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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B99BB it is the complementary color #F46644. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B99BB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B99BB shade: #1099B6, #21ABC9, #32BDDC, #43CFEF and #54E1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B99BB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B99BB shade: #0B99BB, #0087A8, #007595, #006382 and #00516F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B99BB shade: #0B9ABC, #0B6ABC, #0B3ABC, #0B0BBC and #3B0BBC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B99BB shade: #0B9ABC, #0B6ABC, #0B3ABC and #0B0BBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B99BB shade matches the following richer shades: #0B9ABC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B99BB shade: #0B9ABC, #1B90AC, #2B869C, #3B7C8C and #4B727C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B99BB shade: #0BBC7E, #0BBCAD, #0B9CBC, #0B6CBC and #0B3DBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B99BB shade: #065A6E, #097A95, #0B9ABC, #0DBAE3 and #27CBF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B99BB shade: #0B99BB, #4F0BBC and #BC960B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B99BB shade: #0B99BB, #BC0B9C and #9CBC0B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B99BB shade: #0B99BB, #4F0BBC, #BC2B0B and #78BC0B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B99BB shade: #0B99BB, #840BBC, #BC2B0B and #43BC0B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 18 / 0 / 27

HEX #0B99BB

RGB 11 153 187

HSL 191.59, 0.89%, 0.39%

LAB 58.45, -21.07, -26.99

 

Complementary color

CMYK 0 / 58 / 72 / 4

HEX #F46644

RGB 244 102 68

HSL 11.59, 0.89%, 0.61%

LAB 60.92, 52.61, 46.06

 

CMYK 91 / 16 / 0 / 29

HEX #1099B6

RGB 16 153 182

HSL 190.48, 0.84%, 0.39%

LAB 58.29, -22.59, -24.41

 

CMYK 84 / 15 / 0 / 21

HEX #21ABC9

RGB 33 171 201

HSL 190.71, 0.72%, 0.46%

LAB 64.7, -24.37, -25.2

 

CMYK 77 / 14 / 0 / 14

HEX #32BDDC

RGB 50 189 220

HSL 190.94, 0.71%, 0.53%

LAB 71.04, -25.77, -25.9

 

CMYK 72 / 13 / 0 / 6

HEX #43CFEF

RGB 67 207 239

HSL 191.16, 0.84%, 0.6%

LAB 77.31, -26.86, -26.53

 

CMYK 67 / 12 / 0 / 0

HEX #54E1FF

RGB 84 225 255

HSL 190.53, 1%, 0.66%

LAB 83.42, -28.62, -25.68

 

CMYK 94 / 18 / 0 / 27

HEX #0B99BB

RGB 11 153 187

HSL 191.59, 0.89%, 0.39%

LAB 58.45, -21.07, -26.99

 

CMYK 100 / 20 / 0 / 34

HEX #0087A8

RGB 0 135 168

HSL 191.79, 1%, 0.33%

LAB 52.01, -18.63, -26.1

 

CMYK 100 / 21 / 0 / 42

HEX #007595

RGB 0 117 149

HSL 192.89, 1%, 0.29%

LAB 45.49, -15.7, -25.12

 

CMYK 100 / 24 / 0 / 49

HEX #006382

RGB 0 99 130

HSL 194.31, 1%, 0.25%

LAB 38.79, -12.63, -24.14

 

CMYK 100 / 27 / 0 / 56

HEX #00516F

RGB 0 81 111

HSL 196.22, 1%, 0.22%

LAB 31.88, -9.4, -23.18

 

CMYK 94 / 18 / 0 / 26

HEX #0B9ABC

RGB 11 154 188

HSL 191.53, 0.89%, 0.39%

LAB 58.8, -21.25, -27.02

 

CMYK 94 / 44 / 0 / 26

HEX #0B6ABC

RGB 11 106 188

HSL 207.8, 0.89%, 0.39%

LAB 44.25, 6.67, -49.93

 

CMYK 94 / 69 / 0 / 26

HEX #0B3ABC

RGB 11 58 188

HSL 224.07, 0.89%, 0.39%

LAB 31.18, 38.28, -71.2

 

CMYK 94 / 94 / 0 / 26

HEX #0B0BBC

RGB 11 11 188

HSL 240, 0.89%, 0.39%

LAB 23.48, 60.53, -83.99

 

CMYK 69 / 94 / 0 / 26

HEX #3B0BBC

RGB 59 11 188

HSL 256.27, 0.89%, 0.39%

LAB 26.16, 61.95, -79.45

 

CMYK 94 / 18 / 0 / 26

HEX #0B9ABC

RGB 11 154 188

HSL 191.53, 0.89%, 0.39%

LAB 58.8, -21.25, -27.02

 

CMYK 94 / 44 / 0 / 26

HEX #0B6ABC

RGB 11 106 188

HSL 207.8, 0.89%, 0.39%

LAB 44.25, 6.67, -49.93

 

CMYK 94 / 69 / 0 / 26

HEX #0B3ABC

RGB 11 58 188

HSL 224.07, 0.89%, 0.39%

LAB 31.18, 38.28, -71.2

 

CMYK 94 / 94 / 0 / 26

HEX #0B0BBC

RGB 11 11 188

HSL 240, 0.89%, 0.39%

LAB 23.48, 60.53, -83.99

 

CMYK 94 / 18 / 0 / 26

HEX #0B9ABC

RGB 11 154 188

HSL 191.53, 0.89%, 0.39%

LAB 58.8, -21.25, -27.02

 

CMYK 94 / 18 / 0 / 26

HEX #0B9ABC

RGB 11 154 188

HSL 191.53, 0.89%, 0.39%

LAB 58.8, -21.25, -27.02

 

CMYK 84 / 16 / 0 / 33

HEX #1B90AC

RGB 27 144 172

HSL 191.59, 0.73%, 0.39%

LAB 55.23, -20.6, -23.41

 

CMYK 72 / 14 / 0 / 39

HEX #2B869C

RGB 43 134 156

HSL 191.68, 0.57%, 0.39%

LAB 51.8, -18.93, -19.44

 

CMYK 58 / 11 / 0 / 45

HEX #3B7C8C

RGB 59 124 140

HSL 191.85, 0.41%, 0.39%

LAB 48.56, -15.83, -14.98

 

CMYK 40 / 8 / 0 / 51

HEX #4B727C

RGB 75 114 124

HSL 192.24, 0.25%, 0.39%

LAB 45.61, -10.92, -9.87

 

CMYK 94 / 0 / 33 / 26

HEX #0BBC7E

RGB 11 188 126

HSL 158.98, 0.89%, 0.39%

LAB 67.68, -54.23, 20.47

 

CMYK 94 / 0 / 8 / 26

HEX #0BBCAD

RGB 11 188 173

HSL 174.92, 0.89%, 0.39%

LAB 68.79, -42.31, -3.58

 

CMYK 94 / 17 / 0 / 26

HEX #0B9CBC

RGB 11 156 188

HSL 190.85, 0.89%, 0.39%

LAB 59.42, -22.3, -26.07

 

CMYK 94 / 43 / 0 / 26

HEX #0B6CBC

RGB 11 108 188

HSL 207.12, 0.89%, 0.39%

LAB 44.84, 5.4, -48.99

 

CMYK 94 / 68 / 0 / 26

HEX #0B3DBC

RGB 11 61 188

HSL 223.05, 0.89%, 0.39%

LAB 31.9, 36.35, -70.02

 

CMYK 95 / 18 / 0 / 57

HEX #065A6E

RGB 6 90 110

HSL 191.54, 0.9%, 0.23%

LAB 34.96, -14.69, -17.78

 

CMYK 94 / 18 / 0 / 42

HEX #097A95

RGB 9 122 149

HSL 191.57, 0.89%, 0.31%

LAB 47.17, -18.02, -22.51

 

CMYK 94 / 18 / 0 / 26

HEX #0B9ABC

RGB 11 154 188

HSL 191.53, 0.89%, 0.39%

LAB 58.8, -21.25, -27.02

 

CMYK 94 / 18 / 0 / 11

HEX #0DBAE3

RGB 13 186 227

HSL 191.5, 0.89%, 0.47%

LAB 70, -24.35, -31.34

 

CMYK 84 / 16 / 0 / 5

HEX #27CBF2

RGB 39 203 242

HSL 191.53, 0.89%, 0.55%

LAB 75.79, -26.62, -30.51

 

CMYK 94 / 18 / 0 / 27

HEX #0B99BB

RGB 11 153 187

HSL 191.59, 0.89%, 0.39%

LAB 58.45, -21.07, -26.99

 

CMYK 58 / 94 / 0 / 26

HEX #4F0BBC

RGB 79 11 188

HSL 263.05, 0.89%, 0.39%

LAB 28.2, 63.21, -76

 

CMYK 0 / 20 / 94 / 26

HEX #BC960B

RGB 188 150 11

HSL 47.12, 0.89%, 0.39%

LAB 63.78, 2.9, 66.29

 

CMYK 94 / 18 / 0 / 27

HEX #0B99BB

RGB 11 153 187

HSL 191.59, 0.89%, 0.39%

LAB 58.45, -21.07, -26.99

 

CMYK 0 / 94 / 17 / 26

HEX #BC0B9C

RGB 188 11 156

HSL 310.85, 0.89%, 0.39%

LAB 43.26, 72.69, -31.64

 

CMYK 17 / 0 / 94 / 26

HEX #9CBC0B

RGB 156 188 11

HSL 70.85, 0.89%, 0.39%

LAB 71.59, -30.62, 71.08

 

CMYK 94 / 18 / 0 / 27

HEX #0B99BB

RGB 11 153 187

HSL 191.59, 0.89%, 0.39%

LAB 58.45, -21.07, -26.99

 

CMYK 58 / 94 / 0 / 26

HEX #4F0BBC

RGB 79 11 188

HSL 263.05, 0.89%, 0.39%

LAB 28.2, 63.21, -76

 

CMYK 0 / 77 / 94 / 26

HEX #BC2B0B

RGB 188 43 11

HSL 10.85, 0.89%, 0.39%

LAB 41.91, 55.8, 51.1

 

CMYK 36 / 0 / 94 / 26

HEX #78BC0B

RGB 120 188 11

HSL 83.05, 0.89%, 0.39%

LAB 69.46, -44.66, 68.48

 

CMYK 94 / 18 / 0 / 27

HEX #0B99BB

RGB 11 153 187

HSL 191.59, 0.89%, 0.39%

LAB 58.45, -21.07, -26.99

 

CMYK 30 / 94 / 0 / 26

HEX #840BBC

RGB 132 11 188

HSL 281.02, 0.89%, 0.39%

LAB 35.55, 68.68, -63.64

 

CMYK 0 / 77 / 94 / 26

HEX #BC2B0B

RGB 188 43 11

HSL 10.85, 0.89%, 0.39%

LAB 41.91, 55.8, 51.1

 

CMYK 64 / 0 / 94 / 26

HEX #43BC0B

RGB 67 188 11

HSL 101.02, 0.89%, 0.39%

LAB 67.41, -60.39, 65.97

 

Description

Color code: HEX #0B99BB | qconv.com Color code: HEX #0B99BB | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 153 green and 187 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 153 187 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 18 magenta, none yellow and 27 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 18% 0% 27% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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