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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 70 174 109 it is the complementary color RGB 185 81 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 70 174 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 70 174 109: RGB 75 174 104, RGB 92 192 123, RGB 109 210 142, RGB 126 228 161 and RGB 143 246 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 70 174 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 70 174 109: RGB 70 174 109, RGB 53 156 90, RGB 36 138 71, RGB 19 120 52 and RGB 2 102 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

Complementary color

CMYK 0 / 56 / 21 / 27

HEX #B95192

RGB 185 81 146

HSL 322.5, 0.43%, 0.52%

LAB 49.83, 49.5, -15.54

 

CMYK 57 / 0 / 40 / 32

HEX #4BAE68

RGB 75 174 104

HSL 137.58, 0.4%, 0.49%

LAB 63.97, -44.68, 27.43

 

CMYK 52 / 0 / 36 / 25

HEX #5CC07B

RGB 92 192 123

HSL 138.6, 0.44%, 0.56%

LAB 70.46, -44.64, 26.08

 

CMYK 48 / 0 / 32 / 18

HEX #6DD28E

RGB 109 210 142

HSL 139.6, 0.53%, 0.63%

LAB 76.86, -44.5, 24.83

 

CMYK 45 / 0 / 29 / 11

HEX #7EE4A1

RGB 126 228 161

HSL 140.59, 0.65%, 0.69%

LAB 83.18, -44.3, 23.66

 

CMYK 42 / 0 / 27 / 4

HEX #8FF6B4

RGB 143 246 180

HSL 141.55, 0.85%, 0.76%

LAB 89.41, -44.07, 22.57

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 66 / 0 / 42 / 39

HEX #359C5A

RGB 53 156 90

HSL 141.55, 0.49%, 0.41%

LAB 57.34, -44.71, 26.11

 

CMYK 74 / 0 / 49 / 46

HEX #248A47

RGB 36 138 71

HSL 140.59, 0.59%, 0.34%

LAB 50.7, -44.16, 27.7

 

CMYK 84 / 0 / 57 / 53

HEX #137834

RGB 19 120 52

HSL 139.6, 0.73%, 0.27%

LAB 43.97, -43.05, 29.4

 

CMYK 98 / 0 / 68 / 60

HEX #026621

RGB 2 102 33

HSL 138.6, 0.96%, 0.2%

LAB 37.16, -41.16, 31.05

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 61 / 0 / 29 / 31

HEX #45AF7D

RGB 69 175 125

HSL 151.7, 0.43%, 0.48%

LAB 64.49, -42.35, 16.77

 

CMYK 61 / 0 / 18 / 31

HEX #45AF8F

RGB 69 175 143

HSL 161.89, 0.43%, 0.48%

LAB 64.89, -38.25, 7.42

 

CMYK 61 / 0 / 9 / 31

HEX #45AFA0

RGB 69 175 160

HSL 171.51, 0.43%, 0.48%

LAB 65.33, -33.96, -1.37

 

CMYK 61 / 2 / 0 / 31

HEX #45ABAF

RGB 69 171 175

HSL 182.26, 0.43%, 0.48%

LAB 64.55, -27.9, -10.88

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 60 / 0 / 37 / 12

HEX #5BE18D

RGB 91 225 141

HSL 142.39, 0.69%, 0.62%

LAB 80.74, -55.05, 30.45

 

CMYK 62 / 0 / 38 / 92

HEX #08150D

RGB 8 21 13

HSL 143.08, 0.45%, 0.06%

LAB 5.57, -5.96, 2.79

 

CMYK 60 / 0 / 38 / 72

HEX #1D482D

RGB 29 72 45

HSL 142.33, 0.43%, 0.2%

LAB 26.98, -22.17, 11.8

 

CMYK 60 / 0 / 37 / 52

HEX #317B4D

RGB 49 123 77

HSL 142.7, 0.43%, 0.34%

LAB 46.12, -34.17, 18.47

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 61 / 34 / 0 / 31

HEX #4573AF

RGB 69 115 175

HSL 213.96, 0.43%, 0.48%

LAB 47.78, 3.01, -36.66

 

CMYK 0 / 61 / 58 / 31

HEX #AF4549

RGB 175 69 73

HSL 357.74, 0.43%, 0.48%

LAB 44.02, 43.62, 20.17

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 38 / 61 / 0 / 31

HEX #6C45AF

RGB 108 69 175

HSL 262.08, 0.43%, 0.48%

LAB 38.79, 40.19, -50.82

 

CMYK 0 / 38 / 61 / 31

HEX #AF6C45

RGB 175 108 69

HSL 22.08, 0.43%, 0.48%

LAB 52.14, 22.83, 32.78

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 61 / 34 / 0 / 31

HEX #4573AF

RGB 69 115 175

HSL 213.96, 0.43%, 0.48%

LAB 47.78, 3.01, -36.66

 

CMYK 0 / 61 / 22 / 31

HEX #AF4588

RGB 175 69 136

HSL 322.08, 0.43%, 0.48%

LAB 45.84, 50.59, -15.75

 

CMYK 0 / 26 / 61 / 31

HEX #AF8145

RGB 175 129 69

HSL 33.96, 0.43%, 0.48%

LAB 57.31, 11.07, 38.96

 

CMYK 60 / 0 / 37 / 32

HEX #46AE6D

RGB 70 174 109

HSL 142.5, 0.43%, 0.48%

LAB 63.9, -44.92, 24.64

 

CMYK 61 / 53 / 0 / 31

HEX #4553AF

RGB 69 83 175

HSL 232.08, 0.43%, 0.48%

LAB 38.81, 23.25, -50.97

 

CMYK 0 / 61 / 22 / 31

HEX #AF4588

RGB 175 69 136

HSL 322.08, 0.43%, 0.48%

LAB 45.84, 50.59, -15.75

 

CMYK 0 / 9 / 61 / 31

HEX #AFA045

RGB 175 160 69

HSL 51.51, 0.43%, 0.48%

LAB 65.5, -5.94, 48.3

 

Description

Color code: RGB 70 174 109 | qconv.com Color code: RGB 70 174 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 70 red, 174 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
70 174 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 60 cyan, none magenta, 37 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
60% 0% 37% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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