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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #007B32 it is the complementary color #FF84CD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #007B32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #007B32: #057B2D, #168D40, #279F53, #38B166 and #49C379

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #007B32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #007B32: #007B32, #00691F, #00570C, #004500 and #003300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

Complementary color

CMYK 0 / 48 / 20 / 0

HEX #FF84CD

RGB 255 132 205

HSL 324.39, 1%, 0.76%

LAB 70.99, 55.18, -16.42

 

CMYK 96 / 0 / 63 / 52

HEX #057B2D

RGB 5 123 45

HSL 140.34, 0.92%, 0.25%

LAB 44.78, -46.41, 33.86

 

CMYK 84 / 0 / 55 / 45

HEX #168D40

RGB 22 141 64

HSL 141.18, 0.73%, 0.32%

LAB 51.37, -48.36, 32.17

 

CMYK 75 / 0 / 48 / 38

HEX #279F53

RGB 39 159 83

HSL 142, 0.61%, 0.39%

LAB 57.9, -49.55, 30.48

 

CMYK 68 / 0 / 42 / 31

HEX #38B166

RGB 56 177 102

HSL 142.81, 0.52%, 0.46%

LAB 64.36, -50.21, 28.89

 

CMYK 63 / 0 / 38 / 24

HEX #49C379

RGB 73 195 121

HSL 143.61, 0.5%, 0.53%

LAB 70.75, -50.55, 27.42

 

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

CMYK 100 / 0 / 70 / 59

HEX #00691F

RGB 0 105 31

HSL 137.71, 1%, 0.21%

LAB 38.2, -42.62, 33.14

 

CMYK 100 / 0 / 86 / 66

HEX #00570C

RGB 0 87 12

HSL 128.28, 1%, 0.17%

LAB 31.45, -38.57, 34.01

 

CMYK 100 / 0 / 100 / 73

HEX #004500

RGB 0 69 0

HSL 120, 1%, 0.14%

LAB 24.5, -33.65, 32.1

 

CMYK 100 / 0 / 100 / 80

HEX #003300

RGB 0 51 0

HSL 120, 1%, 0.1%

LAB 17.31, -27.67, 24.2

 

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

CMYK 100 / 0 / 43 / 52

HEX #007A45

RGB 0 122 69

HSL 153.93, 1%, 0.24%

LAB 44.73, -42.33, 21.02

 

CMYK 100 / 0 / 27 / 52

HEX #007A59

RGB 0 122 89

HSL 163.77, 1%, 0.24%

LAB 45.14, -37.65, 10.02

 

CMYK 100 / 0 / 10 / 52

HEX #007A6E

RGB 0 122 110

HSL 174.1, 1%, 0.24%

LAB 45.7, -31.68, -1.62

 

CMYK 100 / 7 / 0 / 52

HEX #00727A

RGB 0 114 122

HSL 183.93, 1%, 0.24%

LAB 43.42, -23.83, -12.19

 

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

CMYK 100 / 0 / 59 / 32

HEX #00AE47

RGB 0 174 71

HSL 144.48, 1%, 0.34%

LAB 62.28, -59.76, 41.71

 

CMYK 100 / 0 / 60 / 12

HEX #00E15B

RGB 0 225 91

HSL 144.27, 1%, 0.44%

LAB 78.81, -72.8, 51.87

 

CMYK 100 / 0 / 57 / 92

HEX #001509

RGB 0 21 9

HSL 145.71, 1%, 0.04%

LAB 5.02, -8.65, 3.67

 

CMYK 100 / 0 / 60 / 72

HEX #00481D

RGB 0 72 29

HSL 144.17, 1%, 0.14%

LAB 25.93, -31.27, 20.06

 

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

CMYK 100 / 61 / 0 / 52

HEX #00307A

RGB 0 48 122

HSL 216.39, 1%, 0.24%

LAB 22.01, 17.96, -45.93

 

CMYK 0 / 100 / 100 / 52

HEX #7A0000

RGB 122 0 0

HSL 0, 1%, 0.24%

LAB 24.12, 46.42, 36.22

 

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

CMYK 61 / 100 / 0 / 52

HEX #30007A

RGB 48 0 122

HSL 263.61, 1%, 0.24%

LAB 15.66, 47.46, -56.29

 

CMYK 0 / 61 / 100 / 52

HEX #7A3000

RGB 122 48 0

HSL 23.61, 1%, 0.24%

LAB 30.04, 30.15, 41.38

 

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

CMYK 100 / 61 / 0 / 52

HEX #00307A

RGB 0 48 122

HSL 216.39, 1%, 0.24%

LAB 22.01, 17.96, -45.93

 

CMYK 0 / 100 / 40 / 52

HEX #7A0049

RGB 122 0 73

HSL 324.1, 1%, 0.24%

LAB 25.62, 50.42, -7.23

 

CMYK 0 / 40 / 100 / 52

HEX #7A4900

RGB 122 73 0

HSL 35.9, 1%, 0.24%

LAB 35.8, 15.96, 45.17

 

CMYK 100 / 0 / 59 / 52

HEX #007B32

RGB 0 123 50

HSL 144.39, 1%, 0.24%

LAB 44.8, -46.09, 31.37

 

CMYK 100 / 90 / 0 / 52

HEX #000C7A

RGB 0 12 122

HSL 234.1, 1%, 0.24%

LAB 13.64, 40.85, -59.76

 

CMYK 0 / 100 / 40 / 52

HEX #7A0049

RGB 122 0 73

HSL 324.1, 1%, 0.24%

LAB 25.62, 50.42, -7.23

 

CMYK 0 / 10 / 100 / 52

HEX #7A6E00

RGB 122 110 0

HSL 54.1, 1%, 0.24%

LAB 46.03, -5.83, 52.19

 

Description

Color code: HEX #007B32 | qconv.com Color code: HEX #007B32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 123 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 123 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 100 cyan, none magenta, 59 yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
100% 0% 59% 52% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

43% - Country Selector | C...
Link: http://www.castrol.com

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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