3

HEX #51F78E

RGB 81 247 142

HSL 142.05, 0.91%, 0.64%

LAB 87.11, -64.99, 38.26

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 95 / 54 / 0 / 8

HEX #0B6CEA

RGB 11 108 234

HSL 213.9, 0.91%, 0.48%

LAB 47.93, 23.58, -70.25

 

CMYK 0 / 95 / 92 / 8

HEX #EA0B12

RGB 234 11 18

HSL 358.12, 0.91%, 0.48%

LAB 49.22, 74.36, 57.96

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 60 / 95 / 0 / 8

HEX #5D0BEA

RGB 93 11 234

HSL 262.06, 0.91%, 0.48%

LAB 35.02, 74.92, -91.34

 

CMYK 0 / 60 / 95 / 8

HEX #EA5D0B

RGB 234 93 11

HSL 22.06, 0.91%, 0.48%

LAB 57.41, 51.62, 64.78

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 95 / 54 / 0 / 8

HEX #0B6CEA

RGB 11 108 234

HSL 213.9, 0.91%, 0.48%

LAB 47.93, 23.58, -70.25

 

CMYK 0 / 95 / 35 / 8

HEX #EA0B98

RGB 234 11 152

HSL 322.06, 0.91%, 0.48%

LAB 51.84, 81.42, -15.28

 

CMYK 0 / 41 / 95 / 8

HEX #EA890B

RGB 234 137 11

HSL 33.9, 0.91%, 0.48%

LAB 66.07, 29.92, 70.41

 

CMYK 95 / 0 / 60 / 8

HEX #0BEA5E

RGB 11 234 94

HSL 142.33, 0.91%, 0.48%

LAB 81.69, -74.76, 53.89

 

CMYK 95 / 82 / 0 / 8

HEX #0B29EA

RGB 11 41 234

HSL 231.93, 0.91%, 0.48%

LAB 33.13, 63.05, -94.61

 

CMYK 0 / 95 / 35 / 8

HEX #EA0B98

RGB 234 11 152

HSL 322.06, 0.91%, 0.48%

LAB 51.84, 81.42, -15.28

 

CMYK 0 / 13 / 95 / 8

HEX #EACC0B

RGB 234 204 11

HSL 51.93, 0.91%, 0.48%

LAB 82.22, -5.23, 81.89

 

Description

Color code: HEX #0BEA5E | qconv.com Color code: HEX #0BEA5E | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 234 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 234 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 60 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 60% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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