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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09EDD1 it is the complementary color #F6122E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09EDD1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #09EDD1: #0EEDCC, #1FFFDF, #30FFF2, #41FFFF and #52FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09EDD1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #09EDD1: #09EDD1, #00DBBE, #00C9AB, #00B798 and #00A585

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

Complementary color

CMYK 0 / 93 / 81 / 4

HEX #F6122E

RGB 246 18 46

HSL 352.63, 0.93%, 0.52%

LAB 52.09, 77.16, 48.51

 

CMYK 94 / 0 / 14 / 7

HEX #0EEDCC

RGB 14 237 204

HSL 171.12, 0.89%, 0.49%

LAB 84.49, -54.26, 2.74

 

CMYK 88 / 0 / 13 / 0

HEX #1FFFDF

RGB 31 255 223

HSL 171.43, 1%, 0.56%

LAB 90.39, -55.89, 1.4

 

CMYK 81 / 0 / 5 / 0

HEX #30FFF2

RGB 48 255 242

HSL 176.23, 1%, 0.59%

LAB 91.03, -49.8, -7.49

 

CMYK 75 / 0 / 0 / 0

HEX #41FFFF

RGB 65 255 255

HSL 180, 1%, 0.63%

LAB 91.62, -44.75, -13.33

 

CMYK 68 / 0 / 0 / 0

HEX #52FFFF

RGB 82 255 255

HSL 180, 1%, 0.66%

LAB 91.92, -42.83, -12.85

 

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

CMYK 100 / 0 / 13 / 14

HEX #00DBBE

RGB 0 219 190

HSL 172.05, 1%, 0.43%

LAB 78.68, -51.02, 1.69

 

CMYK 100 / 0 / 15 / 21

HEX #00C9AB

RGB 0 201 171

HSL 171.04, 1%, 0.39%

LAB 72.7, -48.71, 3.22

 

CMYK 100 / 0 / 17 / 28

HEX #00B798

RGB 0 183 152

HSL 169.84, 1%, 0.36%

LAB 66.62, -46.36, 4.81

 

CMYK 100 / 0 / 19 / 35

HEX #00A585

RGB 0 165 133

HSL 168.36, 1%, 0.32%

LAB 60.43, -43.97, 6.47

 

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

CMYK 97 / 3 / 0 / 7

HEX #08E4EC

RGB 8 228 236

HSL 182.11, 0.93%, 0.48%

LAB 82.7, -41.63, -16.82

 

CMYK 97 / 19 / 0 / 7

HEX #08BEEC

RGB 8 190 236

HSL 192.11, 0.93%, 0.48%

LAB 71.51, -23.47, -33.9

 

CMYK 97 / 36 / 0 / 7

HEX #0898EC

RGB 8 152 236

HSL 202.11, 0.93%, 0.48%

LAB 60.4, -2.78, -51.33

 

CMYK 97 / 52 / 0 / 7

HEX #0872EC

RGB 8 114 236

HSL 212.11, 0.93%, 0.48%

LAB 49.67, 20.45, -68.55

 

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

CMYK 97 / 0 / 12 / 87

HEX #01211D

RGB 1 33 29

HSL 172.5, 0.94%, 0.07%

LAB 10.43, -13.08, -0.72

 

CMYK 96 / 0 / 12 / 67

HEX #03544A

RGB 3 84 74

HSL 172.59, 0.93%, 0.17%

LAB 31.47, -24.5, -0.38

 

CMYK 96 / 0 / 12 / 47

HEX #058777

RGB 5 135 119

HSL 172.62, 0.93%, 0.27%

LAB 50.33, -34.66, -0.14

 

CMYK 96 / 0 / 12 / 27

HEX #07BAA4

RGB 7 186 164

HSL 172.63, 0.93%, 0.38%

LAB 67.9, -44.11, 0.07

 

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

CMYK 90 / 97 / 0 / 7

HEX #1708EC

RGB 23 8 236

HSL 243.95, 0.93%, 0.48%

LAB 30.43, 73.52, -100.25

 

CMYK 0 / 52 / 97 / 7

HEX #EC7208

RGB 236 114 8

HSL 27.89, 0.93%, 0.48%

LAB 61.55, 42.43, 68.04

 

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

CMYK 13 / 97 / 0 / 7

HEX #CD08EC

RGB 205 8 236

HSL 291.84, 0.93%, 0.48%

LAB 50.93, 87.46, -65.77

 

CMYK 0 / 13 / 97 / 7

HEX #ECCD08

RGB 236 205 8

HSL 51.84, 0.93%, 0.48%

LAB 82.65, -4.9, 82.56

 

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

CMYK 90 / 97 / 0 / 7

HEX #1708EC

RGB 23 8 236

HSL 243.95, 0.93%, 0.48%

LAB 30.43, 73.52, -100.25

 

CMYK 0 / 97 / 84 / 7

HEX #EC0826

RGB 236 8 38

HSL 352.11, 0.93%, 0.48%

LAB 49.67, 75.41, 49.7

 

CMYK 6 / 0 / 97 / 7

HEX #DDEC08

RGB 221 236 8

HSL 63.95, 0.93%, 0.48%

LAB 89.57, -26.47, 87.14

 

CMYK 96 / 0 / 12 / 7

HEX #09EDD1

RGB 9 237 209

HSL 172.63, 0.93%, 0.48%

LAB 84.6, -53.08, 0.26

 

CMYK 61 / 97 / 0 / 7

HEX #5C08EC

RGB 92 8 236

HSL 262.11, 0.93%, 0.48%

LAB 35.01, 75.72, -92.49

 

CMYK 0 / 97 / 84 / 7

HEX #EC0826

RGB 236 8 38

HSL 352.11, 0.93%, 0.48%

LAB 49.67, 75.41, 49.7

 

CMYK 36 / 0 / 97 / 7

HEX #98EC08

RGB 152 236 8

HSL 82.11, 0.93%, 0.48%

LAB 85.34, -53.03, 82.05

 

Description

Color code: HEX #09EDD1 | qconv.com Color code: HEX #09EDD1 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 237 green and 209 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 237 209 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 12 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 12% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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