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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #02E510 it is the complementary color #FD1AEF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #02E510. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #02E510: #07E50B, #18F71E, #29FF31, #3AFF44 and #4BFF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #02E510. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #02E510: #02E510, #00D300, #00C100, #00AF00 and #009D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

Complementary color

CMYK 0 / 90 / 6 / 1

HEX #FD1AEF

RGB 253 26 239

HSL 303.7, 0.98%, 0.55%

LAB 59.76, 93.77, -52.86

 

CMYK 97 / 0 / 95 / 10

HEX #07E50B

RGB 7 229 11

HSL 121.08, 0.94%, 0.46%

LAB 79.68, -79.04, 75.75

 

CMYK 90 / 0 / 88 / 3

HEX #18F71E

RGB 24 247 30

HSL 121.61, 0.93%, 0.53%

LAB 85.41, -82.61, 78.06

 

CMYK 84 / 0 / 81 / 0

HEX #29FF31

RGB 41 255 49

HSL 122.24, 1%, 0.58%

LAB 88.07, -82.75, 76.41

 

CMYK 77 / 0 / 73 / 0

HEX #3AFF44

RGB 58 255 68

HSL 123.05, 1%, 0.61%

LAB 88.37, -79.76, 71.22

 

CMYK 71 / 0 / 66 / 0

HEX #4BFF57

RGB 75 255 87

HSL 124, 1%, 0.65%

LAB 88.78, -75.76, 64.9

 

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

CMYK 100 / 0 / 100 / 17

HEX #00D300

RGB 0 211 0

HSL 120, 1%, 0.41%

LAB 73.93, -74.71, 72.11

 

CMYK 100 / 0 / 100 / 24

HEX #00C100

RGB 0 193 0

HSL 120, 1%, 0.38%

LAB 68.12, -69.89, 67.45

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 100 / 0 / 100 / 38

HEX #009D00

RGB 0 157 0

HSL 120, 1%, 0.31%

LAB 56.2, -59.99, 57.89

 

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

CMYK 99 / 0 / 78 / 11

HEX #02E333

RGB 2 227 51

HSL 133.07, 0.98%, 0.45%

LAB 79.15, -77.08, 67.36

 

CMYK 99 / 0 / 61 / 11

HEX #02E358

RGB 2 227 88

HSL 142.93, 0.98%, 0.45%

LAB 79.42, -73.69, 53.87

 

CMYK 99 / 0 / 45 / 11

HEX #02E37D

RGB 2 227 125

HSL 152.8, 0.98%, 0.45%

LAB 79.86, -68.29, 37.11

 

CMYK 99 / 0 / 28 / 11

HEX #02E3A3

RGB 2 227 163

HSL 162.93, 0.98%, 0.45%

LAB 80.51, -60.7, 18.57

 

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

CMYK 100 / 0 / 92 / 90

HEX #001902

RGB 0 25 2

HSL 124.8, 1%, 0.05%

LAB 6.32, -12.55, 8.41

 

CMYK 99 / 0 / 93 / 70

HEX #014C05

RGB 1 76 5

HSL 123.2, 0.97%, 0.15%

LAB 27.26, -35.34, 32.61

 

CMYK 99 / 0 / 93 / 50

HEX #017F09

RGB 1 127 9

HSL 123.81, 0.98%, 0.25%

LAB 45.91, -50.98, 47.78

 

CMYK 99 / 0 / 93 / 30

HEX #02B20C

RGB 2 178 12

HSL 123.41, 0.98%, 0.35%

LAB 63.24, -65.42, 62

 

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

CMYK 99 / 25 / 0 / 11

HEX #02AAE3

RGB 2 170 227

HSL 195.2, 0.98%, 0.45%

LAB 65.21, -16.29, -38.79

 

CMYK 0 / 99 / 64 / 11

HEX #E30251

RGB 227 2 81

HSL 338.93, 0.98%, 0.45%

LAB 48.22, 75.27, 22.61

 

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

CMYK 94 / 99 / 0 / 11

HEX #0D02E3

RGB 13 2 227

HSL 242.93, 0.98%, 0.45%

LAB 28.58, 72.25, -98.21

 

CMYK 0 / 94 / 99 / 11

HEX #E30D02

RGB 227 13 2

HSL 2.93, 0.98%, 0.45%

LAB 47.78, 72.31, 61.1

 

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

CMYK 99 / 25 / 0 / 11

HEX #02AAE3

RGB 2 170 227

HSL 195.2, 0.98%, 0.45%

LAB 65.21, -16.29, -38.79

 

CMYK 0 / 99 / 5 / 11

HEX #E302D7

RGB 227 2 215

HSL 303.2, 0.98%, 0.45%

LAB 53.26, 88.18, -49.92

 

CMYK 0 / 74 / 99 / 11

HEX #E33A02

RGB 227 58 2

HSL 14.93, 0.98%, 0.45%

LAB 51.11, 62.88, 62.54

 

CMYK 99 / 0 / 93 / 10

HEX #02E510

RGB 2 229 16

HSL 123.7, 0.98%, 0.45%

LAB 79.66, -79.11, 75.21

 

CMYK 99 / 55 / 0 / 11

HEX #0267E3

RGB 2 103 227

HSL 213.07, 0.98%, 0.45%

LAB 45.99, 23.83, -69.46

 

CMYK 0 / 99 / 5 / 11

HEX #E302D7

RGB 227 2 215

HSL 303.2, 0.98%, 0.45%

LAB 53.26, 88.18, -49.92

 

CMYK 0 / 45 / 99 / 11

HEX #E37D02

RGB 227 125 2

HSL 32.8, 0.98%, 0.45%

LAB 62.51, 33.21, 68.96

 

Description

Color code: HEX #02E510 | qconv.com Color code: HEX #02E510 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 229 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 229 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 93 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 93% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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