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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #06FD3E it is the complementary color #F902C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #06FD3E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #06FD3E shade: #0BFD39, #1CFF4C, #2DFF5F, #3EFF72 and #4FFF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #06FD3E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #06FD3E shade: #06FD3E, #00EB2B, #00D918, #00C705 and #00B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #06FD3E shade: #07FC3F, #12FC07, #54FC07, #96FC07 and #D8FC07

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #06FD3E shade: #07FC3F, #07FC81, #07FCC3, #07F3FC and #07B1FC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #06FD3E shade matches the following richer shades: #07FC3F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #06FD3E shade: #07FC3F, #1BE84A, #30D455, #44BF60 and #58AB6B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #06FD3E shade: #55FC07, #13FC07, #07FC3C, #07FC7D and #07FCBF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #06FD3E shade: #01AF29, #02D832, #07FC3F, #30FC5E and #59FD7E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #06FD3E shade: #06FD3E, #0796FC and #FC0734

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #06FD3E shade: #06FD3E, #3C07FC and #FC3C07

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #06FD3E shade: #06FD3E, #0796FC, #FC07C7 and #FC6D07

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #06FD3E shade: #06FD3E, #074CFC, #FC07C7 and #FCB707

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

Complementary color

CMYK 0 / 99 / 22 / 2

HEX #F902C1

RGB 249 2 193

HSL 313.6, 0.98%, 0.49%

LAB 56.12, 89.27, -32.51

 

CMYK 96 / 0 / 77 / 1

HEX #0BFD39

RGB 11 253 57

HSL 131.4, 0.98%, 0.52%

LAB 87.3, -83.48, 73.44

 

CMYK 89 / 0 / 70 / 0

HEX #1CFF4C

RGB 28 255 76

HSL 132.69, 1%, 0.55%

LAB 88.11, -81.88, 68.1

 

CMYK 82 / 0 / 63 / 0

HEX #2DFF5F

RGB 45 255 95

HSL 134.29, 1%, 0.59%

LAB 88.4, -78.76, 61.16

 

CMYK 76 / 0 / 55 / 0

HEX #3EFF72

RGB 62 255 114

HSL 136.17, 1%, 0.62%

LAB 88.81, -74.63, 53.51

 

CMYK 69 / 0 / 48 / 0

HEX #4FFF85

RGB 79 255 133

HSL 138.41, 1%, 0.65%

LAB 89.33, -69.54, 45.44

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 100 / 0 / 82 / 8

HEX #00EB2B

RGB 0 235 43

HSL 130.98, 1%, 0.46%

LAB 81.62, -79.78, 71.89

 

CMYK 100 / 0 / 89 / 15

HEX #00D918

RGB 0 217 24

HSL 126.64, 1%, 0.43%

LAB 75.88, -75.77, 70.85

 

CMYK 100 / 0 / 97 / 22

HEX #00C705

RGB 0 199 5

HSL 121.51, 1%, 0.39%

LAB 70.08, -71.4, 68.47

 

CMYK 100 / 0 / 100 / 29

HEX #00B500

RGB 0 181 0

HSL 120, 1%, 0.35%

LAB 64.2, -66.63, 64.31

 

CMYK 97 / 0 / 75 / 1

HEX #07FC3F

RGB 7 252 63

HSL 133.71, 0.98%, 0.51%

LAB 87.01, -82.93, 71.34

 

CMYK 93 / 0 / 97 / 1

HEX #12FC07

RGB 18 252 7

HSL 117.31, 0.98%, 0.51%

LAB 86.88, -84.74, 81.98

 

CMYK 67 / 0 / 97 / 1

HEX #54FC07

RGB 84 252 7

HSL 101.14, 0.98%, 0.51%

LAB 87.74, -77.18, 83.03

 

CMYK 40 / 0 / 97 / 1

HEX #96FC07

RGB 150 252 7

HSL 84.98, 0.98%, 0.51%

LAB 89.92, -59.95, 85.68

 

CMYK 14 / 0 / 97 / 1

HEX #D8FC07

RGB 216 252 7

HSL 68.82, 0.98%, 0.51%

LAB 93.55, -35.87, 90.07

 

CMYK 97 / 0 / 75 / 1

HEX #07FC3F

RGB 7 252 63

HSL 133.71, 0.98%, 0.51%

LAB 87.01, -82.93, 71.34

 

CMYK 97 / 0 / 49 / 1

HEX #07FC81

RGB 7 252 129

HSL 149.88, 0.98%, 0.51%

LAB 87.61, -75.48, 45.01

 

CMYK 97 / 0 / 23 / 1

HEX #07FCC3

RGB 7 252 195

HSL 166.04, 0.98%, 0.51%

LAB 88.74, -62.48, 13.5

 

CMYK 97 / 4 / 0 / 1

HEX #07F3FC

RGB 7 243 252

HSL 182.2, 0.98%, 0.51%

LAB 87.57, -43.58, -17.9

 

CMYK 97 / 30 / 0 / 1

HEX #07B1FC

RGB 7 177 252

HSL 198.37, 0.98%, 0.51%

LAB 68.4, -11.03, -47.43

 

CMYK 97 / 0 / 75 / 1

HEX #07FC3F

RGB 7 252 63

HSL 133.71, 0.98%, 0.51%

LAB 87.01, -82.93, 71.34

 

CMYK 97 / 0 / 75 / 1

HEX #07FC3F

RGB 7 252 63

HSL 133.71, 0.98%, 0.51%

LAB 87.01, -82.93, 71.34

 

CMYK 88 / 0 / 68 / 9

HEX #1BE84A

RGB 27 232 74

HSL 133.76, 0.82%, 0.51%

LAB 80.98, -75.55, 61.35

 

CMYK 77 / 0 / 60 / 17

HEX #30D455

RGB 48 212 85

HSL 133.54, 0.66%, 0.51%

LAB 75.06, -66.25, 50.28

 

CMYK 64 / 0 / 50 / 25

HEX #44BF60

RGB 68 191 96

HSL 133.66, 0.49%, 0.51%

LAB 68.99, -54.2, 37.92

 

CMYK 49 / 0 / 37 / 33

HEX #58AB6B

RGB 88 171 107

HSL 133.73, 0.33%, 0.51%

LAB 63.56, -39.5, 25.37

 

CMYK 66 / 0 / 97 / 1

HEX #55FC07

RGB 85 252 7

HSL 100.9, 0.98%, 0.51%

LAB 87.76, -76.99, 83.06

 

CMYK 92 / 0 / 97 / 1

HEX #13FC07

RGB 19 252 7

HSL 117.06, 0.98%, 0.51%

LAB 86.89, -84.69, 81.99

 

CMYK 97 / 0 / 76 / 1

HEX #07FC3C

RGB 7 252 60

HSL 132.98, 0.98%, 0.51%

LAB 86.99, -83.13, 72.25

 

CMYK 97 / 0 / 50 / 1

HEX #07FC7D

RGB 7 252 125

HSL 148.9, 0.98%, 0.51%

LAB 87.56, -76.09, 46.83

 

CMYK 97 / 0 / 24 / 1

HEX #07FCBF

RGB 7 252 191

HSL 165.06, 0.98%, 0.51%

LAB 88.65, -63.41, 15.44

 

CMYK 99 / 0 / 77 / 31

HEX #01AF29

RGB 1 175 41

HSL 133.79, 0.99%, 0.35%

LAB 62.36, -63.17, 54.16

 

CMYK 99 / 0 / 77 / 15

HEX #02D832

RGB 2 216 50

HSL 133.46, 0.98%, 0.43%

LAB 75.67, -74.11, 64.29

 

CMYK 97 / 0 / 75 / 1

HEX #07FC3F

RGB 7 252 63

HSL 133.71, 0.98%, 0.51%

LAB 87.01, -82.93, 71.34

 

CMYK 81 / 0 / 63 / 1

HEX #30FC5E

RGB 48 252 94

HSL 133.53, 0.97%, 0.59%

LAB 87.51, -77.67, 60.58

 

CMYK 65 / 0 / 50 / 1

HEX #59FD7E

RGB 89 253 126

HSL 133.54, 0.98%, 0.67%

LAB 88.87, -68.14, 48.2

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 97 / 40 / 0 / 1

HEX #0796FC

RGB 7 150 252

HSL 204.98, 0.98%, 0.51%

LAB 60.68, 4.39, -59.68

 

CMYK 0 / 97 / 79 / 1

HEX #FC0734

RGB 252 7 52

HSL 348.98, 0.98%, 0.51%

LAB 53.05, 79.66, 46.64

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 76 / 97 / 0 / 1

HEX #3C07FC

RGB 60 7 252

HSL 252.98, 0.98%, 0.51%

LAB 34.27, 78.25, -102.83

 

CMYK 0 / 76 / 97 / 1

HEX #FC3C07

RGB 252 60 7

HSL 12.98, 0.98%, 0.51%

LAB 56.03, 69.75, 66.45

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 97 / 40 / 0 / 1

HEX #0796FC

RGB 7 150 252

HSL 204.98, 0.98%, 0.51%

LAB 60.68, 4.39, -59.68

 

CMYK 0 / 97 / 21 / 1

HEX #FC07C7

RGB 252 7 199

HSL 312.98, 0.98%, 0.51%

LAB 57.05, 90.19, -34.48

 

CMYK 0 / 57 / 97 / 1

HEX #FC6D07

RGB 252 109 7

HSL 24.98, 0.98%, 0.51%

LAB 63.05, 50.83, 70.35

 

CMYK 98 / 0 / 75 / 1

HEX #06FD3E

RGB 6 253 62

HSL 133.6, 0.98%, 0.51%

LAB 87.31, -83.3, 71.94

 

CMYK 97 / 70 / 0 / 1

HEX #074CFC

RGB 7 76 252

HSL 223.1, 0.98%, 0.51%

LAB 41.6, 50.32, -90.72

 

CMYK 0 / 97 / 21 / 1

HEX #FC07C7

RGB 252 7 199

HSL 312.98, 0.98%, 0.51%

LAB 57.05, 90.19, -34.48

 

CMYK 0 / 27 / 97 / 1

HEX #FCB707

RGB 252 183 7

HSL 43.1, 0.98%, 0.51%

LAB 78.8, 13.32, 80.65

 

Description

Color code: HEX #06FD3E | qconv.com Color code: HEX #06FD3E | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 6 red, 253 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
6 253 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 75 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 75% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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