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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #01FD33 it is the complementary color #FE02CC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #01FD33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #01FD33 shade: #06FD2E, #17FF41, #28FF54, #39FF67 and #4AFF7A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #01FD33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #01FD33 shade: #01FD33, #00EB20, #00D90D, #00C700 and #00B500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #01FD33 shade: #01FD33, #13FD01, #57FD01, #9BFD01 and #DFFD01

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #01FD33 shade: #01FD33, #01FD77, #01FDBB, #01FBFD and #01B7FD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #01FD33 shade matches the following richer shades: #01FD33

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #01FD33 shade: #01FD33, #15E93F, #2AD44C, #3FBF58 and #53AB65

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #01FD33 shade: #59FD01, #16FD01, #01FD2F, #01FD72 and #01FDB6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #01FD33 shade: #00AB22, #01D42B, #01FD33, #2AFD54 and #53FE75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #01FD33 shade: #01FD33, #019CFD and #FD0137

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #01FD33 shade: #01FD33, #2F01FD and #FD2F01

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #01FD33 shade: #01FD33, #019CFD, #FD01CF and #FD6201

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #01FD33 shade: #01FD33, #0151FD, #FD01CF and #FDAD01

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

Complementary color

CMYK 0 / 99 / 20 / 0

HEX #FE02CC

RGB 254 2 204

HSL 311.9, 0.99%, 0.5%

LAB 57.53, 91.44, -36.56

 

CMYK 98 / 0 / 82 / 1

HEX #06FD2E

RGB 6 253 46

HSL 129.72, 0.98%, 0.51%

LAB 87.23, -84.24, 76.31

 

CMYK 91 / 0 / 75 / 0

HEX #17FF41

RGB 23 255 65

HSL 130.86, 1%, 0.55%

LAB 88.01, -83.01, 71.71

 

CMYK 84 / 0 / 67 / 0

HEX #28FF54

RGB 40 255 84

HSL 132.28, 1%, 0.58%

LAB 88.26, -80.3, 65.34

 

CMYK 78 / 0 / 60 / 0

HEX #39FF67

RGB 57 255 103

HSL 133.94, 1%, 0.61%

LAB 88.62, -76.6, 58.1

 

CMYK 71 / 0 / 52 / 0

HEX #4AFF7A

RGB 74 255 122

HSL 135.91, 1%, 0.65%

LAB 89.1, -71.9, 50.28

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 100 / 0 / 86 / 8

HEX #00EB20

RGB 0 235 32

HSL 128.17, 1%, 0.46%

LAB 81.58, -80.28, 74.32

 

CMYK 100 / 0 / 94 / 15

HEX #00D90D

RGB 0 217 13

HSL 123.59, 1%, 0.43%

LAB 75.86, -76.07, 72.39

 

CMYK 100 / 0 / 100 / 22

HEX #00C700

RGB 0 199 0

HSL 120, 1%, 0.39%

LAB 70.07, -71.51, 69.01

 

CMYK 100 / 0 / 100 / 29

HEX #00B500

RGB 0 181 0

HSL 120, 1%, 0.35%

LAB 64.2, -66.63, 64.31

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 92 / 0 / 100 / 1

HEX #13FD01

RGB 19 253 1

HSL 115.71, 0.99%, 0.5%

LAB 87.19, -85.04, 82.69

 

CMYK 66 / 0 / 100 / 1

HEX #57FD01

RGB 87 253 1

HSL 99.52, 0.99%, 0.5%

LAB 88.1, -76.98, 83.81

 

CMYK 39 / 0 / 100 / 1

HEX #9BFD01

RGB 155 253 1

HSL 83.33, 0.99%, 0.5%

LAB 90.42, -58.76, 86.62

 

CMYK 12 / 0 / 100 / 1

HEX #DFFD01

RGB 223 253 1

HSL 67.14, 0.99%, 0.5%

LAB 94.29, -33.59, 91.26

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 100 / 0 / 53 / 1

HEX #01FD77

RGB 1 253 119

HSL 148.1, 0.99%, 0.5%

LAB 87.77, -77.44, 49.88

 

CMYK 100 / 0 / 26 / 1

HEX #01FDBB

RGB 1 253 187

HSL 164.29, 0.99%, 0.5%

LAB 88.85, -64.83, 17.77

 

CMYK 100 / 1 / 0 / 1

HEX #01FBFD

RGB 1 251 253

HSL 180.48, 0.99%, 0.5%

LAB 89.9, -46.91, -14.92

 

CMYK 100 / 28 / 0 / 1

HEX #01B7FD

RGB 1 183 253

HSL 196.67, 0.99%, 0.5%

LAB 70.15, -14.07, -45.22

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 91 / 0 / 73 / 9

HEX #15E93F

RGB 21 233 63

HSL 131.89, 0.83%, 0.5%

LAB 81.18, -77.14, 65.53

 

CMYK 80 / 0 / 64 / 17

HEX #2AD44C

RGB 42 212 76

HSL 132, 0.67%, 0.5%

LAB 74.89, -68.01, 53.96

 

CMYK 67 / 0 / 54 / 25

HEX #3FBF58

RGB 63 191 88

HSL 131.72, 0.5%, 0.5%

LAB 68.77, -56.34, 41.54

 

CMYK 51 / 0 / 41 / 33

HEX #53AB65

RGB 83 171 101

HSL 132.27, 0.35%, 0.5%

LAB 63.26, -41.9, 28.15

 

CMYK 65 / 0 / 100 / 1

HEX #59FD01

RGB 89 253 1

HSL 99.05, 0.99%, 0.5%

LAB 88.15, -76.58, 83.87

 

CMYK 91 / 0 / 100 / 1

HEX #16FD01

RGB 22 253 1

HSL 115, 0.99%, 0.5%

LAB 87.2, -84.89, 82.71

 

CMYK 100 / 0 / 81 / 1

HEX #01FD2F

RGB 1 253 47

HSL 130.95, 0.99%, 0.5%

LAB 87.22, -84.34, 76.05

 

CMYK 100 / 0 / 55 / 1

HEX #01FD72

RGB 1 253 114

HSL 146.9, 0.99%, 0.5%

LAB 87.71, -78.13, 52.09

 

CMYK 100 / 0 / 28 / 1

HEX #01FDB6

RGB 1 253 182

HSL 163.1, 0.99%, 0.5%

LAB 88.75, -65.95, 20.2

 

CMYK 100 / 0 / 80 / 33

HEX #00AB22

RGB 0 171 34

HSL 131.93, 1%, 0.34%

LAB 60.99, -62.56, 55.09

 

CMYK 100 / 0 / 80 / 17

HEX #01D42B

RGB 1 212 43

HSL 131.94, 0.99%, 0.42%

LAB 74.36, -73.49, 65.13

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 83 / 0 / 67 / 1

HEX #2AFD54

RGB 42 253 84

HSL 131.94, 0.98%, 0.58%

LAB 87.67, -79.55, 64.71

 

CMYK 67 / 0 / 54 / 0

HEX #53FE75

RGB 83 254 117

HSL 131.93, 0.99%, 0.66%

LAB 88.93, -70.76, 52.39

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 100 / 38 / 0 / 1

HEX #019CFD

RGB 1 156 253

HSL 203.1, 0.99%, 0.5%

LAB 62.4, 1.09, -57.48

 

CMYK 0 / 100 / 78 / 1

HEX #FD0137

RGB 253 1 55

HSL 347.14, 0.99%, 0.5%

LAB 53.15, 80.39, 45.15

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 81 / 100 / 0 / 1

HEX #2F01FD

RGB 47 1 253

HSL 250.95, 0.99%, 0.5%

LAB 33.39, 79.02, -104.89

 

CMYK 0 / 81 / 100 / 1

HEX #FD2F01

RGB 253 47 1

HSL 10.95, 0.99%, 0.5%

LAB 54.99, 73.43, 67.4

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 100 / 38 / 0 / 1

HEX #019CFD

RGB 1 156 253

HSL 203.1, 0.99%, 0.5%

LAB 62.4, 1.09, -57.48

 

CMYK 0 / 100 / 18 / 1

HEX #FD01CF

RGB 253 1 207

HSL 310.95, 0.99%, 0.5%

LAB 57.47, 91.67, -38.38

 

CMYK 0 / 61 / 100 / 1

HEX #FD6201

RGB 253 98 1

HSL 23.1, 0.99%, 0.5%

LAB 61.33, 56.06, 70.46

 

CMYK 100 / 0 / 80 / 1

HEX #01FD33

RGB 1 253 51

HSL 131.9, 0.99%, 0.5%

LAB 87.24, -84.12, 75.04

 

CMYK 100 / 68 / 0 / 1

HEX #0151FD

RGB 1 81 253

HSL 220.95, 0.99%, 0.5%

LAB 42.74, 47.57, -89.4

 

CMYK 0 / 100 / 18 / 1

HEX #FD01CF

RGB 253 1 207

HSL 310.95, 0.99%, 0.5%

LAB 57.47, 91.67, -38.38

 

CMYK 0 / 32 / 100 / 1

HEX #FDAD01

RGB 253 173 1

HSL 40.95, 0.99%, 0.5%

LAB 76.54, 18.93, 79.79

 

Description

Color code: HEX #01FD33 | qconv.com Color code: HEX #01FD33 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 253 green and 51 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 253 51 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 80 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 80% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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