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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0BDB02 it is the complementary color #F424FD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0BDB02. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0BDB02: #10DB00, #21ED10, #32FF23, #43FF36 and #54FF49

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0BDB02. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0BDB02: #0BDB02, #00C900, #00B700, #00A500 and #009300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

Complementary color

CMYK 4 / 86 / 0 / 1

HEX #F424FD

RGB 244 36 253

HSL 297.51, 0.98%, 0.57%

LAB 59.51, 92.85, -61.13

 

CMYK 93 / 0 / 100 / 14

HEX #10DB00

RGB 16 219 0

HSL 115.62, 1%, 0.43%

LAB 76.54, -76.21, 74.23

 

CMYK 86 / 0 / 93 / 7

HEX #21ED10

RGB 33 237 16

HSL 115.38, 0.87%, 0.5%

LAB 82.34, -79.69, 77.5

 

CMYK 80 / 0 / 86 / 0

HEX #32FF23

RGB 50 255 35

HSL 115.91, 1%, 0.57%

LAB 88.12, -82.48, 79.6

 

CMYK 74 / 0 / 79 / 0

HEX #43FF36

RGB 67 255 54

HSL 116.12, 1%, 0.61%

LAB 88.44, -79.44, 75.56

 

CMYK 67 / 0 / 71 / 0

HEX #54FF49

RGB 84 255 73

HSL 116.37, 1%, 0.64%

LAB 88.87, -75.4, 70.19

 

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

CMYK 100 / 0 / 100 / 21

HEX #00C900

RGB 0 201 0

HSL 120, 1%, 0.39%

LAB 70.71, -72.04, 69.53

 

CMYK 100 / 0 / 100 / 28

HEX #00B700

RGB 0 183 0

HSL 120, 1%, 0.36%

LAB 64.86, -67.18, 64.83

 

CMYK 100 / 0 / 100 / 35

HEX #00A500

RGB 0 165 0

HSL 120, 1%, 0.32%

LAB 58.89, -62.22, 60.05

 

CMYK 100 / 0 / 100 / 42

HEX #009300

RGB 0 147 0

HSL 120, 1%, 0.29%

LAB 52.8, -57.16, 55.17

 

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

CMYK 99 / 0 / 88 / 15

HEX #02D91B

RGB 2 217 27

HSL 126.98, 0.98%, 0.43%

LAB 75.9, -75.59, 70.32

 

CMYK 99 / 0 / 71 / 15

HEX #02D93F

RGB 2 217 63

HSL 137.02, 0.98%, 0.43%

LAB 76.07, -73.37, 60.26

 

CMYK 99 / 0 / 55 / 15

HEX #02D962

RGB 2 217 98

HSL 146.79, 0.98%, 0.43%

LAB 76.39, -69.37, 45.82

 

CMYK 99 / 0 / 38 / 15

HEX #02D986

RGB 2 217 134

HSL 156.84, 0.98%, 0.43%

LAB 76.9, -63.26, 28.69

 

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

CMYK 93 / 0 / 100 / 94

HEX #010F00

RGB 1 15 0

HSL 116, 1%, 0.03%

LAB 3.14, -6.04, 4.6

 

CMYK 95 / 0 / 98 / 74

HEX #034201

RGB 3 66 1

HSL 118.15, 0.97%, 0.13%

LAB 23.4, -31.98, 30.62

 

CMYK 95 / 0 / 99 / 54

HEX #067501

RGB 6 117 1

HSL 117.41, 0.98%, 0.23%

LAB 42.4, -47.89, 46.62

 

CMYK 95 / 0 / 99 / 34

HEX #08A802

RGB 8 168 2

HSL 117.83, 0.98%, 0.33%

LAB 59.94, -62.57, 60.63

 

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

CMYK 99 / 15 / 0 / 15

HEX #02B8D9

RGB 2 184 217

HSL 189.21, 0.98%, 0.43%

LAB 68.97, -27, -27.47

 

CMYK 0 / 99 / 55 / 15

HEX #D90262

RGB 217 2 98

HSL 333.21, 0.98%, 0.43%

LAB 46.55, 73.98, 9.47

 

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

CMYK 99 / 94 / 0 / 15

HEX #020CD9

RGB 2 12 217

HSL 237.21, 0.98%, 0.43%

LAB 27.53, 67.85, -94.2

 

CMYK 0 / 99 / 94 / 15

HEX #D9020C

RGB 217 2 12

HSL 357.21, 0.98%, 0.43%

LAB 45.39, 70.85, 55.9

 

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

CMYK 99 / 15 / 0 / 15

HEX #02B8D9

RGB 2 184 217

HSL 189.21, 0.98%, 0.43%

LAB 68.97, -27, -27.47

 

CMYK 5 / 99 / 0 / 15

HEX #CE02D9

RGB 206 2 217

HSL 296.93, 0.98%, 0.43%

LAB 49.71, 85.12, -56.95

 

CMYK 0 / 84 / 99 / 15

HEX #D92202

RGB 217 34 2

HSL 8.93, 0.98%, 0.43%

LAB 46.84, 66.5, 59.49

 

CMYK 95 / 0 / 99 / 14

HEX #0BDB02

RGB 11 219 2

HSL 117.51, 0.98%, 0.43%

LAB 76.52, -76.4, 74.01

 

CMYK 99 / 45 / 0 / 15

HEX #0278D9

RGB 2 120 217

HSL 207.07, 0.98%, 0.43%

LAB 50.04, 9.04, -57.25

 

CMYK 5 / 99 / 0 / 15

HEX #CE02D9

RGB 206 2 217

HSL 296.93, 0.98%, 0.43%

LAB 49.71, 85.12, -56.95

 

CMYK 0 / 55 / 99 / 15

HEX #D96202

RGB 217 98 2

HSL 26.79, 0.98%, 0.43%

LAB 55.57, 42.89, 64

 

Description

Color code: HEX #0BDB02 | qconv.com Color code: HEX #0BDB02 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 219 green and 2 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 219 2 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 95 cyan, none magenta, 99 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
95% 0% 99% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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