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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #09977D it is the complementary color #F66882. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #09977D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #09977D shade: #0E9778, #1FA98B, #30BB9E, #41CDB1 and #52DFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #09977D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #09977D shade: #09977D, #00856A, #007357, #006144 and #004F31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #09977D shade: #09957C, #099556, #099530, #09950A and #2E9509

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #09977D shade: #09957C, #098995, #096395, #093D95 and #091795

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #09977D shade matches the following richer shades: #09957C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #09977D shade: #09957C, #158974, #227C6B, #2F6F63 and #3C625B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #09977D shade: #099531, #099556, #09957C, #098A95 and #096495

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #09977D shade: #04473B, #066E5B, #09957C, #0BBC9C and #0DE3BC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #09977D shade: #09977D, #0B0995 and #954309

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #09977D shade: #09977D, #7C0995 and #957C09

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #09977D shade: #09977D, #0B0995, #950922 and #939509

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #09977D shade: #09977D, #350995, #950922 and #699509

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 0 / 17 / 41

HEX #09977D

RGB 9 151 125

HSL 169.01, 0.89%, 0.31%

LAB 55.76, -39.82, 4.29

 

Complementary color

CMYK 0 / 58 / 47 / 4

HEX #F66882

RGB 246 104 130

HSL 349.01, 0.89%, 0.69%

LAB 62.6, 56.57, 13.62

 

CMYK 91 / 0 / 21 / 41

HEX #0E9778

RGB 14 151 120

HSL 166.42, 0.83%, 0.32%

LAB 55.67, -40.9, 7.01

 

CMYK 82 / 0 / 18 / 34

HEX #1FA98B

RGB 31 169 139

HSL 166.96, 0.69%, 0.39%

LAB 62.11, -42.22, 5.56

 

CMYK 74 / 0 / 16 / 27

HEX #30BB9E

RGB 48 187 158

HSL 167.48, 0.59%, 0.46%

LAB 68.49, -43.13, 4.27

 

CMYK 68 / 0 / 14 / 20

HEX #41CDB1

RGB 65 205 177

HSL 168, 0.58%, 0.53%

LAB 74.8, -43.74, 3.11

 

CMYK 63 / 0 / 12 / 13

HEX #52DFC4

RGB 82 223 196

HSL 168.51, 0.69%, 0.6%

LAB 81.05, -44.14, 2.06

 

CMYK 94 / 0 / 17 / 41

HEX #09977D

RGB 9 151 125

HSL 169.01, 0.89%, 0.31%

LAB 55.76, -39.82, 4.29

 

CMYK 100 / 0 / 20 / 48

HEX #00856A

RGB 0 133 106

HSL 167.82, 1%, 0.26%

LAB 49.27, -37.76, 5.92

 

CMYK 100 / 0 / 24 / 55

HEX #007357

RGB 0 115 87

HSL 165.39, 1%, 0.23%

LAB 42.69, -35.21, 7.75

 

CMYK 100 / 0 / 30 / 62

HEX #006144

RGB 0 97 68

HSL 162.06, 1%, 0.19%

LAB 35.92, -32.56, 9.71

 

CMYK 100 / 0 / 38 / 69

HEX #004F31

RGB 0 79 49

HSL 157.22, 1%, 0.15%

LAB 28.94, -29.76, 11.83

 

CMYK 94 / 0 / 17 / 42

HEX #09957C

RGB 9 149 124

HSL 169.29, 0.89%, 0.31%

LAB 55.08, -39.23, 3.88

 

CMYK 94 / 0 / 42 / 42

HEX #099556

RGB 9 149 86

HSL 153, 0.89%, 0.31%

LAB 54.26, -48.33, 24.12

 

CMYK 94 / 0 / 68 / 42

HEX #099530

RGB 9 149 48

HSL 136.71, 0.89%, 0.31%

LAB 53.78, -54.23, 42.56

 

CMYK 94 / 0 / 93 / 42

HEX #09950A

RGB 9 149 10

HSL 120.43, 0.89%, 0.31%

LAB 53.57, -56.85, 54.16

 

CMYK 69 / 0 / 94 / 42

HEX #2E9509

RGB 46 149 9

HSL 104.14, 0.89%, 0.31%

LAB 54.13, -51.98, 55.01

 

CMYK 94 / 0 / 17 / 42

HEX #09957C

RGB 9 149 124

HSL 169.29, 0.89%, 0.31%

LAB 55.08, -39.23, 3.88

 

CMYK 94 / 8 / 0 / 42

HEX #098995

RGB 9 137 149

HSL 185.14, 0.89%, 0.31%

LAB 51.97, -25.92, -15.16

 

CMYK 94 / 34 / 0 / 42

HEX #096395

RGB 9 99 149

HSL 201.43, 0.89%, 0.31%

LAB 39.83, -4.63, -33.96

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 94 / 85 / 0 / 42

HEX #091795

RGB 9 23 149

HSL 234, 0.89%, 0.31%

LAB 19.39, 44.78, -67.17

 

CMYK 94 / 0 / 17 / 42

HEX #09957C

RGB 9 149 124

HSL 169.29, 0.89%, 0.31%

LAB 55.08, -39.23, 3.88

 

CMYK 94 / 0 / 17 / 42

HEX #09957C

RGB 9 149 124

HSL 169.29, 0.89%, 0.31%

LAB 55.08, -39.23, 3.88

 

CMYK 85 / 0 / 15 / 46

HEX #158974

RGB 21 137 116

HSL 169.14, 0.73%, 0.31%

LAB 51.05, -35.37, 2.68

 

CMYK 73 / 0 / 14 / 51

HEX #227C6B

RGB 34 124 107

HSL 168.67, 0.57%, 0.31%

LAB 46.73, -30.33, 1.73

 

CMYK 58 / 0 / 11 / 56

HEX #2F6F63

RGB 47 111 99

HSL 168.75, 0.41%, 0.31%

LAB 42.57, -23.66, 0.5

 

CMYK 39 / 0 / 7 / 62

HEX #3C625B

RGB 60 98 91

HSL 168.95, 0.24%, 0.31%

LAB 38.64, -15.31, -0.29

 

CMYK 94 / 0 / 67 / 42

HEX #099531

RGB 9 149 49

HSL 137.14, 0.89%, 0.31%

LAB 53.79, -54.12, 42.13

 

CMYK 94 / 0 / 42 / 42

HEX #099556

RGB 9 149 86

HSL 153, 0.89%, 0.31%

LAB 54.26, -48.33, 24.12

 

CMYK 94 / 0 / 17 / 42

HEX #09957C

RGB 9 149 124

HSL 169.29, 0.89%, 0.31%

LAB 55.08, -39.23, 3.88

 

CMYK 94 / 7 / 0 / 42

HEX #098A95

RGB 9 138 149

HSL 184.71, 0.89%, 0.31%

LAB 52.29, -26.43, -14.67

 

CMYK 94 / 33 / 0 / 42

HEX #096495

RGB 9 100 149

HSL 201, 0.89%, 0.31%

LAB 40.15, -5.25, -33.46

 

CMYK 94 / 0 / 17 / 72

HEX #04473B

RGB 4 71 59

HSL 169.25, 0.89%, 0.15%

LAB 26.3, -22.69, 1.74

 

CMYK 95 / 0 / 17 / 57

HEX #066E5B

RGB 6 110 91

HSL 169.04, 0.9%, 0.23%

LAB 41.13, -31.42, 3.13

 

CMYK 94 / 0 / 17 / 42

HEX #09957C

RGB 9 149 124

HSL 169.29, 0.89%, 0.31%

LAB 55.08, -39.23, 3.88

 

CMYK 94 / 0 / 17 / 26

HEX #0BBC9C

RGB 11 188 156

HSL 169.15, 0.89%, 0.39%

LAB 68.34, -46.98, 5.1

 

CMYK 94 / 0 / 17 / 11

HEX #0DE3BC

RGB 13 227 188

HSL 169.07, 0.89%, 0.47%

LAB 81.1, -54.41, 6.26

 

CMYK 94 / 0 / 17 / 41

HEX #09977D

RGB 9 151 125

HSL 169.01, 0.89%, 0.31%

LAB 55.76, -39.82, 4.29

 

CMYK 93 / 94 / 0 / 42

HEX #0B0995

RGB 11 9 149

HSL 240.86, 0.89%, 0.31%

LAB 17.63, 50.31, -70.11

 

CMYK 0 / 55 / 94 / 42

HEX #954309

RGB 149 67 9

HSL 24.86, 0.89%, 0.31%

LAB 38.59, 31.55, 46.09

 

CMYK 94 / 0 / 17 / 41

HEX #09977D

RGB 9 151 125

HSL 169.01, 0.89%, 0.31%

LAB 55.76, -39.82, 4.29

 

CMYK 17 / 94 / 0 / 42

HEX #7C0995

RGB 124 9 149

HSL 289.29, 0.89%, 0.31%

LAB 31, 60.44, -47.63

 

CMYK 0 / 17 / 94 / 42

HEX #957C09

RGB 149 124 9

HSL 49.29, 0.89%, 0.31%

LAB 52.76, -0.71, 56.56

 

CMYK 94 / 0 / 17 / 41

HEX #09977D

RGB 9 151 125

HSL 169.01, 0.89%, 0.31%

LAB 55.76, -39.82, 4.29

 

CMYK 93 / 94 / 0 / 42

HEX #0B0995

RGB 11 9 149

HSL 240.86, 0.89%, 0.31%

LAB 17.63, 50.31, -70.11

 

CMYK 0 / 94 / 77 / 42

HEX #950922

RGB 149 9 34

HSL 349.29, 0.89%, 0.31%

LAB 31.11, 53.08, 27.32

 

CMYK 1 / 0 / 94 / 42

HEX #939509

RGB 147 149 9

HSL 60.86, 0.89%, 0.31%

LAB 59.63, -15.2, 61.74

 

CMYK 94 / 0 / 17 / 41

HEX #09977D

RGB 9 151 125

HSL 169.01, 0.89%, 0.31%

LAB 55.76, -39.82, 4.29

 

CMYK 64 / 94 / 0 / 42

HEX #350995

RGB 53 9 149

HSL 258.86, 0.89%, 0.31%

LAB 20.53, 52.05, -65.21

 

CMYK 0 / 94 / 77 / 42

HEX #950922

RGB 149 9 34

HSL 349.29, 0.89%, 0.31%

LAB 31.11, 53.08, 27.32

 

CMYK 30 / 0 / 94 / 42

HEX #699509

RGB 105 149 9

HSL 78.86, 0.89%, 0.31%

LAB 56.6, -33.33, 58.06

 

Description

Color code: HEX #09977D | qconv.com Color code: HEX #09977D | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 151 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 151 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, none magenta, 17 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 0% 17% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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