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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06118D it is the complementary color #F9EE72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06118D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #06118D: #0B1188, #1C239B, #2D35AE, #3E47C1 and #4F59D4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06118D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #06118D: #06118D, #00007A, #000067, #000054 and #000041

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

Complementary color

CMYK 0 / 4 / 54 / 2

HEX #F9EE72

RGB 249 238 114

HSL 55.11, 0.92%, 0.71%

LAB 92.8, -11.73, 60.38

 

CMYK 92 / 88 / 0 / 47

HEX #0B1188

RGB 11 17 136

HSL 237.12, 0.85%, 0.29%

LAB 16.75, 43.44, -63.47

 

CMYK 82 / 77 / 0 / 39

HEX #1C239B

RGB 28 35 155

HSL 236.69, 0.69%, 0.36%

LAB 23.05, 41.22, -64.77

 

CMYK 74 / 70 / 0 / 32

HEX #2D35AE

RGB 45 53 174

HSL 236.28, 0.59%, 0.43%

LAB 29.81, 38.54, -65.09

 

CMYK 68 / 63 / 0 / 24

HEX #3E47C1

RGB 62 71 193

HSL 235.88, 0.51%, 0.5%

LAB 36.71, 36.02, -64.99

 

CMYK 63 / 58 / 0 / 17

HEX #4F59D4

RGB 79 89 212

HSL 235.49, 0.61%, 0.57%

LAB 43.6, 33.83, -64.71

 

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

CMYK 100 / 100 / 0 / 52

HEX #00007A

RGB 0 0 122

HSL 240, 1%, 0.24%

LAB 11.99, 45.9, -62.51

 

CMYK 100 / 100 / 0 / 60

HEX #000067

RGB 0 0 103

HSL 240, 1%, 0.2%

LAB 8.82, 40.69, -55.42

 

CMYK 100 / 100 / 0 / 67

HEX #000054

RGB 0 0 84

HSL 240, 1%, 0.16%

LAB 5.78, 34.26, -47.68

 

CMYK 100 / 100 / 0 / 75

HEX #000041

RGB 0 0 65

HSL 240, 1%, 0.13%

LAB 3.45, 24.03, -38.21

 

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

CMYK 88 / 96 / 0 / 45

HEX #11058D

RGB 17 5 141

HSL 245.29, 0.93%, 0.29%

LAB 16.26, 49.45, -67.41

 

CMYK 72 / 96 / 0 / 45

HEX #27058D

RGB 39 5 141

HSL 255, 0.93%, 0.29%

LAB 17.75, 50.22, -64.89

 

CMYK 56 / 96 / 0 / 45

HEX #3E058D

RGB 62 5 141

HSL 265.15, 0.93%, 0.29%

LAB 20.27, 51.74, -60.64

 

CMYK 40 / 96 / 0 / 45

HEX #55058D

RGB 85 5 141

HSL 275.29, 0.93%, 0.29%

LAB 23.55, 54.07, -55.11

 

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

CMYK 96 / 88 / 0 / 25

HEX #0817C0

RGB 8 23 192

HSL 235.11, 0.92%, 0.39%

LAB 25.17, 57.97, -83.53

 

CMYK 96 / 88 / 0 / 5

HEX #0A1DF3

RGB 10 29 243

HSL 235.11, 0.92%, 0.5%

LAB 32.73, 70.23, -100.38

 

CMYK 95 / 87 / 0 / 85

HEX #020527

RGB 2 5 39

HSL 235.14, 0.9%, 0.08%

LAB 2.42, 7.82, -20.55

 

CMYK 96 / 88 / 0 / 65

HEX #040B5A

RGB 4 11 90

HSL 235.12, 0.91%, 0.18%

LAB 9.02, 30.55, -46.37

 

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

CMYK 0 / 96 / 11 / 45

HEX #8D057E

RGB 141 5 126

HSL 306.62, 0.93%, 0.29%

LAB 32.43, 60.27, -30.87

 

CMYK 50 / 0 / 96 / 45

HEX #478D05

RGB 71 141 5

HSL 90.88, 0.93%, 0.29%

LAB 52.29, -42.46, 54.5

 

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

CMYK 0 / 96 / 88 / 45

HEX #8D0511

RGB 141 5 17

HSL 354.71, 0.93%, 0.29%

LAB 28.93, 51.02, 34.7

 

CMYK 88 / 0 / 96 / 45

HEX #118D05

RGB 17 141 5

HSL 114.71, 0.93%, 0.29%

LAB 50.9, -54.02, 52.79

 

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

CMYK 0 / 96 / 11 / 45

HEX #8D057E

RGB 141 5 126

HSL 306.62, 0.93%, 0.29%

LAB 32.43, 60.27, -30.87

 

CMYK 0 / 8 / 96 / 45

HEX #8D8205

RGB 141 130 5

HSL 55.15, 0.93%, 0.29%

LAB 53.64, -7.85, 57.59

 

CMYK 96 / 0 / 85 / 45

HEX #058D15

RGB 5 141 21

HSL 127.06, 0.93%, 0.29%

LAB 50.85, -54.29, 49.38

 

CMYK 96 / 88 / 0 / 45

HEX #06118D

RGB 6 17 141

HSL 235.11, 0.92%, 0.29%

LAB 17.29, 44.91, -65.71

 

CMYK 0 / 96 / 40 / 45

HEX #8D0555

RGB 141 5 85

HSL 324.71, 0.93%, 0.29%

LAB 30.47, 55.19, -7.54

 

CMYK 0 / 8 / 96 / 45

HEX #8D8205

RGB 141 130 5

HSL 55.15, 0.93%, 0.29%

LAB 53.64, -7.85, 57.59

 

CMYK 96 / 0 / 56 / 45

HEX #058D3E

RGB 5 141 62

HSL 145.15, 0.93%, 0.29%

LAB 51.19, -50.01, 32.93

 

Description

Color code: HEX #06118D | qconv.com Color code: HEX #06118D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 17 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 17 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, 88 magenta, none yellow and 45 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 88% 0% 45% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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