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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #059662 it is the complementary color #FA699D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #059662. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #059662 shade: #0A965D, #1BA870, #2CBA83, #3DCC96 and #4EDEA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #059662. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #059662 shade: #059662, #00844F, #00723C, #006029 and #004E16

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #059662 shade: #059461, #05943A, #059413, #1D9405 and #439405

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #059662 shade: #059461, #059488, #057A94, #055494 and #052D94

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #059662 shade matches the following richer shades: #059461

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #059662 shade: #059461, #11885D, #1D7C5A, #2A6F56 and #366353

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #059662 shade: #059413, #059439, #059460, #059486 and #057C94

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #059662 shade: #02442D, #036C47, #059461, #06BC7B and #07E495

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #059662 shade: #059662, #051D94 and #942605

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #059662 shade: #059662, #600594 and #946005

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #059662 shade: #059662, #051D94, #940539 and #947C05

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #059662 shade: #059662, #180594, #940539 and #819405

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 0 / 35 / 41

HEX #059662

RGB 5 150 98

HSL 158.48, 0.94%, 0.3%

LAB 54.79, -46.37, 18.19

 

Complementary color

CMYK 0 / 58 / 37 / 2

HEX #FA699D

RGB 250 105 157

HSL 338.48, 0.94%, 0.7%

LAB 64.05, 60.1, 0.26

 

CMYK 93 / 0 / 38 / 41

HEX #0A965D

RGB 10 150 93

HSL 155.57, 0.88%, 0.31%

LAB 54.73, -47.2, 20.89

 

CMYK 84 / 0 / 33 / 34

HEX #1BA870

RGB 27 168 112

HSL 156.17, 0.72%, 0.38%

LAB 61.14, -48.71, 19.14

 

CMYK 76 / 0 / 30 / 27

HEX #2CBA83

RGB 44 186 131

HSL 156.76, 0.62%, 0.45%

LAB 67.5, -49.7, 17.58

 

CMYK 70 / 0 / 26 / 20

HEX #3DCC96

RGB 61 204 150

HSL 157.34, 0.58%, 0.52%

LAB 73.79, -50.34, 16.16

 

CMYK 65 / 0 / 24 / 13

HEX #4EDEA9

RGB 78 222 169

HSL 157.92, 0.69%, 0.59%

LAB 80.03, -50.72, 14.88

 

CMYK 97 / 0 / 35 / 41

HEX #059662

RGB 5 150 98

HSL 158.48, 0.94%, 0.3%

LAB 54.79, -46.37, 18.19

 

CMYK 100 / 0 / 40 / 48

HEX #00844F

RGB 0 132 79

HSL 155.91, 1%, 0.26%

LAB 48.34, -43.99, 20.16

 

CMYK 100 / 0 / 47 / 55

HEX #00723C

RGB 0 114 60

HSL 151.58, 1%, 0.22%

LAB 41.78, -41.17, 22.27

 

CMYK 100 / 0 / 57 / 62

HEX #006029

RGB 0 96 41

HSL 145.63, 1%, 0.19%

LAB 35.05, -38.08, 24.42

 

CMYK 100 / 0 / 72 / 69

HEX #004E16

RGB 0 78 22

HSL 136.92, 1%, 0.15%

LAB 28.13, -34.54, 26.39

 

CMYK 97 / 0 / 34 / 42

HEX #059461

RGB 5 148 97

HSL 158.6, 0.93%, 0.3%

LAB 54.11, -45.83, 17.82

 

CMYK 97 / 0 / 61 / 42

HEX #05943A

RGB 5 148 58

HSL 142.24, 0.93%, 0.3%

LAB 53.51, -52.92, 37.66

 

CMYK 97 / 0 / 87 / 42

HEX #059413

RGB 5 148 19

HSL 125.87, 0.93%, 0.3%

LAB 53.23, -56.46, 52.05

 

CMYK 80 / 0 / 97 / 42

HEX #1D9405

RGB 29 148 5

HSL 109.93, 0.93%, 0.3%

LAB 53.44, -54.74, 54.96

 

CMYK 55 / 0 / 97 / 42

HEX #439405

RGB 67 148 5

HSL 93.99, 0.93%, 0.3%

LAB 54.43, -46.42, 56.18

 

CMYK 97 / 0 / 34 / 42

HEX #059461

RGB 5 148 97

HSL 158.6, 0.93%, 0.3%

LAB 54.11, -45.83, 17.82

 

CMYK 97 / 0 / 8 / 42

HEX #059488

RGB 5 148 136

HSL 174.97, 0.93%, 0.3%

LAB 55.06, -35.52, -3.03

 

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 97 / 43 / 0 / 42

HEX #055494

RGB 5 84 148

HSL 206.85, 0.93%, 0.3%

LAB 35.03, 4.34, -41.01

 

CMYK 97 / 70 / 0 / 42

HEX #052D94

RGB 5 45 148

HSL 223.22, 0.93%, 0.3%

LAB 23.83, 31.18, -59.21

 

CMYK 97 / 0 / 34 / 42

HEX #059461

RGB 5 148 97

HSL 158.6, 0.93%, 0.3%

LAB 54.11, -45.83, 17.82

 

CMYK 97 / 0 / 34 / 42

HEX #059461

RGB 5 148 97

HSL 158.6, 0.93%, 0.3%

LAB 54.11, -45.83, 17.82

 

CMYK 88 / 0 / 32 / 47

HEX #11885D

RGB 17 136 93

HSL 158.32, 0.78%, 0.3%

LAB 50.12, -41.25, 14.64

 

CMYK 77 / 0 / 27 / 51

HEX #1D7C5A

RGB 29 124 90

HSL 158.53, 0.62%, 0.3%

LAB 46.2, -35.56, 10.96

 

CMYK 62 / 0 / 23 / 56

HEX #2A6F56

RGB 42 111 86

HSL 158.26, 0.45%, 0.3%

LAB 42.05, -28.22, 7.55

 

CMYK 45 / 0 / 16 / 61

HEX #366353

RGB 54 99 83

HSL 158.67, 0.29%, 0.3%

LAB 38.43, -19.74, 4.28

 

CMYK 97 / 0 / 87 / 42

HEX #059413

RGB 5 148 19

HSL 125.87, 0.93%, 0.3%

LAB 53.23, -56.46, 52.05

 

CMYK 97 / 0 / 61 / 42

HEX #059439

RGB 5 148 57

HSL 141.82, 0.93%, 0.3%

LAB 53.5, -53.06, 38.13

 

CMYK 97 / 0 / 35 / 42

HEX #059460

RGB 5 148 96

HSL 158.18, 0.93%, 0.3%

LAB 54.09, -46.05, 18.35

 

CMYK 97 / 0 / 9 / 42

HEX #059486

RGB 5 148 134

HSL 174.13, 0.93%, 0.3%

LAB 55, -36.12, -1.97

 

CMYK 97 / 16 / 0 / 42

HEX #057C94

RGB 5 124 148

HSL 190.07, 0.93%, 0.3%

LAB 47.73, -19.66, -21.05

 

CMYK 97 / 0 / 34 / 73

HEX #02442D

RGB 2 68 45

HSL 159.09, 0.94%, 0.14%

LAB 24.75, -25.67, 8.65

 

CMYK 97 / 0 / 34 / 58

HEX #036C47

RGB 3 108 71

HSL 158.86, 0.95%, 0.22%

LAB 39.91, -36.15, 13.42

 

CMYK 97 / 0 / 34 / 42

HEX #059461

RGB 5 148 97

HSL 158.6, 0.93%, 0.3%

LAB 54.11, -45.83, 17.82

 

CMYK 97 / 0 / 35 / 26

HEX #06BC7B

RGB 6 188 123

HSL 158.57, 0.94%, 0.38%

LAB 67.6, -55.07, 21.96

 

CMYK 97 / 0 / 35 / 11

HEX #07E495

RGB 7 228 149

HSL 158.55, 0.94%, 0.46%

LAB 80.57, -63.93, 25.92

 

CMYK 97 / 0 / 35 / 41

HEX #059662

RGB 5 150 98

HSL 158.48, 0.94%, 0.3%

LAB 54.79, -46.37, 18.19

 

CMYK 97 / 80 / 0 / 42

HEX #051D94

RGB 5 29 148

HSL 229.93, 0.93%, 0.3%

LAB 20.24, 41.18, -65.15

 

CMYK 0 / 74 / 97 / 42

HEX #942605

RGB 148 38 5

HSL 13.85, 0.93%, 0.3%

LAB 33.34, 44.52, 43.93

 

CMYK 97 / 0 / 35 / 41

HEX #059662

RGB 5 150 98

HSL 158.48, 0.94%, 0.3%

LAB 54.79, -46.37, 18.19

 

CMYK 35 / 97 / 0 / 42

HEX #600594

RGB 96 5 148

HSL 278.18, 0.93%, 0.3%

LAB 25.96, 56.92, -55.43

 

CMYK 0 / 35 / 97 / 42

HEX #946005

RGB 148 96 5

HSL 38.18, 0.93%, 0.3%

LAB 45.18, 14.77, 51.77

 

CMYK 97 / 0 / 35 / 41

HEX #059662

RGB 5 150 98

HSL 158.48, 0.94%, 0.3%

LAB 54.79, -46.37, 18.19

 

CMYK 97 / 80 / 0 / 42

HEX #051D94

RGB 5 29 148

HSL 229.93, 0.93%, 0.3%

LAB 20.24, 41.18, -65.15

 

CMYK 0 / 97 / 61 / 42

HEX #940539

RGB 148 5 57

HSL 338.18, 0.93%, 0.3%

LAB 31.11, 54.58, 12.19

 

CMYK 0 / 16 / 97 / 42

HEX #947C05

RGB 148 124 5

HSL 49.93, 0.93%, 0.3%

LAB 52.64, -1.25, 57.16

 

CMYK 97 / 0 / 35 / 41

HEX #059662

RGB 5 150 98

HSL 158.48, 0.94%, 0.3%

LAB 54.79, -46.37, 18.19

 

CMYK 84 / 97 / 0 / 42

HEX #180594

RGB 24 5 148

HSL 247.97, 0.93%, 0.3%

LAB 17.65, 51.54, -69.45

 

CMYK 0 / 97 / 61 / 42

HEX #940539

RGB 148 5 57

HSL 338.18, 0.93%, 0.3%

LAB 31.11, 54.58, 12.19

 

CMYK 13 / 0 / 97 / 42

HEX #819405

RGB 129 148 5

HSL 67.97, 0.93%, 0.3%

LAB 57.9, -22.79, 60.39

 

Description

Color code: HEX #059662 | qconv.com Color code: HEX #059662 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 150 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 150 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, none magenta, 35 yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 0% 35% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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