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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 0 205 102 it is the complementary color RGB 255 50 153. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 0 205 102. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 0 205 102: RGB 5 205 97, RGB 22 223 116, RGB 39 241 135, RGB 56 255 154 and RGB 73 255 173

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 0 205 102. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 0 205 102: RGB 0 205 102, RGB 0 187 83, RGB 0 169 64, RGB 0 151 45 and RGB 0 133 26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

Complementary color

CMYK 0 / 80 / 40 / 0

HEX #FF3299

RGB 255 50 153

HSL 329.85, 1%, 0.6%

LAB 57.89, 80.06, -6.39

 

CMYK 98 / 0 / 53 / 20

HEX #05CD61

RGB 5 205 97

HSL 147.6, 0.95%, 0.41%

LAB 72.6, -65.64, 41.7

 

CMYK 90 / 0 / 48 / 13

HEX #16DF74

RGB 22 223 116

HSL 148.06, 0.82%, 0.48%

LAB 78.58, -67.74, 39.94

 

CMYK 84 / 0 / 44 / 5

HEX #27F187

RGB 39 241 135

HSL 148.51, 0.88%, 0.55%

LAB 84.53, -69.34, 38.24

 

CMYK 78 / 0 / 40 / 0

HEX #38FF9A

RGB 56 255 154

HSL 149.55, 1%, 0.61%

LAB 89.25, -69.16, 35.06

 

CMYK 71 / 0 / 32 / 0

HEX #49FFAD

RGB 73 255 173

HSL 152.97, 1%, 0.64%

LAB 89.84, -63.49, 26.38

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 100 / 0 / 56 / 27

HEX #00BB53

RGB 0 187 83

HSL 146.63, 1%, 0.37%

LAB 66.65, -62.19, 41.2

 

CMYK 100 / 0 / 62 / 34

HEX #00A940

RGB 0 169 64

HSL 142.72, 1%, 0.33%

LAB 60.56, -59.11, 42.97

 

CMYK 100 / 0 / 70 / 41

HEX #00972D

RGB 0 151 45

HSL 137.88, 1%, 0.3%

LAB 54.37, -55.72, 44.45

 

CMYK 100 / 0 / 80 / 48

HEX #00851A

RGB 0 133 26

HSL 131.73, 1%, 0.26%

LAB 48.07, -51.92, 45.23

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 100 / 0 / 35 / 20

HEX #00CC84

RGB 0 204 132

HSL 158.82, 1%, 0.4%

LAB 72.79, -59.17, 24.22

 

CMYK 100 / 0 / 19 / 20

HEX #00CCA6

RGB 0 204 166

HSL 168.82, 1%, 0.4%

LAB 73.51, -51.23, 7.08

 

CMYK 100 / 0 / 2 / 20

HEX #00CCC8

RGB 0 204 200

HSL 178.82, 1%, 0.4%

LAB 74.42, -41.83, -9.97

 

CMYK 100 / 15 / 0 / 20

HEX #00ADCC

RGB 0 173 204

HSL 189.12, 1%, 0.4%

LAB 65.16, -25.9, -26.18

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 100 / 0 / 100 / 100

HEX #000100

RGB 0 1 0

HSL 120, 1%, 0%

LAB 0.2, -0.4, 0.29

 

CMYK 100 / 0 / 50 / 80

HEX #00341A

RGB 0 52 26

HSL 150, 1%, 0.1%

LAB 18.06, -23.81, 11.96

 

CMYK 100 / 0 / 50 / 60

HEX #006733

RGB 0 103 51

HSL 149.71, 1%, 0.2%

LAB 37.73, -38.83, 22.17

 

CMYK 100 / 0 / 50 / 40

HEX #009A4D

RGB 0 154 77

HSL 150, 1%, 0.3%

LAB 55.73, -52.27, 30.8

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 100 / 69 / 0 / 20

HEX #0040CC

RGB 0 64 204

HSL 221.18, 1%, 0.4%

LAB 34.04, 40.16, -75.86

 

CMYK 0 / 92 / 100 / 20

HEX #CC1100

RGB 204 17 0

HSL 5, 1%, 0.4%

LAB 43.12, 65.97, 57.03

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 52 / 100 / 0 / 20

HEX #6200CC

RGB 98 0 204

HSL 268.82, 1%, 0.4%

LAB 31.71, 70.07, -79.53

 

CMYK 0 / 52 / 100 / 20

HEX #CC6200

RGB 204 98 0

HSL 28.82, 1%, 0.4%

LAB 53.57, 37.77, 62.2

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 100 / 69 / 0 / 20

HEX #0040CC

RGB 0 64 204

HSL 221.18, 1%, 0.4%

LAB 34.04, 40.16, -75.86

 

CMYK 0 / 100 / 49 / 20

HEX #CC0069

RGB 204 0 105

HSL 329.12, 1%, 0.4%

LAB 44.03, 71.77, 1.15

 

CMYK 0 / 32 / 100 / 20

HEX #CC8B00

RGB 204 139 0

HSL 40.88, 1%, 0.4%

LAB 62.76, 15.91, 67.99

 

CMYK 100 / 0 / 50 / 20

HEX #00CD66

RGB 0 205 102

HSL 149.85, 1%, 0.4%

LAB 72.64, -65.04, 39.32

 

CMYK 100 / 99 / 0 / 20

HEX #0003CC

RGB 0 3 204

HSL 239.12, 1%, 0.4%

LAB 25.03, 66.31, -90.83

 

CMYK 0 / 100 / 49 / 20

HEX #CC0069

RGB 204 0 105

HSL 329.12, 1%, 0.4%

LAB 44.03, 71.77, 1.15

 

CMYK 0 / 2 / 100 / 20

HEX #CCC800

RGB 204 200 0

HSL 58.82, 1%, 0.4%

LAB 78.55, -16.23, 79.07

 

Description

Color code: RGB 0 205 102 | qconv.com Color code: RGB 0 205 102 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us. It is also known as SpringGreen3.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 205 green and 102 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 205 102 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 50 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 50% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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