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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 11 / 0 / 92 / 46 it is the complementary color CMYK 46 / 52 / 0 / 4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 11 / 0 / 92 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 11 / 0 / 92 / 46: CMYK 7 / 0 / 96 / 46, CMYK 7 / 0 / 84 / 39, CMYK 7 / 0 / 75 / 32, CMYK 7 / 0 / 67 / 25 and CMYK 7 / 0 / 61 / 18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 11 / 0 / 92 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 11 / 0 / 92 / 46: CMYK 11 / 0 / 92 / 46, CMYK 12 / 0 / 100 / 53, CMYK 13 / 0 / 100 / 60, CMYK 14 / 0 / 100 / 67 and CMYK 17 / 0 / 100 / 74

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

Complementary color

CMYK 46 / 52 / 0 / 4

HEX #8475F4

RGB 132 117 244

HSL 247.09, 0.85%, 0.71%

LAB 56.25, 37.17, -62.12

 

CMYK 7 / 0 / 96 / 46

HEX #808A06

RGB 128 138 6

HSL 64.55, 0.92%, 0.28%

LAB 54.84, -18.11, 57.84

 

CMYK 7 / 0 / 84 / 39

HEX #919C19

RGB 145 156 25

HSL 65.04, 0.72%, 0.35%

LAB 61.54, -19.33, 60.06

 

CMYK 7 / 0 / 75 / 32

HEX #A2AE2C

RGB 162 174 44

HSL 65.54, 0.6%, 0.43%

LAB 68.12, -20.31, 60.79

 

CMYK 7 / 0 / 67 / 25

HEX #B3C03F

RGB 179 192 63

HSL 66.05, 0.51%, 0.5%

LAB 74.6, -21.08, 60.64

 

CMYK 7 / 0 / 61 / 18

HEX #C4D252

RGB 196 210 82

HSL 66.56, 0.59%, 0.57%

LAB 80.98, -21.7, 60.01

 

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

CMYK 12 / 0 / 100 / 53

HEX #6A7800

RGB 106 120 0

HSL 67, 1%, 0.24%

LAB 47.62, -18.87, 52.72

 

CMYK 13 / 0 / 100 / 60

HEX #596600

RGB 89 102 0

HSL 67.65, 1%, 0.2%

LAB 40.62, -17.23, 46.89

 

CMYK 14 / 0 / 100 / 67

HEX #485400

RGB 72 84 0

HSL 68.57, 1%, 0.16%

LAB 33.39, -15.55, 40.87

 

CMYK 17 / 0 / 100 / 74

HEX #374200

RGB 55 66 0

HSL 70, 1%, 0.13%

LAB 25.89, -13.83, 34.29

 

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

CMYK 26 / 0 / 92 / 47

HEX #65880B

RGB 101 136 11

HSL 76.8, 0.85%, 0.29%

LAB 52.29, -28.83, 54.12

 

CMYK 41 / 0 / 92 / 47

HEX #50880B

RGB 80 136 11

HSL 86.88, 0.85%, 0.29%

LAB 51.08, -37.11, 52.63

 

CMYK 57 / 0 / 92 / 47

HEX #3B880B

RGB 59 136 11

HSL 96.96, 0.85%, 0.29%

LAB 50.17, -44.03, 51.5

 

CMYK 72 / 0 / 92 / 47

HEX #26880B

RGB 38 136 11

HSL 107.04, 0.85%, 0.29%

LAB 49.55, -49.18, 50.72

 

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

CMYK 11 / 0 / 92 / 26

HEX #A8BD0F

RGB 168 189 15

HSL 67.24, 0.85%, 0.4%

LAB 72.73, -26.02, 71.82

 

CMYK 11 / 0 / 92 / 6

HEX #D6F013

RGB 214 240 19

HSL 67.06, 0.88%, 0.51%

LAB 90.17, -31.07, 86.35

 

CMYK 11 / 0 / 92 / 86

HEX #202403

RGB 32 36 3

HSL 67.27, 0.85%, 0.08%

LAB 13.08, -7.54, 17.91

 

CMYK 10 / 0 / 92 / 66

HEX #4E5707

RGB 78 87 7

HSL 66.75, 0.85%, 0.18%

LAB 34.91, -14.03, 39.98

 

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

CMYK 92 / 0 / 63 / 47

HEX #0B8832

RGB 11 136 50

HSL 138.72, 0.85%, 0.29%

LAB 49.39, -49.65, 36.74

 

CMYK 26 / 92 / 0 / 47

HEX #650B88

RGB 101 11 136

HSL 283.2, 0.85%, 0.29%

LAB 26.11, 53.99, -47.69

 

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

CMYK 92 / 10 / 0 / 47

HEX #0B7A88

RGB 11 122 136

HSL 186.72, 0.85%, 0.29%

LAB 46.67, -22.53, -15.6

 

CMYK 0 / 92 / 10 / 47

HEX #880B7A

RGB 136 11 122

HSL 306.72, 0.85%, 0.29%

LAB 31.53, 57.84, -29.84

 

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

CMYK 92 / 0 / 63 / 47

HEX #0B8832

RGB 11 136 50

HSL 138.72, 0.85%, 0.29%

LAB 49.39, -49.65, 36.74

 

CMYK 82 / 92 / 0 / 47

HEX #190B88

RGB 25 11 136

HSL 246.72, 0.85%, 0.29%

LAB 16.62, 46.3, -63.66

 

CMYK 0 / 92 / 29 / 47

HEX #880B60

RGB 136 11 96

HSL 319.2, 0.85%, 0.29%

LAB 30.2, 54.34, -15.24

 

CMYK 11 / 0 / 92 / 46

HEX #7B8A0B

RGB 123 138 11

HSL 67.09, 0.85%, 0.29%

LAB 54.46, -20.26, 56.53

 

CMYK 92 / 0 / 35 / 47

HEX #0B8858

RGB 11 136 88

HSL 156.96, 0.85%, 0.29%

LAB 49.96, -42.85, 17.26

 

CMYK 82 / 92 / 0 / 47

HEX #190B88

RGB 25 11 136

HSL 246.72, 0.85%, 0.29%

LAB 16.62, 46.3, -63.66

 

CMYK 0 / 92 / 57 / 47

HEX #880B3B

RGB 136 11 59

HSL 336.96, 0.85%, 0.29%

LAB 28.87, 50.7, 7.35

 

Description

Color code: CMYK 11 / 0 / 92 / 46 | qconv.com Color code: CMYK 11 / 0 / 92 / 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 123 red, 138 green and 11 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
123 138 11 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 92 yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 92% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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