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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #0B488ACE it is the complementary color #F4B775CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #0B488ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #0B488ACE shade: #104885CE, #215A98CE, #326CABCE, #437EBECE and #5490D1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #0B488ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #0B488ACE shade: #0B488ACE, #003677CE, #002464CE, #001251CE and #00003ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #0B488ACE shade: #0B4789, #0B2689, #130B89, #340B89 and #560B89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #0B488ACE shade: #0B4789, #0B2689 and #0B0B89

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #0B488ACE shade matches the following richer shades: #0B4789

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #0B488ACE shade: #0B4789, #17487D, #234871, #2F4965 and #3B4959

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #0B488ACE shade: #0B8987, #0B6989, #0B4889, #0B2689 and #110B89

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #0B488ACE shade: #05203C, #083463, #0B4789, #0E5BAF and #116FD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #0B488ACE shade: #0B488A, #650B89 and #7A890B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #0B488ACE shade: #0B488A, #890B48 and #48890B

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #0B488ACE shade: #0B488A, #650B89, #894C0B and #2F890B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #0B488ACE shade: #0B488A, #890B87, #894C0B and #0B890D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 39 / 0 / 37

HEX #0B488ACE

RGBA 11 72 138 0.81

HSLA 211.18, 0.85%, 0.29%, 0.81

LABA 30.74, 8.55, -41.78, 0.81

 

Complementary color

CMYK 0 / 20 / 42 / 3

HEX #F4B775CE

RGBA 244 183 117 0.81

HSLA 31.18, 0.85%, 0.71%, 0.81

LABA 78.69, 14.63, 41.94, 0.81

 

CMYK 71 / 37 / 0 / 39

HEX #104885CE

RGBA 16 72 133 0.81

HSLA 211.28, 0.79%, 0.29%, 0.81

LABA 30.49, 6.81, -39.08, 0.81

 

CMYK 63 / 33 / 0 / 33

HEX #215A98CE

RGBA 33 90 152 0.81

HSLA 211.26, 0.64%, 0.36%, 0.81

LABA 37.67, 4.33, -39.17, 0.81

 

CMYK 57 / 30 / 0 / 27

HEX #326CABCE

RGBA 50 108 171 0.81

HSLA 211.24, 0.55%, 0.43%, 0.81

LABA 44.72, 2.51, -39.21, 0.81

 

CMYK 52 / 27 / 0 / 21

HEX #437EBECE

RGBA 67 126 190 0.81

HSLA 211.22, 0.49%, 0.5%, 0.81

LABA 51.65, 1.13, -39.23, 0.81

 

CMYK 48 / 25 / 0 / 15

HEX #5490D1CE

RGBA 84 144 209 0.81

HSLA 211.2, 0.58%, 0.57%, 0.81

LABA 58.45, 0.05, -39.26, 0.81

 

CMYK 75 / 39 / 0 / 37

HEX #0B488ACE

RGBA 11 72 138 0.81

HSLA 211.18, 0.85%, 0.29%, 0.81

LABA 30.74, 8.55, -41.78, 0.81

 

CMYK 81 / 44 / 0 / 43

HEX #003677CE

RGBA 0 54 119 0.81

HSLA 212.77, 1%, 0.23%, 0.81

LABA 23.57, 12.28, -41.48, 0.81

 

CMYK 81 / 52 / 0 / 49

HEX #002464CE

RGBA 0 36 100 0.81

HSLA 218.4, 1%, 0.2%, 0.81

LABA 16.41, 17.08, -40.86, 0.81

 

CMYK 81 / 63 / 0 / 55

HEX #001251CE

RGBA 0 18 81 0.81

HSLA 226.67, 1%, 0.16%, 0.81

LABA 9.21, 22.13, -39.92, 0.81

 

CMYK 81 / 81 / 0 / 61

HEX #00003ECE

RGBA 0 0 62 0.81

HSLA 240, 1%, 0.12%, 0.81

LABA 3.14, 22.06, -36.55, 0.81

 

CMYK 92 / 48 / 0 / 46

HEX #0B4789

RGB 11 71 137

HSL 211.43, 0.85%, 0.29%

LAB 30.36, 8.82, -41.77

 

CMYK 92 / 72 / 0 / 46

HEX #0B2689

RGB 11 38 137

HSL 227.14, 0.85%, 0.29%

LAB 21.07, 31.79, -56.92

 

CMYK 86 / 92 / 0 / 46

HEX #130B89

RGB 19 11 137

HSL 243.81, 0.85%, 0.29%

LAB 16.42, 46.38, -64.62

 

CMYK 62 / 92 / 0 / 46

HEX #340B89

RGB 52 11 137

HSL 259.52, 0.85%, 0.29%

LAB 19.12, 48.26, -60.06

 

CMYK 37 / 92 / 0 / 46

HEX #560B89

RGB 86 11 137

HSL 275.71, 0.85%, 0.29%

LAB 23.75, 52.02, -52.27

 

CMYK 92 / 48 / 0 / 46

HEX #0B4789

RGB 11 71 137

HSL 211.43, 0.85%, 0.29%

LAB 30.36, 8.82, -41.77

 

CMYK 92 / 72 / 0 / 46

HEX #0B2689

RGB 11 38 137

HSL 227.14, 0.85%, 0.29%

LAB 21.07, 31.79, -56.92

 

CMYK 92 / 92 / 0 / 46

HEX #0B0B89

RGB 11 11 137

HSL 240, 0.85%, 0.29%

LAB 16.09, 46.16, -65.19

 

CMYK 92 / 48 / 0 / 46

HEX #0B4789

RGB 11 71 137

HSL 211.43, 0.85%, 0.29%

LAB 30.36, 8.82, -41.77

 

CMYK 92 / 48 / 0 / 46

HEX #0B4789

RGB 11 71 137

HSL 211.43, 0.85%, 0.29%

LAB 30.36, 8.82, -41.77

 

CMYK 82 / 42 / 0 / 51

HEX #17487D

RGB 23 72 125

HSL 211.18, 0.69%, 0.29%

LAB 30.15, 4.2, -34.65

 

CMYK 69 / 36 / 0 / 56

HEX #234871

RGB 35 72 113

HSL 211.54, 0.53%, 0.29%

LAB 29.87, 1.26, -27.54

 

CMYK 53 / 28 / 0 / 60

HEX #2F4965

RGB 47 73 101

HSL 211.11, 0.36%, 0.29%

LAB 30.18, -1.03, -19.41

 

CMYK 34 / 18 / 0 / 65

HEX #3B4959

RGB 59 73 89

HSL 212, 0.2%, 0.29%

LAB 30.44, -1.2, -11.28

 

CMYK 92 / 0 / 1 / 46

HEX #0B8987

RGB 11 137 135

HSL 179.05, 0.85%, 0.29%

LAB 51.51, -30.39, -7.71

 

CMYK 92 / 23 / 0 / 46

HEX #0B6989

RGB 11 105 137

HSL 195.24, 0.85%, 0.29%

LAB 41.19, -12.79, -24.63

 

CMYK 92 / 47 / 0 / 46

HEX #0B4889

RGB 11 72 137

HSL 210.95, 0.85%, 0.29%

LAB 30.67, 8.13, -41.28

 

CMYK 92 / 72 / 0 / 46

HEX #0B2689

RGB 11 38 137

HSL 227.14, 0.85%, 0.29%

LAB 21.07, 31.79, -56.92

 

CMYK 88 / 92 / 0 / 46

HEX #110B89

RGB 17 11 137

HSL 242.86, 0.85%, 0.29%

LAB 16.33, 46.31, -64.79

 

CMYK 92 / 47 / 0 / 76

HEX #05203C

RGB 5 32 60

HSL 210.55, 0.85%, 0.13%

LAB 11.9, 2.15, -20.89

 

CMYK 92 / 47 / 0 / 61

HEX #083463

RGB 8 52 99

HSL 210.99, 0.85%, 0.21%

LAB 21.61, 5.49, -31.77

 

CMYK 92 / 48 / 0 / 46

HEX #0B4789

RGB 11 71 137

HSL 211.43, 0.85%, 0.29%

LAB 30.36, 8.82, -41.77

 

CMYK 92 / 48 / 0 / 31

HEX #0E5BAF

RGB 14 91 175

HSL 211.3, 0.85%, 0.37%

LAB 39.02, 11.29, -50.73

 

CMYK 92 / 48 / 0 / 16

HEX #116FD5

RGB 17 111 213

HSL 211.22, 0.85%, 0.45%

LAB 47.36, 13.65, -59.3

 

CMYK 92 / 48 / 0 / 46

HEX #0B488A

RGB 11 72 138

HSL 211.18, 0.85%, 0.29%

LAB 30.74, 8.55, -41.78

 

CMYK 26 / 92 / 0 / 46

HEX #650B89

RGB 101 11 137

HSL 282.86, 0.85%, 0.29%

LAB 26.19, 54.19, -48.18

 

CMYK 11 / 0 / 92 / 46

HEX #7A890B

RGB 122 137 11

HSL 67.14, 0.85%, 0.29%

LAB 54.08, -20.19, 56.2

 

CMYK 92 / 48 / 0 / 46

HEX #0B488A

RGB 11 72 138

HSL 211.18, 0.85%, 0.29%

LAB 30.74, 8.55, -41.78

 

CMYK 0 / 92 / 47 / 46

HEX #890B48

RGB 137 11 72

HSL 330.95, 0.85%, 0.29%

LAB 29.48, 52.03, -0.48

 

CMYK 47 / 0 / 92 / 46

HEX #48890B

RGB 72 137 11

HSL 90.95, 0.85%, 0.29%

LAB 51.03, -40.34, 52.43

 

CMYK 92 / 48 / 0 / 46

HEX #0B488A

RGB 11 72 138

HSL 211.18, 0.85%, 0.29%

LAB 30.74, 8.55, -41.78

 

CMYK 26 / 92 / 0 / 46

HEX #650B89

RGB 101 11 137

HSL 282.86, 0.85%, 0.29%

LAB 26.19, 54.19, -48.18

 

CMYK 0 / 45 / 92 / 46

HEX #894C0B

RGB 137 76 11

HSL 30.95, 0.85%, 0.29%

LAB 38.75, 21.39, 44.77

 

CMYK 66 / 0 / 92 / 46

HEX #2F890B

RGB 47 137 11

HSL 102.86, 0.85%, 0.29%

LAB 50.12, -47.56, 51.3

 

CMYK 92 / 48 / 0 / 46

HEX #0B488A

RGB 11 72 138

HSL 211.18, 0.85%, 0.29%

LAB 30.74, 8.55, -41.78

 

CMYK 0 / 92 / 1 / 46

HEX #890B87

RGB 137 11 135

HSL 300.95, 0.85%, 0.29%

LAB 32.5, 60.02, -36.44

 

CMYK 0 / 45 / 92 / 46

HEX #894C0B

RGB 137 76 11

HSL 30.95, 0.85%, 0.29%

LAB 38.75, 21.39, 44.77

 

CMYK 92 / 0 / 91 / 46

HEX #0B890D

RGB 11 137 13

HSL 120.95, 0.85%, 0.29%

LAB 49.49, -53.06, 50.11

 

Description

Color code: HEX #0B488ACE | qconv.com Color code: HEX #0B488ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 11 red, 72 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
11 72 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 39 magenta, none yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 39% 0% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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