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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #05FE3E it is the complementary color #FA01C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #05FE3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #05FE3E shade: #0AFE39, #1BFF4C, #2CFF5F, #3DFF72 and #4EFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #05FE3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #05FE3E shade: #05FE3E, #00EC2B, #00DA18, #00C805 and #00B600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #05FE3E shade: #06FD3E, #10FD06, #53FD06, #95FD06 and #D8FD06

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #05FE3E shade: #06FD3E, #06FD81, #06FDC4, #06F4FD and #06B1FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #05FE3E shade matches the following richer shades: #06FD3E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #05FE3E shade: #06FD3E, #1AE949, #2ED554, #43C15F and #57AC6A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #05FE3E shade: #54FD06, #12FD06, #06FD3B, #06FD7D and #06FDBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #05FE3E shade: #00B029, #01D932, #06FD3E, #2FFD5E and #58FE7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #05FE3E shade: #05FE3E, #0696FD and #FD0633

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #05FE3E shade: #05FE3E, #3B06FD and #FD3B06

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #05FE3E shade: #05FE3E, #0696FD, #FD06C8 and #FD6D06

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #05FE3E shade: #05FE3E, #064CFD, #FD06C8 and #FDB706

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 76 / 0

HEX #05FE3E

RGB 5 254 62

HSL 133.73, 0.99%, 0.51%

LAB 87.61, -83.6, 72.24

 

Complementary color

CMYK 0 / 100 / 23 / 2

HEX #FA01C1

RGB 250 1 193

HSL 313.73, 0.99%, 0.49%

LAB 56.28, 89.52, -32.24

 

CMYK 96 / 0 / 78 / 0

HEX #0AFE39

RGB 10 254 57

HSL 131.56, 0.99%, 0.52%

LAB 87.6, -83.78, 73.73

 

CMYK 89 / 0 / 70 / 0

HEX #1BFF4C

RGB 27 255 76

HSL 132.89, 1%, 0.55%

LAB 88.1, -81.94, 68.09

 

CMYK 83 / 0 / 63 / 0

HEX #2CFF5F

RGB 44 255 95

HSL 134.5, 1%, 0.59%

LAB 88.39, -78.85, 61.14

 

CMYK 76 / 0 / 55 / 0

HEX #3DFF72

RGB 61 255 114

HSL 136.39, 1%, 0.62%

LAB 88.79, -74.76, 53.49

 

CMYK 69 / 0 / 48 / 0

HEX #4EFF85

RGB 78 255 133

HSL 138.64, 1%, 0.65%

LAB 89.31, -69.7, 45.41

 

CMYK 98 / 0 / 76 / 0

HEX #05FE3E

RGB 5 254 62

HSL 133.73, 0.99%, 0.51%

LAB 87.61, -83.6, 72.24

 

CMYK 100 / 0 / 82 / 7

HEX #00EC2B

RGB 0 236 43

HSL 130.93, 1%, 0.46%

LAB 81.93, -80.05, 72.17

 

CMYK 100 / 0 / 89 / 15

HEX #00DA18

RGB 0 218 24

HSL 126.61, 1%, 0.43%

LAB 76.2, -76.04, 71.12

 

CMYK 100 / 0 / 98 / 22

HEX #00C805

RGB 0 200 5

HSL 121.5, 1%, 0.39%

LAB 70.4, -71.67, 68.73

 

CMYK 100 / 0 / 100 / 29

HEX #00B600

RGB 0 182 0

HSL 120, 1%, 0.36%

LAB 64.53, -66.9, 64.57

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 94 / 0 / 98 / 1

HEX #10FD06

RGB 16 253 6

HSL 117.57, 0.98%, 0.51%

LAB 87.18, -85.09, 82.3

 

CMYK 67 / 0 / 98 / 1

HEX #53FD06

RGB 83 253 6

HSL 101.3, 0.98%, 0.51%

LAB 88.02, -77.68, 83.32

 

CMYK 41 / 0 / 98 / 1

HEX #95FD06

RGB 149 253 6

HSL 85.26, 0.98%, 0.51%

LAB 90.16, -60.66, 85.93

 

CMYK 15 / 0 / 98 / 1

HEX #D8FD06

RGB 216 253 6

HSL 68.99, 0.98%, 0.51%

LAB 93.82, -36.33, 90.35

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 98 / 0 / 49 / 1

HEX #06FD81

RGB 6 253 129

HSL 149.88, 0.98%, 0.51%

LAB 87.91, -75.82, 45.38

 

CMYK 98 / 0 / 23 / 1

HEX #06FDC4

RGB 6 253 196

HSL 166.15, 0.98%, 0.51%

LAB 89.05, -62.64, 13.43

 

CMYK 98 / 4 / 0 / 1

HEX #06F4FD

RGB 6 244 253

HSL 182.19, 0.98%, 0.51%

LAB 87.89, -43.75, -17.94

 

CMYK 98 / 30 / 0 / 1

HEX #06B1FD

RGB 6 177 253

HSL 198.46, 0.98%, 0.51%

LAB 68.44, -10.69, -47.91

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 89 / 0 / 69 / 9

HEX #1AE949

RGB 26 233 73

HSL 133.62, 0.82%, 0.51%

LAB 81.28, -76, 62.04

 

CMYK 78 / 0 / 61 / 16

HEX #2ED554

RGB 46 213 84

HSL 133.65, 0.67%, 0.51%

LAB 75.33, -66.95, 51.03

 

CMYK 65 / 0 / 51 / 24

HEX #43C15F

RGB 67 193 95

HSL 133.33, 0.5%, 0.51%

LAB 69.58, -55.29, 39.14

 

CMYK 49 / 0 / 38 / 33

HEX #57AC6A

RGB 87 172 106

HSL 133.41, 0.34%, 0.51%

LAB 63.81, -40.39, 26.24

 

CMYK 67 / 0 / 98 / 1

HEX #54FD06

RGB 84 253 6

HSL 101.05, 0.98%, 0.51%

LAB 88.04, -77.49, 83.35

 

CMYK 93 / 0 / 98 / 1

HEX #12FD06

RGB 18 253 6

HSL 117.09, 0.98%, 0.51%

LAB 87.19, -85.01, 82.31

 

CMYK 98 / 0 / 77 / 1

HEX #06FD3B

RGB 6 253 59

HSL 132.87, 0.98%, 0.51%

LAB 87.29, -83.5, 72.84

 

CMYK 98 / 0 / 51 / 1

HEX #06FD7D

RGB 6 253 125

HSL 148.91, 0.98%, 0.51%

LAB 87.86, -76.43, 47.2

 

CMYK 98 / 0 / 25 / 1

HEX #06FDBF

RGB 6 253 191

HSL 164.94, 0.98%, 0.51%

LAB 88.95, -63.8, 15.86

 

CMYK 100 / 0 / 77 / 31

HEX #00B029

RGB 0 176 41

HSL 133.98, 1%, 0.35%

LAB 62.69, -63.51, 54.48

 

CMYK 100 / 0 / 77 / 15

HEX #01D932

RGB 1 217 50

HSL 133.61, 0.99%, 0.43%

LAB 75.98, -74.42, 64.6

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 81 / 0 / 63 / 1

HEX #2FFD5E

RGB 47 253 94

HSL 133.69, 0.98%, 0.59%

LAB 87.81, -78.07, 60.91

 

CMYK 65 / 0 / 50 / 0

HEX #58FE7E

RGB 88 254 126

HSL 133.73, 0.99%, 0.67%

LAB 89.14, -68.67, 48.54

 

CMYK 98 / 0 / 76 / 0

HEX #05FE3E

RGB 5 254 62

HSL 133.73, 0.99%, 0.51%

LAB 87.61, -83.6, 72.24

 

CMYK 98 / 41 / 0 / 1

HEX #0696FD

RGB 6 150 253

HSL 205.02, 0.98%, 0.51%

LAB 60.73, 4.75, -60.15

 

CMYK 0 / 98 / 80 / 1

HEX #FD0633

RGB 253 6 51

HSL 349.07, 0.98%, 0.51%

LAB 53.22, 79.93, 47.43

 

CMYK 98 / 0 / 76 / 0

HEX #05FE3E

RGB 5 254 62

HSL 133.73, 0.99%, 0.51%

LAB 87.61, -83.6, 72.24

 

CMYK 77 / 98 / 0 / 1

HEX #3B06FD

RGB 59 6 253

HSL 252.87, 0.98%, 0.51%

LAB 34.3, 78.59, -103.36

 

CMYK 0 / 77 / 98 / 1

HEX #FD3B06

RGB 253 59 6

HSL 12.87, 0.98%, 0.51%

LAB 56.11, 70.33, 66.81

 

CMYK 98 / 0 / 76 / 0

HEX #05FE3E

RGB 5 254 62

HSL 133.73, 0.99%, 0.51%

LAB 87.61, -83.6, 72.24

 

CMYK 98 / 41 / 0 / 1

HEX #0696FD

RGB 6 150 253

HSL 205.02, 0.98%, 0.51%

LAB 60.73, 4.75, -60.15

 

CMYK 0 / 98 / 21 / 1

HEX #FD06C8

RGB 253 6 200

HSL 312.87, 0.98%, 0.51%

LAB 57.25, 90.55, -34.72

 

CMYK 0 / 57 / 98 / 1

HEX #FD6D06

RGB 253 109 6

HSL 25.02, 0.98%, 0.51%

LAB 63.2, 51.19, 70.68

 

CMYK 98 / 0 / 76 / 0

HEX #05FE3E

RGB 5 254 62

HSL 133.73, 0.99%, 0.51%

LAB 87.61, -83.6, 72.24

 

CMYK 98 / 70 / 0 / 1

HEX #064CFD

RGB 6 76 253

HSL 223, 0.98%, 0.51%

LAB 41.69, 50.66, -91.13

 

CMYK 0 / 98 / 21 / 1

HEX #FD06C8

RGB 253 6 200

HSL 312.87, 0.98%, 0.51%

LAB 57.25, 90.55, -34.72

 

CMYK 0 / 28 / 98 / 1

HEX #FDB706

RGB 253 183 6

HSL 43, 0.98%, 0.51%

LAB 78.9, 13.74, 80.87

 

Description

Color code: HEX #05FE3E | qconv.com Color code: HEX #05FE3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 254 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 254 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 76 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 76% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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