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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #057A94 it is the complementary color #FA856B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #057A94. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #057A94: #0A7A8F, #1B8CA2, #2C9EB5, #3DB0C8 and #4EC2DB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #057A94. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #057A94: #057A94, #006881, #00566E, #00445B and #003248

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

Complementary color

CMYK 0 / 47 / 57 / 2

HEX #FA856B

RGB 250 133 107

HSL 10.91, 0.93%, 0.7%

LAB 68.14, 42.21, 34.06

 

CMYK 93 / 15 / 0 / 44

HEX #0A7A8F

RGB 10 122 143

HSL 189.47, 0.87%, 0.3%

LAB 46.93, -20.12, -19.34

 

CMYK 83 / 14 / 0 / 36

HEX #1B8CA2

RGB 27 140 162

HSL 189.78, 0.71%, 0.37%

LAB 53.6, -21.9, -20.18

 

CMYK 76 / 13 / 0 / 29

HEX #2C9EB5

RGB 44 158 181

HSL 190.07, 0.61%, 0.44%

LAB 60.18, -23.22, -20.91

 

CMYK 70 / 12 / 0 / 22

HEX #3DB0C8

RGB 61 176 200

HSL 190.36, 0.56%, 0.51%

LAB 66.68, -24.19, -21.56

 

CMYK 64 / 11 / 0 / 14

HEX #4EC2DB

RGB 78 194 219

HSL 190.64, 0.66%, 0.58%

LAB 73.1, -24.92, -22.15

 

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 100 / 19 / 0 / 49

HEX #006881

RGB 0 104 129

HSL 191.63, 1%, 0.25%

LAB 40.39, -15.89, -21.05

 

CMYK 100 / 22 / 0 / 57

HEX #00566E

RGB 0 86 110

HSL 193.09, 1%, 0.22%

LAB 33.52, -12.82, -20

 

CMYK 100 / 25 / 0 / 64

HEX #00445B

RGB 0 68 91

HSL 195.16, 1%, 0.18%

LAB 26.42, -9.57, -18.97

 

CMYK 100 / 31 / 0 / 72

HEX #003248

RGB 0 50 72

HSL 198.33, 1%, 0.14%

LAB 19.01, -6.07, -17.96

NCS® S7020-B

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 97 / 32 / 0 / 42

HEX #056493

RGB 5 100 147

HSL 199.86, 0.93%, 0.3%

LAB 40, -6.25, -32.5

 

CMYK 97 / 48 / 0 / 42

HEX #054C93

RGB 5 76 147

HSL 210, 0.93%, 0.3%

LAB 32.5, 9.29, -44.46

 

CMYK 97 / 65 / 0 / 42

HEX #053493

RGB 5 52 147

HSL 220.14, 0.93%, 0.3%

LAB 25.55, 25.98, -55.77

 

CMYK 97 / 80 / 0 / 42

HEX #051D93

RGB 5 29 147

HSL 229.86, 0.93%, 0.3%

LAB 20.11, 40.83, -64.74

 

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 96 / 18 / 0 / 22

HEX #07A4C7

RGB 7 164 199

HSL 190.94, 0.93%, 0.4%

LAB 62.27, -22.79, -27.84

 

CMYK 97 / 18 / 0 / 2

HEX #08CEFA

RGB 8 206 250

HSL 190.91, 0.96%, 0.51%

LAB 76.74, -26.83, -33.36

 

CMYK 96 / 17 / 0 / 82

HEX #02262E

RGB 2 38 46

HSL 190.91, 0.92%, 0.09%

LAB 13.21, -9.11, -8.88

 

CMYK 97 / 18 / 0 / 62

HEX #035061

RGB 3 80 97

HSL 190.85, 0.94%, 0.2%

LAB 30.93, -14.12, -15.83

 

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 61 / 97 / 0 / 42

HEX #390593

RGB 57 5 147

HSL 261.97, 0.93%, 0.3%

LAB 20.38, 52.85, -64.2

 

CMYK 0 / 22 / 97 / 42

HEX #937205

RGB 147 114 5

HSL 46.06, 0.93%, 0.3%

LAB 49.8, 3.94, 55.03

 

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 0 / 97 / 16 / 42

HEX #93057B

RGB 147 5 123

HSL 310.14, 0.93%, 0.3%

LAB 33.44, 61.02, -27.32

 

CMYK 16 / 0 / 97 / 42

HEX #7B9305

RGB 123 147 5

HSL 70.14, 0.93%, 0.3%

LAB 57.16, -24.91, 59.63

 

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 61 / 97 / 0 / 42

HEX #390593

RGB 57 5 147

HSL 261.97, 0.93%, 0.3%

LAB 20.38, 52.85, -64.2

 

CMYK 0 / 80 / 97 / 42

HEX #931D05

RGB 147 29 5

HSL 10.14, 0.93%, 0.3%

LAB 32.02, 47.29, 42.99

 

CMYK 35 / 0 / 97 / 42

HEX #5F9305

RGB 95 147 5

HSL 81.97, 0.93%, 0.3%

LAB 55.39, -36.44, 57.48

 

CMYK 97 / 18 / 0 / 42

HEX #057A94

RGB 5 122 148

HSL 190.91, 0.93%, 0.3%

LAB 47.09, -18.58, -22.04

 

CMYK 32 / 97 / 0 / 42

HEX #640593

RGB 100 5 147

HSL 280.14, 0.93%, 0.3%

LAB 26.52, 57.22, -53.87

 

CMYK 0 / 80 / 97 / 42

HEX #931D05

RGB 147 29 5

HSL 10.14, 0.93%, 0.3%

LAB 32.02, 47.29, 42.99

 

CMYK 65 / 0 / 97 / 42

HEX #349305

RGB 52 147 5

HSL 100.14, 0.93%, 0.3%

LAB 53.61, -50.06, 55.3

 

Description

Color code: HEX #057A94 | qconv.com Color code: HEX #057A94 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 5 red, 122 green and 148 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
5 122 148 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 97 cyan, 18 magenta, none yellow and 42 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
97% 18% 0% 42% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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