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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #093D95 it is the complementary color #F6C26A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #093D95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #093D95 shade: #0E3D90, #1F4FA3, #3061B6, #4173C9 and #5285DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #093D95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #093D95 shade: #093D95, #002B82, #00196F, #00075C and #000049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #093D95 shade: #093D95, #091795, #200995, #460995 and #6C0995

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #093D95 shade: #093D95, #091795 and #090995

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #093D95 shade matches the following richer shades: #093D95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #093D95 shade: #093D95, #154089, #22447C, #2F476F and #3C4A62

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #093D95 shade: #098A95, #096495, #093F95, #091995 and #1E0995

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #093D95 shade: #041D47, #062D6E, #093D95, #0B4DBC and #0D5DE3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #093D95 shade: #093D95, #7C0995 and #779509

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #093D95 shade: #093D95, #95093F and #3F9509

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #093D95 shade: #093D95, #7C0995, #955F09 and #229509

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #093D95 shade: #093D95, #950985, #955F09 and #099519

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

Complementary color

CMYK 0 / 21 / 57 / 4

HEX #F6C26A

RGB 246 194 106

HSL 37.71, 0.89%, 0.69%

LAB 81.41, 8.8, 50.75

 

CMYK 90 / 58 / 0 / 44

HEX #0E3D90

RGB 14 61 144

HSL 218.31, 0.82%, 0.31%

LAB 27.97, 18.91, -49.96

 

CMYK 81 / 52 / 0 / 36

HEX #1F4FA3

RGB 31 79 163

HSL 218.18, 0.68%, 0.38%

LAB 35.06, 15.74, -49.97

 

CMYK 74 / 47 / 0 / 29

HEX #3061B6

RGB 48 97 182

HSL 218.06, 0.58%, 0.45%

LAB 42.09, 13.3, -49.86

 

CMYK 68 / 43 / 0 / 21

HEX #4173C9

RGB 65 115 201

HSL 217.94, 0.56%, 0.52%

LAB 49.01, 11.38, -49.72

 

CMYK 63 / 40 / 0 / 14

HEX #5285DC

RGB 82 133 220

HSL 217.83, 0.66%, 0.59%

LAB 55.82, 9.86, -49.59

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 100 / 67 / 0 / 49

HEX #002B82

RGB 0 43 130

HSL 220.15, 1%, 0.25%

LAB 21.36, 24.99, -52.07

 

CMYK 100 / 77 / 0 / 56

HEX #00196F

RGB 0 25 111

HSL 226.49, 1%, 0.22%

LAB 14.64, 29.66, -50.98

 

CMYK 100 / 92 / 0 / 64

HEX #00075C

RGB 0 7 92

HSL 235.43, 1%, 0.18%

LAB 8.35, 33.27, -48.85

 

CMYK 100 / 100 / 0 / 71

HEX #000049

RGB 0 0 73

HSL 240, 1%, 0.14%

LAB 4.35, 28.82, -42.41

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 94 / 85 / 0 / 42

HEX #091795

RGB 9 23 149

HSL 234, 0.89%, 0.31%

LAB 19.39, 44.78, -67.17

 

CMYK 79 / 94 / 0 / 42

HEX #200995

RGB 32 9 149

HSL 249.86, 0.89%, 0.31%

LAB 18.68, 50.9, -68.33

 

CMYK 53 / 94 / 0 / 42

HEX #460995

RGB 70 9 149

HSL 266.14, 0.89%, 0.31%

LAB 22.54, 53.44, -61.81

 

CMYK 28 / 94 / 0 / 42

HEX #6C0995

RGB 108 9 149

HSL 282.43, 0.89%, 0.31%

LAB 28.26, 58.01, -52.21

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 94 / 85 / 0 / 42

HEX #091795

RGB 9 23 149

HSL 234, 0.89%, 0.31%

LAB 19.39, 44.78, -67.17

 

CMYK 94 / 94 / 0 / 42

HEX #090995

RGB 9 9 149

HSL 240, 0.89%, 0.31%

LAB 17.57, 50.27, -70.22

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 85 / 53 / 0 / 46

HEX #154089

RGB 21 64 137

HSL 217.76, 0.73%, 0.31%

LAB 28.47, 14.45, -44.82

 

CMYK 73 / 45 / 0 / 51

HEX #22447C

RGB 34 68 124

HSL 217.33, 0.57%, 0.31%

LAB 29.23, 8.07, -35.47

 

CMYK 58 / 36 / 0 / 56

HEX #2F476F

RGB 47 71 111

HSL 217.5, 0.41%, 0.31%

LAB 30.06, 3.78, -25.95

 

CMYK 39 / 24 / 0 / 62

HEX #3C4A62

RGB 60 74 98

HSL 217.89, 0.24%, 0.31%

LAB 31.21, 1.16, -15.84

 

CMYK 94 / 7 / 0 / 42

HEX #098A95

RGB 9 138 149

HSL 184.71, 0.89%, 0.31%

LAB 52.29, -26.43, -14.67

 

CMYK 94 / 33 / 0 / 42

HEX #096495

RGB 9 100 149

HSL 201, 0.89%, 0.31%

LAB 40.15, -5.25, -33.46

 

CMYK 94 / 58 / 0 / 42

HEX #093F95

RGB 9 63 149

HSL 216.86, 0.89%, 0.31%

LAB 28.86, 19.33, -51.58

 

CMYK 94 / 83 / 0 / 42

HEX #091995

RGB 9 25 149

HSL 233.14, 0.89%, 0.31%

LAB 19.73, 43.78, -66.61

 

CMYK 80 / 94 / 0 / 42

HEX #1E0995

RGB 30 9 149

HSL 249, 0.89%, 0.31%

LAB 18.55, 50.82, -68.56

 

CMYK 94 / 59 / 0 / 72

HEX #041D47

RGB 4 29 71

HSL 217.61, 0.89%, 0.15%

LAB 11.69, 9.52, -28.95

 

CMYK 95 / 59 / 0 / 57

HEX #062D6E

RGB 6 45 110

HSL 217.5, 0.9%, 0.23%

LAB 20.21, 15.32, -41.18

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 94 / 59 / 0 / 26

HEX #0B4DBC

RGB 11 77 188

HSL 217.63, 0.89%, 0.39%

LAB 36, 25.77, -63.28

 

CMYK 94 / 59 / 0 / 11

HEX #0D5DE3

RGB 13 93 227

HSL 217.57, 0.89%, 0.47%

LAB 43.45, 30.6, -73.6

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 17 / 94 / 0 / 42

HEX #7C0995

RGB 124 9 149

HSL 289.29, 0.89%, 0.31%

LAB 31, 60.44, -47.63

 

CMYK 20 / 0 / 94 / 42

HEX #779509

RGB 119 149 9

HSL 72.86, 0.89%, 0.31%

LAB 57.5, -27.54, 59.15

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 0 / 94 / 58 / 42

HEX #95093F

RGB 149 9 63

HSL 336.86, 0.89%, 0.31%

LAB 31.68, 54.65, 9.01

 

CMYK 58 / 0 / 94 / 42

HEX #3F9509

RGB 63 149 9

HSL 96.86, 0.89%, 0.31%

LAB 54.63, -47.83, 55.63

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 17 / 94 / 0 / 42

HEX #7C0995

RGB 124 9 149

HSL 289.29, 0.89%, 0.31%

LAB 31, 60.44, -47.63

 

CMYK 0 / 36 / 94 / 42

HEX #955F09

RGB 149 95 9

HSL 36.86, 0.89%, 0.31%

LAB 45.07, 15.88, 50.79

 

CMYK 77 / 0 / 94 / 42

HEX #229509

RGB 34 149 9

HSL 109.29, 0.89%, 0.31%

LAB 53.87, -54.19, 54.7

 

CMYK 94 / 59 / 0 / 42

HEX #093D95

RGB 9 61 149

HSL 217.71, 0.89%, 0.31%

LAB 28.29, 20.72, -52.51

 

CMYK 0 / 94 / 11 / 42

HEX #950985

RGB 149 9 133

HSL 306.86, 0.89%, 0.31%

LAB 34.56, 62.28, -31.78

 

CMYK 0 / 36 / 94 / 42

HEX #955F09

RGB 149 95 9

HSL 36.86, 0.89%, 0.31%

LAB 45.07, 15.88, 50.79

 

CMYK 94 / 0 / 83 / 42

HEX #099519

RGB 9 149 25

HSL 126.86, 0.89%, 0.31%

LAB 53.62, -56.18, 50.83

 

Description

Color code: HEX #093D95 | qconv.com Color code: HEX #093D95 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 9 red, 61 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
9 61 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 94 cyan, 59 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
94% 59% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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