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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #010778 it is the complementary color #FEF887. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #010778. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #010778: #060773, #171986, #282B99, #393DAC and #4A4FBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #010778. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #010778: #010778, #000065, #000052, #00003F and #00002C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

Complementary color

CMYK 0 / 2 / 47 / 0

HEX #FEF887

RGB 254 248 135

HSL 56.97, 0.98%, 0.76%

LAB 95.98, -12.92, 54.6

 

CMYK 95 / 94 / 0 / 55

HEX #060773

RGB 6 7 115

HSL 239.45, 0.9%, 0.24%

LAB 12.15, 40.9, -57.72

 

CMYK 83 / 81 / 0 / 47

HEX #171986

RGB 23 25 134

HSL 238.92, 0.71%, 0.31%

LAB 18.36, 39.3, -59.51

 

CMYK 74 / 72 / 0 / 40

HEX #282B99

RGB 40 43 153

HSL 238.41, 0.59%, 0.38%

LAB 25.19, 36.79, -59.99

 

CMYK 67 / 65 / 0 / 33

HEX #393DAC

RGB 57 61 172

HSL 237.91, 0.5%, 0.45%

LAB 32.23, 34.32, -59.91

 

CMYK 61 / 59 / 0 / 25

HEX #4A4FBF

RGB 74 79 191

HSL 237.44, 0.48%, 0.52%

LAB 39.26, 32.17, -59.63

 

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

CMYK 100 / 100 / 0 / 60

HEX #000065

RGB 0 0 101

HSL 240, 1%, 0.2%

LAB 8.48, 40.13, -54.66

 

CMYK 100 / 100 / 0 / 68

HEX #000052

RGB 0 0 82

HSL 240, 1%, 0.16%

LAB 5.5, 33.37, -46.76

 

CMYK 100 / 100 / 0 / 75

HEX #00003F

RGB 0 0 63

HSL 240, 1%, 0.12%

LAB 3.24, 22.73, -37.1

 

CMYK 100 / 100 / 0 / 83

HEX #00002C

RGB 0 0 44

HSL 240, 1%, 0.09%

LAB 1.64, 11.54, -25.61

 

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

CMYK 89 / 99 / 0 / 53

HEX #0D0179

RGB 13 1 121

HSL 246, 0.98%, 0.24%

LAB 12.53, 45.38, -60.95

 

CMYK 73 / 99 / 0 / 53

HEX #210179

RGB 33 1 121

HSL 256, 0.98%, 0.24%

LAB 13.98, 46, -58.5

 

CMYK 56 / 99 / 0 / 53

HEX #350179

RGB 53 1 121

HSL 266, 0.98%, 0.24%

LAB 16.3, 47.24, -54.57

 

CMYK 40 / 99 / 0 / 53

HEX #490179

RGB 73 1 121

HSL 276, 0.98%, 0.24%

LAB 19.3, 49.21, -49.52

 

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

CMYK 99 / 94 / 0 / 33

HEX #010AAB

RGB 1 10 171

HSL 236.82, 0.99%, 0.34%

LAB 20.69, 56.05, -78.47

 

CMYK 99 / 94 / 0 / 13

HEX #020DDE

RGB 2 13 222

HSL 237, 0.98%, 0.44%

LAB 28.31, 68.93, -95.78

 

CMYK 100 / 94 / 0 / 93

HEX #000112

RGB 0 1 18

HSL 236.67, 1%, 0.04%

LAB 0.59, 2.37, -7.26

 

CMYK 99 / 94 / 0 / 73

HEX #010445

RGB 1 4 69

HSL 237.35, 0.97%, 0.14%

LAB 4.72, 24.79, -38.96

 

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

CMYK 0 / 99 / 13 / 53

HEX #790169

RGB 121 1 105

HSL 308, 0.98%, 0.24%

LAB 27.04, 54, -26.26

 

CMYK 53 / 0 / 99 / 53

HEX #397901

RGB 57 121 1

HSL 92, 0.98%, 0.24%

LAB 45.01, -39.1, 49.21

 

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

CMYK 0 / 99 / 93 / 53

HEX #790109

RGB 121 1 9

HSL 356, 0.98%, 0.24%

LAB 24.02, 46.12, 32.37

 

CMYK 93 / 0 / 99 / 53

HEX #097901

RGB 9 121 1

HSL 116, 0.98%, 0.24%

LAB 43.85, -48.84, 47.8

 

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

CMYK 0 / 99 / 13 / 53

HEX #790169

RGB 121 1 105

HSL 308, 0.98%, 0.24%

LAB 27.04, 54, -26.26

 

CMYK 0 / 7 / 99 / 53

HEX #797101

RGB 121 113 1

HSL 56, 0.98%, 0.24%

LAB 46.81, -7.98, 52.49

 

CMYK 99 / 0 / 86 / 53

HEX #017911

RGB 1 121 17

HSL 128, 0.98%, 0.24%

LAB 43.83, -48.8, 44.04

 

CMYK 99 / 94 / 0 / 53

HEX #010778

RGB 1 7 120

HSL 236.97, 0.98%, 0.24%

LAB 12.7, 42.3, -60.04

 

CMYK 0 / 99 / 43 / 53

HEX #790145

RGB 121 1 69

HSL 326, 0.98%, 0.24%

LAB 25.31, 49.59, -5.01

 

CMYK 0 / 7 / 99 / 53

HEX #797101

RGB 121 113 1

HSL 56, 0.98%, 0.24%

LAB 46.81, -7.98, 52.49

 

CMYK 99 / 0 / 56 / 53

HEX #017935

RGB 1 121 53

HSL 146, 0.98%, 0.24%

LAB 44.14, -44.85, 29.04

 

Description

Color code: HEX #010778 | qconv.com Color code: HEX #010778 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 1 red, 7 green and 120 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
1 7 120 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, 94 magenta, none yellow and 53 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 94% 0% 53% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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