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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06B8F3 it is the complementary color #F9470C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06B8F3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #06B8F3: #0BB8EE, #1CCAFF, #2DDCFF, #3EEEFF and #4FFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06B8F3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #06B8F3: #06B8F3, #00A6E0, #0094CD, #0082BA and #0070A7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

Complementary color

CMYK 0 / 71 / 95 / 2

HEX #F9470C

RGB 249 71 12

HSL 14.94, 0.95%, 0.51%

LAB 56.76, 65.37, 65.51

 

CMYK 95 / 23 / 0 / 7

HEX #0BB8EE

RGB 11 184 238

HSL 194.27, 0.91%, 0.49%

LAB 69.84, -19.62, -37.58

 

CMYK 89 / 21 / 0 / 0

HEX #1CCAFF

RGB 28 202 255

HSL 194.01, 1%, 0.55%

LAB 75.89, -22.48, -37.34

 

CMYK 82 / 14 / 0 / 0

HEX #2DDCFF

RGB 45 220 255

HSL 190, 1%, 0.59%

LAB 81.27, -30.37, -29.02

 

CMYK 76 / 7 / 0 / 0

HEX #3EEEFF

RGB 62 238 255

HSL 185.28, 1%, 0.62%

LAB 86.7, -37.4, -20.74

 

CMYK 69 / 0 / 0 / 0

HEX #4FFFFF

RGB 79 255 255

HSL 180, 1%, 0.65%

LAB 91.87, -43.2, -12.94

 

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

CMYK 100 / 26 / 0 / 12

HEX #00A6E0

RGB 0 166 224

HSL 195.54, 1%, 0.44%

LAB 63.88, -15.26, -39.22

 

CMYK 100 / 28 / 0 / 20

HEX #0094CD

RGB 0 148 205

HSL 196.68, 1%, 0.4%

LAB 57.64, -12.26, -38.4

 

CMYK 100 / 30 / 0 / 27

HEX #0082BA

RGB 0 130 186

HSL 198.06, 1%, 0.36%

LAB 51.28, -9.14, -37.61

Pantone® 640 C

CMYK 100 / 33 / 0 / 35

HEX #0070A7

RGB 0 112 167

HSL 199.76, 1%, 0.33%

LAB 44.77, -5.86, -36.85

 

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

CMYK 98 / 39 / 0 / 5

HEX #0694F3

RGB 6 148 243

HSL 204.05, 0.95%, 0.49%

LAB 59.61, 2.15, -56.45

 

CMYK 98 / 55 / 0 / 5

HEX #066DF3

RGB 6 109 243

HSL 213.92, 0.95%, 0.49%

LAB 48.82, 26.3, -73.84

 

CMYK 98 / 72 / 0 / 5

HEX #0645F3

RGB 6 69 243

HSL 224.05, 0.95%, 0.49%

LAB 39.18, 51.28, -89.66

 

CMYK 98 / 88 / 0 / 5

HEX #061DF3

RGB 6 29 243

HSL 234.18, 0.95%, 0.49%

LAB 32.68, 70.19, -100.48

 

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

CMYK 97 / 23 / 0 / 85

HEX #011E27

RGB 1 30 39

HSL 194.21, 0.95%, 0.08%

LAB 9.65, -7.07, -9.27

 

CMYK 98 / 24 / 0 / 65

HEX #02445A

RGB 2 68 90

HSL 195, 0.96%, 0.18%

LAB 26.41, -9.77, -18.33

 

CMYK 98 / 24 / 0 / 45

HEX #036B8D

RGB 3 107 141

HSL 194.78, 0.96%, 0.28%

LAB 41.93, -12.87, -25.87

 

CMYK 97 / 24 / 0 / 25

HEX #0591C0

RGB 5 145 192

HSL 195.08, 0.95%, 0.39%

LAB 56.18, -15.19, -33.36

 

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

CMYK 55 / 98 / 0 / 5

HEX #6D06F3

RGB 109 6 243

HSL 266.08, 0.95%, 0.49%

LAB 37.58, 78.6, -92.15

 

CMYK 0 / 16 / 98 / 5

HEX #F3CC06

RGB 243 204 6

HSL 50.13, 0.95%, 0.49%

LAB 83.05, -1.41, 83.33

 

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

CMYK 0 / 98 / 23 / 5

HEX #F306BC

RGB 243 6 188

HSL 313.92, 0.95%, 0.49%

LAB 54.88, 87.33, -31.63

 

CMYK 23 / 0 / 98 / 5

HEX #BCF306

RGB 188 243 6

HSL 73.92, 0.95%, 0.49%

LAB 89.3, -42.8, 86.13

 

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

CMYK 55 / 98 / 0 / 5

HEX #6D06F3

RGB 109 6 243

HSL 266.08, 0.95%, 0.49%

LAB 37.58, 78.6, -92.15

 

CMYK 0 / 75 / 98 / 5

HEX #F33D06

RGB 243 61 6

HSL 13.92, 0.95%, 0.49%

LAB 54.45, 66.79, 64.94

 

CMYK 42 / 0 / 98 / 5

HEX #8CF306

RGB 140 243 6

HSL 86.08, 0.95%, 0.49%

LAB 86.84, -59.76, 83.16

 

CMYK 98 / 24 / 0 / 5

HEX #06B8F3

RGB 6 184 243

HSL 194.94, 0.95%, 0.49%

LAB 70.03, -18, -40

 

CMYK 26 / 98 / 0 / 5

HEX #B406F3

RGB 180 6 243

HSL 284.05, 0.95%, 0.49%

LAB 47.37, 85.45, -75.68

 

CMYK 0 / 75 / 98 / 5

HEX #F33D06

RGB 243 61 6

HSL 13.92, 0.95%, 0.49%

LAB 54.45, 66.79, 64.94

 

CMYK 72 / 0 / 98 / 5

HEX #45F306

RGB 69 243 6

HSL 104.05, 0.95%, 0.49%

LAB 84.68, -77.16, 80.52

 

Description

Color code: HEX #06B8F3 | qconv.com Color code: HEX #06B8F3 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 184 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 184 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 24 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 24% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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