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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B5C6B it is the complementary color #F4A394. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B5C6B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #0B5C6B: #105C66, #216E79, #32808C, #43929F and #54A4B2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B5C6B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #0B5C6B: #0B5C6B, #004A58, #003845, #002632 and #00141F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

Complementary color

CMYK 0 / 33 / 39 / 4

HEX #F4A394

RGB 244 163 148

HSL 9.37, 0.81%, 0.77%

LAB 74.55, 28.24, 20.09

 

CMYK 84 / 10 / 0 / 60

HEX #105C66

RGB 16 92 102

HSL 186.98, 0.73%, 0.23%

LAB 35.45, -17.93, -12.04

 

CMYK 73 / 9 / 0 / 53

HEX #216E79

RGB 33 110 121

HSL 187.5, 0.57%, 0.3%

LAB 42.54, -19.06, -12.87

 

CMYK 64 / 9 / 0 / 45

HEX #32808C

RGB 50 128 140

HSL 188, 0.47%, 0.37%

LAB 49.51, -19.77, -13.57

 

CMYK 58 / 8 / 0 / 38

HEX #43929F

RGB 67 146 159

HSL 188.48, 0.41%, 0.44%

LAB 56.34, -20.23, -14.19

 

CMYK 53 / 8 / 0 / 30

HEX #54A4B2

RGB 84 164 178

HSL 188.94, 0.38%, 0.51%

LAB 63.05, -20.52, -14.76

 

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

CMYK 100 / 16 / 0 / 65

HEX #004A58

RGB 0 74 88

HSL 189.55, 1%, 0.17%

LAB 28.39, -14.4, -13.98

 

CMYK 100 / 19 / 0 / 73

HEX #003845

RGB 0 56 69

HSL 191.3, 1%, 0.14%

LAB 21.05, -11.23, -12.77

 

CMYK 100 / 24 / 0 / 80

HEX #002632

RGB 0 38 50

HSL 194.4, 1%, 0.1%

LAB 13.33, -7.81, -11.55

 

CMYK 100 / 35 / 0 / 88

HEX #00141F

RGB 0 20 31

HSL 201.29, 1%, 0.06%

LAB 5.41, -2.95, -9.78

 

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

CMYK 90 / 28 / 0 / 58

HEX #0B4C6A

RGB 11 76 106

HSL 198.95, 0.81%, 0.23%

LAB 30.11, -7.44, -22.79

 

CMYK 90 / 43 / 0 / 58

HEX #0B3C6A

RGB 11 60 106

HSL 209.05, 0.81%, 0.23%

LAB 24.78, 3.16, -31.23

 

CMYK 90 / 58 / 0 / 58

HEX #0B2C6A

RGB 11 44 106

HSL 219.16, 0.81%, 0.23%

LAB 19.69, 14.69, -39.42

 

CMYK 90 / 74 / 0 / 58

HEX #0B1C6A

RGB 11 28 106

HSL 229.26, 0.81%, 0.23%

LAB 15.18, 26.28, -46.81

 

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

CMYK 90 / 14 / 0 / 38

HEX #10889E

RGB 16 136 158

HSL 189.3, 0.82%, 0.34%

LAB 52.05, -21.98, -20.26

 

CMYK 90 / 14 / 0 / 18

HEX #15B4D1

RGB 21 180 209

HSL 189.26, 0.82%, 0.45%

LAB 67.58, -27.02, -25.21

 

CMYK 80 / 20 / 0 / 98

HEX #010405

RGB 1 4 5

HSL 195, 0.67%, 0.01%

LAB 0.94, -0.65, -0.66

 

CMYK 89 / 14 / 0 / 78

HEX #063038

RGB 6 48 56

HSL 189.6, 0.81%, 0.12%

LAB 17.64, -10.59, -9.12

 

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

CMYK 58 / 90 / 0 / 58

HEX #2C0B6A

RGB 44 11 106

HSL 260.84, 0.81%, 0.23%

LAB 14.49, 38.96, -47.87

 

CMYK 0 / 23 / 90 / 58

HEX #6A520B

RGB 106 82 11

HSL 44.84, 0.81%, 0.23%

LAB 36.22, 2.99, 41.03

 

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

CMYK 0 / 90 / 14 / 58

HEX #6A0B5B

RGB 106 11 91

HSL 309.47, 0.81%, 0.23%

LAB 23.87, 46.85, -22.28

 

CMYK 14 / 0 / 90 / 58

HEX #5B6A0B

RGB 91 106 11

HSL 69.47, 0.81%, 0.23%

LAB 42.09, -18.1, 45.36

 

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

CMYK 58 / 90 / 0 / 58

HEX #2C0B6A

RGB 44 11 106

HSL 260.84, 0.81%, 0.23%

LAB 14.49, 38.96, -47.87

 

CMYK 0 / 76 / 90 / 58

HEX #6A190B

RGB 106 25 11

HSL 8.84, 0.81%, 0.23%

LAB 22.94, 35.05, 29.37

 

CMYK 32 / 0 / 90 / 58

HEX #486A0B

RGB 72 106 11

HSL 81.47, 0.81%, 0.23%

LAB 40.75, -26.53, 43.7

 

CMYK 90 / 14 / 0 / 58

HEX #0B5C6B

RGB 11 92 107

HSL 189.38, 0.81%, 0.23%

LAB 35.57, -16.58, -14.97

 

CMYK 32 / 90 / 0 / 58

HEX #480B6A

RGB 72 11 106

HSL 278.53, 0.81%, 0.23%

LAB 18.62, 42.93, -40.93

 

CMYK 0 / 76 / 90 / 58

HEX #6A190B

RGB 106 25 11

HSL 8.84, 0.81%, 0.23%

LAB 22.94, 35.05, 29.37

 

CMYK 58 / 0 / 90 / 58

HEX #2C6A0B

RGB 44 106 11

HSL 99.16, 0.81%, 0.23%

LAB 39.36, -36.76, 41.94

 

Description

Color code: HEX #0B5C6B | qconv.com Color code: HEX #0B5C6B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 92 green and 107 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 92 107 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 90 cyan, 14 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
90% 14% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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