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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #026BD7 it is the complementary color #FD9428. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #026BD7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #026BD7: #076BD2, #187DE5, #298FF8, #3AA1FF and #4BB3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #026BD7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #026BD7: #026BD7, #0059C4, #0047B1, #00359E and #00238B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

Complementary color

CMYK 0 / 42 / 84 / 1

HEX #FD9428

RGB 253 148 40

HSL 30.42, 0.98%, 0.57%

LAB 71.02, 32.49, 68.26

 

CMYK 97 / 49 / 0 / 18

HEX #076BD2

RGB 7 107 210

HSL 210.44, 0.94%, 0.43%

LAB 45.93, 14.67, -59.9

 

CMYK 90 / 45 / 0 / 10

HEX #187DE5

RGB 24 125 229

HSL 210.44, 0.81%, 0.5%

LAB 52.42, 11.4, -60.17

 

CMYK 83 / 42 / 0 / 3

HEX #298FF8

RGB 41 143 248

HSL 210.43, 0.94%, 0.57%

LAB 58.88, 8.68, -60.35

 

CMYK 77 / 37 / 0 / 0

HEX #3AA1FF

RGB 58 161 255

HSL 208.63, 1%, 0.61%

LAB 64.65, 2.15, -54.95

 

CMYK 71 / 30 / 0 / 0

HEX #4BB3FF

RGB 75 179 255

HSL 205.33, 1%, 0.65%

LAB 70.15, -6, -46.24

 

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

CMYK 100 / 55 / 0 / 23

HEX #0059C4

RGB 0 89 196

HSL 212.76, 1%, 0.38%

LAB 39.8, 20.6, -61.77

 

CMYK 100 / 60 / 0 / 31

HEX #0047B1

RGB 0 71 177

HSL 215.93, 1%, 0.35%

LAB 33.31, 24.98, -61.19

 

CMYK 100 / 66 / 0 / 38

HEX #00359E

RGB 0 53 158

HSL 219.87, 1%, 0.31%

LAB 26.78, 29.55, -60.49

 

CMYK 100 / 75 / 0 / 45

HEX #00238B

RGB 0 35 139

HSL 224.89, 1%, 0.27%

LAB 20.31, 34.06, -59.45

 

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

CMYK 99 / 66 / 0 / 15

HEX #0249D9

RGB 2 73 217

HSL 220.19, 0.98%, 0.43%

LAB 37.46, 39.37, -77.73

 

CMYK 99 / 82 / 0 / 15

HEX #0226D9

RGB 2 38 217

HSL 229.95, 0.98%, 0.43%

LAB 30.42, 59.11, -89.38

 

CMYK 99 / 99 / 0 / 15

HEX #0202D9

RGB 2 2 217

HSL 240, 0.98%, 0.43%

LAB 26.92, 69.74, -95.22

 

CMYK 82 / 99 / 0 / 15

HEX #2602D9

RGB 38 2 217

HSL 250.05, 0.98%, 0.43%

LAB 28.02, 70.13, -93.36

 

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

CMYK 100 / 55 / 0 / 96

HEX #00050B

RGB 0 5 11

HSL 212.73, 1%, 0.02%

LAB 1.2, -0.47, -2.74

 

CMYK 98 / 50 / 0 / 76

HEX #011F3E

RGB 1 31 62

HSL 210.49, 0.97%, 0.12%

LAB 11.51, 3.15, -22.93

 

CMYK 99 / 50 / 0 / 56

HEX #013871

RGB 1 56 113

HSL 210.54, 0.98%, 0.22%

LAB 23.76, 8.25, -37.35

 

CMYK 99 / 50 / 0 / 36

HEX #0252A4

RGB 2 82 164

HSL 210.37, 0.98%, 0.33%

LAB 35.45, 12.22, -49.96

 

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

CMYK 30 / 99 / 0 / 15

HEX #9802D9

RGB 152 2 217

HSL 281.86, 0.98%, 0.43%

LAB 40.78, 77.71, -71.84

 

CMYK 10 / 0 / 99 / 15

HEX #C3D902

RGB 195 217 2

HSL 66.14, 0.98%, 0.43%

LAB 82.5, -28.27, 81.5

 

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

CMYK 0 / 99 / 50 / 15

HEX #D9026D

RGB 217 2 109

HSL 330.14, 0.98%, 0.43%

LAB 46.84, 74.77, 3.07

 

CMYK 50 / 0 / 99 / 15

HEX #6DD902

RGB 109 217 2

HSL 90.14, 0.98%, 0.43%

LAB 77.8, -59.68, 75.84

 

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

CMYK 30 / 99 / 0 / 15

HEX #9802D9

RGB 152 2 217

HSL 281.86, 0.98%, 0.43%

LAB 40.78, 77.71, -71.84

 

CMYK 0 / 50 / 99 / 15

HEX #D96D02

RGB 217 109 2

HSL 29.86, 0.98%, 0.43%

LAB 57.74, 37.4, 65.3

 

CMYK 70 / 0 / 99 / 15

HEX #42D902

RGB 66 217 2

HSL 102.14, 0.98%, 0.43%

LAB 76.55, -69.96, 74.32

 

CMYK 99 / 50 / 0 / 16

HEX #026BD7

RGB 2 107 215

HSL 210.42, 0.98%, 0.43%

LAB 46.22, 16.5, -62.27

 

CMYK 0 / 99 / 0 / 15

HEX #D902D9

RGB 217 2 217

HSL 300, 0.98%, 0.43%

LAB 51.62, 86.84, -53.79

 

CMYK 0 / 50 / 99 / 15

HEX #D96D02

RGB 217 109 2

HSL 29.86, 0.98%, 0.43%

LAB 57.74, 37.4, 65.3

 

CMYK 99 / 0 / 99 / 15

HEX #02D902

RGB 2 217 2

HSL 120, 0.98%, 0.43%

LAB 75.85, -76.19, 73.46

 

Description

Color code: HEX #026BD7 | qconv.com Color code: HEX #026BD7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 107 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 107 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 50 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 50% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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