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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06DF79 it is the complementary color #F92086. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06DF79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06DF79 shade: #0BDF74, #1CF187, #2DFF9A, #3EFFAD and #4FFFC0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06DF79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06DF79 shade: #06DF79, #00CD66, #00BB53, #00A940 and #00972D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06DF79 shade: #06E079, #06E03E, #08E006, #43E006 and #7DE006

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06DF79 shade: #06E079, #06E0B4, #06D1E0, #0696E0 and #065BE0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06DF79 shade matches the following richer shades: #06E079

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06DF79 shade: #06E079, #18CD78, #2BBB77, #3DA876 and #509575

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06DF79 shade: #09E006, #06E03C, #06E076, #06E0B1 and #06D5E0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06DF79 shade: #048F4E, #05B863, #06E079, #16F98E and #3EFAA2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06DF79 shade: #06DF79, #0644E0 and #E01F06

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06DF79 shade: #06DF79, #7606E0 and #E07606

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06DF79 shade: #06DF79, #0644E0, #E0066F and #E0A206

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06DF79 shade: #06DF79, #0906E0, #E0066F and #DCE006

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 46 / 13

HEX #06DF79

RGB 6 223 121

HSL 151.8, 0.95%, 0.45%

LAB 78.58, -67.54, 37.45

 

Complementary color

CMYK 0 / 87 / 46 / 2

HEX #F92086

RGB 249 32 134

HSL 331.8, 0.95%, 0.55%

LAB 54.96, 80.58, 0.44

 

CMYK 95 / 0 / 48 / 13

HEX #0BDF74

RGB 11 223 116

HSL 149.72, 0.91%, 0.46%

LAB 78.52, -68.22, 39.85

 

CMYK 88 / 0 / 44 / 5

HEX #1CF187

RGB 28 241 135

HSL 150.14, 0.88%, 0.53%

LAB 84.44, -70.12, 38.1

 

CMYK 82 / 0 / 40 / 0

HEX #2DFF9A

RGB 45 255 154

HSL 151.14, 1%, 0.59%

LAB 89.12, -70.22, 34.86

 

CMYK 76 / 0 / 32 / 0

HEX #3EFFAD

RGB 62 255 173

HSL 154.51, 1%, 0.62%

LAB 89.66, -64.88, 26.1

 

CMYK 69 / 0 / 25 / 0

HEX #4FFFC0

RGB 79 255 192

HSL 158.52, 1%, 0.65%

LAB 90.32, -58.71, 17.38

 

CMYK 97 / 0 / 46 / 13

HEX #06DF79

RGB 6 223 121

HSL 151.8, 0.95%, 0.45%

LAB 78.58, -67.54, 37.45

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 100 / 0 / 56 / 27

HEX #00BB53

RGB 0 187 83

HSL 146.63, 1%, 0.37%

LAB 66.65, -62.19, 41.2

 

CMYK 100 / 0 / 62 / 34

HEX #00A940

RGB 0 169 64

HSL 142.72, 1%, 0.33%

LAB 60.56, -59.11, 42.97

 

CMYK 100 / 0 / 70 / 41

HEX #00972D

RGB 0 151 45

HSL 137.88, 1%, 0.3%

LAB 54.37, -55.72, 44.45

 

CMYK 97 / 0 / 46 / 12

HEX #06E079

RGB 6 224 121

HSL 151.65, 0.95%, 0.45%

LAB 78.89, -67.87, 37.85

 

CMYK 97 / 0 / 72 / 12

HEX #06E03E

RGB 6 224 62

HSL 135.41, 0.95%, 0.45%

LAB 78.29, -75.3, 62.91

 

CMYK 96 / 0 / 97 / 12

HEX #08E006

RGB 8 224 6

HSL 119.45, 0.95%, 0.45%

LAB 78.1, -77.76, 74.91

 

CMYK 70 / 0 / 97 / 12

HEX #43E006

RGB 67 224 6

HSL 103.21, 0.95%, 0.45%

LAB 78.76, -71.84, 75.73

 

CMYK 44 / 0 / 97 / 12

HEX #7DE006

RGB 125 224 6

HSL 87.25, 0.95%, 0.45%

LAB 80.56, -57.34, 77.93

 

CMYK 97 / 0 / 46 / 12

HEX #06E079

RGB 6 224 121

HSL 151.65, 0.95%, 0.45%

LAB 78.89, -67.87, 37.85

 

CMYK 97 / 0 / 20 / 12

HEX #06E0B4

RGB 6 224 180

HSL 167.89, 0.95%, 0.45%

LAB 79.98, -55.43, 8.88

 

CMYK 97 / 7 / 0 / 12

HEX #06D1E0

RGB 6 209 224

HSL 184.13, 0.95%, 0.45%

LAB 76.69, -36.67, -19.49

 

CMYK 97 / 33 / 0 / 12

HEX #0696E0

RGB 6 150 224

HSL 200.37, 0.95%, 0.45%

LAB 59.19, -6.16, -46.59

 

CMYK 97 / 59 / 0 / 12

HEX #065BE0

RGB 6 91 224

HSL 216.61, 0.95%, 0.45%

LAB 42.62, 30.54, -73.26

 

CMYK 97 / 0 / 46 / 12

HEX #06E079

RGB 6 224 121

HSL 151.65, 0.95%, 0.45%

LAB 78.89, -67.87, 37.85

 

CMYK 97 / 0 / 46 / 12

HEX #06E079

RGB 6 224 121

HSL 151.65, 0.95%, 0.45%

LAB 78.89, -67.87, 37.85

 

CMYK 88 / 0 / 41 / 20

HEX #18CD78

RGB 24 205 120

HSL 151.82, 0.79%, 0.45%

LAB 73.03, -60.86, 30.8

 

CMYK 77 / 0 / 36 / 27

HEX #2BBB77

RGB 43 187 119

HSL 151.67, 0.63%, 0.45%

LAB 67.57, -52.75, 24.1

 

CMYK 64 / 0 / 30 / 34

HEX #3DA876

RGB 61 168 118

HSL 151.96, 0.47%, 0.45%

LAB 61.92, -42.49, 17.02

 

CMYK 46 / 0 / 21 / 42

HEX #509575

RGB 80 149 117

HSL 152.17, 0.3%, 0.45%

LAB 56.57, -29.62, 10.22

 

CMYK 96 / 0 / 97 / 12

HEX #09E006

RGB 9 224 6

HSL 119.17, 0.95%, 0.45%

LAB 78.1, -77.73, 74.92

 

CMYK 97 / 0 / 73 / 12

HEX #06E03C

RGB 6 224 60

HSL 134.86, 0.95%, 0.45%

LAB 78.27, -75.46, 63.6

 

CMYK 97 / 0 / 47 / 12

HEX #06E076

RGB 6 224 118

HSL 150.83, 0.95%, 0.45%

LAB 78.84, -68.37, 39.27

 

CMYK 97 / 0 / 21 / 12

HEX #06E0B1

RGB 6 224 177

HSL 167.06, 0.95%, 0.45%

LAB 79.91, -56.17, 10.37

 

CMYK 97 / 5 / 0 / 12

HEX #06D5E0

RGB 6 213 224

HSL 183.03, 0.95%, 0.45%

LAB 77.88, -38.51, -17.69

 

CMYK 97 / 0 / 45 / 44

HEX #048F4E

RGB 4 143 78

HSL 151.94, 0.95%, 0.29%

LAB 52.09, -48, 25.62

 

CMYK 97 / 0 / 46 / 28

HEX #05B863

RGB 5 184 99

HSL 151.51, 0.95%, 0.37%

LAB 65.92, -58.41, 32.34

 

CMYK 97 / 0 / 46 / 12

HEX #06E079

RGB 6 224 121

HSL 151.65, 0.95%, 0.45%

LAB 78.89, -67.87, 37.85

 

CMYK 91 / 0 / 43 / 2

HEX #16F98E

RGB 22 249 142

HSL 151.72, 0.95%, 0.53%

LAB 86.94, -71.86, 37.89

 

CMYK 75 / 0 / 35 / 2

HEX #3EFAA2

RGB 62 250 162

HSL 151.91, 0.95%, 0.61%

LAB 87.97, -65.23, 29.37

 

CMYK 97 / 0 / 46 / 13

HEX #06DF79

RGB 6 223 121

HSL 151.8, 0.95%, 0.45%

LAB 78.58, -67.54, 37.45

 

CMYK 97 / 70 / 0 / 12

HEX #0644E0

RGB 6 68 224

HSL 222.94, 0.95%, 0.45%

LAB 37.03, 45.16, -82.44

 

CMYK 0 / 86 / 97 / 12

HEX #E01F06

RGB 224 31 6

HSL 6.88, 0.95%, 0.45%

LAB 48.06, 69.03, 59.73

 

CMYK 97 / 0 / 46 / 13

HEX #06DF79

RGB 6 223 121

HSL 151.8, 0.95%, 0.45%

LAB 78.58, -67.54, 37.45

 

CMYK 47 / 97 / 0 / 12

HEX #7606E0

RGB 118 6 224

HSL 270.83, 0.95%, 0.45%

LAB 36.68, 75.18, -82.79

 

CMYK 0 / 47 / 97 / 12

HEX #E07606

RGB 224 118 6

HSL 30.83, 0.95%, 0.45%

LAB 60.62, 35.65, 66.91

 

CMYK 97 / 0 / 46 / 13

HEX #06DF79

RGB 6 223 121

HSL 151.8, 0.95%, 0.45%

LAB 78.58, -67.54, 37.45

 

CMYK 97 / 70 / 0 / 12

HEX #0644E0

RGB 6 68 224

HSL 222.94, 0.95%, 0.45%

LAB 37.03, 45.16, -82.44

 

CMYK 0 / 97 / 50 / 12

HEX #E0066F

RGB 224 6 111

HSL 331.1, 0.95%, 0.45%

LAB 48.42, 76.14, 4.29

 

CMYK 0 / 28 / 97 / 12

HEX #E0A206

RGB 224 162 6

HSL 42.94, 0.95%, 0.45%

LAB 70.66, 12.34, 73.66

 

CMYK 97 / 0 / 46 / 13

HEX #06DF79

RGB 6 223 121

HSL 151.8, 0.95%, 0.45%

LAB 78.58, -67.54, 37.45

 

CMYK 96 / 97 / 0 / 12

HEX #0906E0

RGB 9 6 224

HSL 240.83, 0.95%, 0.45%

LAB 28.3, 70.77, -96.95

 

CMYK 0 / 97 / 50 / 12

HEX #E0066F

RGB 224 6 111

HSL 331.1, 0.95%, 0.45%

LAB 48.42, 76.14, 4.29

 

CMYK 2 / 0 / 97 / 12

HEX #DCE006

RGB 220 224 6

HSL 61.1, 0.95%, 0.45%

LAB 86.28, -21.17, 84.8

 

Description

Color code: HEX #06DF79 | qconv.com Color code: HEX #06DF79 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 223 green and 121 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 223 121 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 46 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 46% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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