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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #005FCABF it is the complementary color #FFA035BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #005FCABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #005FCABF shade: #055FC5BF, #1671D8BF, #2783EBBF, #3895FEBF and #49A7FFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #005FCABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #005FCABF shade: #005FCABF, #004DB7BF, #003BA4BF, #002991BF and #00177EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #005FCABF shade: #0060CC, #0029CC, #0E00CC, #4500CC and #7C00CC

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #005FCABF shade: #0060CC, #0029CC and #0000CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #005FCABF shade matches the following richer shades: #0060CC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #005FCABF shade: #0060CC, #1161BB, #2162AB, #32639A and #42648A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #005FCABF shade: #00CCC9, #0099CC, #0063CC, #002CCC and #0A00CC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #005FCABF shade: #003979, #004DA3, #0060CC, #0073F5 and #2089FF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #005FCABF shade: #005FCA, #9200CC and #B4CC00

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #005FCABF shade: #005FCA, #CC0063 and #63CC00

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #005FCABF shade: #005FCA, #9200CC, #CC6900 and #3ACC00

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #005FCABF shade: #005FCA, #CC00C9, #CC6900 and #00CC03

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 75 / 40 / 0 / 16

HEX #005FCABF

RGBA 0 95 202 0.75

HSLA 211.78, 1%, 0.4%, 0.75

LABA 41.92, 19.05, -61.8, 0.75

 

Complementary color

CMYK 0 / 28 / 59 / 0

HEX #FFA035BF

RGBA 255 160 53 0.75

HSLA 31.78, 1%, 0.6%, 0.75

LABA 73.97, 27.47, 66.4, 0.75

 

CMYK 73 / 39 / 0 / 17

HEX #055FC5BF

RGBA 5 95 197 0.75

HSLA 211.88, 0.95%, 0.4%, 0.75

LABA 41.61, 17.21, -59.41, 0.75

 

CMYK 67 / 36 / 0 / 11

HEX #1671D8BF

RGBA 22 113 216 0.75

HSLA 211.86, 0.82%, 0.47%, 0.75

LABA 48.18, 13.8, -59.67, 0.75

 

CMYK 63 / 33 / 0 / 6

HEX #2783EBBF

RGBA 39 131 235 0.75

HSLA 211.84, 0.83%, 0.54%, 0.75

LABA 54.72, 10.96, -59.81, 0.75

 

CMYK 58 / 31 / 0 / 0

HEX #3895FEBF

RGBA 56 149 254 0.75

HSLA 211.82, 0.99%, 0.61%, 0.75

LABA 61.21, 8.63, -59.89, 0.75

 

CMYK 54 / 26 / 0 / 0

HEX #49A7FFBF

RGBA 73 167 255 0.75

HSLA 209.01, 1%, 0.64%, 0.75

LABA 66.73, 0.48, -51.63, 0.75

 

CMYK 75 / 40 / 0 / 16

HEX #005FCABF

RGBA 0 95 202 0.75

HSLA 211.78, 1%, 0.4%, 0.75

LABA 41.92, 19.05, -61.8, 0.75

 

CMYK 75 / 43 / 0 / 21

HEX #004DB7BF

RGBA 0 77 183 0.75

HSLA 214.75, 1%, 0.36%, 0.75

LABA 35.45, 23.36, -61.24, 0.75

 

CMYK 75 / 48 / 0 / 27

HEX #003BA4BF

RGBA 0 59 164 0.75

HSLA 218.41, 1%, 0.32%, 0.75

LABA 28.92, 27.88, -60.6, 0.75

 

CMYK 75 / 54 / 0 / 32

HEX #002991BF

RGBA 0 41 145 0.75

HSLA 223.03, 1%, 0.28%, 0.75

LABA 22.41, 32.46, -59.7, 0.75

 

CMYK 75 / 61 / 0 / 38

HEX #00177EBF

RGBA 0 23 126 0.75

HSLA 229.05, 1%, 0.25%, 0.75

LABA 16.1, 36.59, -58.22, 0.75

 

CMYK 100 / 53 / 0 / 20

HEX #0060CC

RGB 0 96 204

HSL 211.76, 1%, 0.4%

LAB 42.35, 19.2, -62.26

 

CMYK 100 / 80 / 0 / 20

HEX #0029CC

RGB 0 41 204

HSL 227.94, 1%, 0.4%

LAB 29.27, 53.52, -83.75

 

CMYK 93 / 100 / 0 / 20

HEX #0E00CC

RGB 14 0 204

HSL 244.12, 1%, 0.4%

LAB 25.12, 67.03, -90.68

 

CMYK 66 / 100 / 0 / 20

HEX #4500CC

RGB 69 0 204

HSL 260.29, 1%, 0.4%

LAB 28.45, 68.35, -85.04

 

CMYK 39 / 100 / 0 / 20

HEX #7C00CC

RGB 124 0 204

HSL 276.47, 1%, 0.4%

LAB 35.29, 72.35, -73.49

 

CMYK 100 / 53 / 0 / 20

HEX #0060CC

RGB 0 96 204

HSL 211.76, 1%, 0.4%

LAB 42.35, 19.2, -62.26

 

CMYK 100 / 80 / 0 / 20

HEX #0029CC

RGB 0 41 204

HSL 227.94, 1%, 0.4%

LAB 29.27, 53.52, -83.75

 

CMYK 100 / 100 / 0 / 20

HEX #0000CC

RGB 0 0 204

HSL 240, 1%, 0.4%

LAB 24.83, 66.94, -91.17

 

CMYK 100 / 53 / 0 / 20

HEX #0060CC

RGB 0 96 204

HSL 211.76, 1%, 0.4%

LAB 42.35, 19.2, -62.26

 

CMYK 100 / 53 / 0 / 20

HEX #0060CC

RGB 0 96 204

HSL 211.76, 1%, 0.4%

LAB 42.35, 19.2, -62.26

 

CMYK 91 / 48 / 0 / 27

HEX #1161BB

RGB 17 97 187

HSL 211.76, 0.83%, 0.4%

LAB 41.62, 12.35, -53.57

 

CMYK 81 / 43 / 0 / 33

HEX #2162AB

RGB 33 98 171

HSL 211.74, 0.68%, 0.4%

LAB 41.21, 6.6, -44.82

 

CMYK 68 / 36 / 0 / 40

HEX #32639A

RGB 50 99 154

HSL 211.73, 0.51%, 0.4%

LAB 41.11, 1.91, -34.87

 

CMYK 52 / 28 / 0 / 46

HEX #42648A

RGB 66 100 138

HSL 211.67, 0.35%, 0.4%

LAB 41.39, -0.84, -24.79

 

CMYK 100 / 0 / 1 / 20

HEX #00CCC9

RGB 0 204 201

HSL 179.12, 1%, 0.4%

LAB 74.45, -41.53, -10.46

 

CMYK 100 / 25 / 0 / 20

HEX #0099CC

RGB 0 153 204

HSL 195, 1%, 0.4%

LAB 59.11, -15.39, -35.55

 

CMYK 100 / 51 / 0 / 20

HEX #0063CC

RGB 0 99 204

HSL 210.88, 1%, 0.4%

LAB 43.19, 17.23, -60.9

 

CMYK 100 / 78 / 0 / 20

HEX #002CCC

RGB 0 44 204

HSL 227.06, 1%, 0.4%

LAB 29.82, 51.95, -82.85

 

CMYK 95 / 100 / 0 / 20

HEX #0A00CC

RGB 10 0 204

HSL 242.94, 1%, 0.4%

LAB 25.03, 67, -90.83

 

CMYK 100 / 53 / 0 / 53

HEX #003979

RGB 0 57 121

HSL 211.74, 1%, 0.24%

LAB 24.66, 11.01, -40.99

 

CMYK 100 / 53 / 0 / 36

HEX #004DA3

RGB 0 77 163

HSL 211.66, 1%, 0.32%

LAB 33.88, 15.1, -51.9

 

CMYK 100 / 53 / 0 / 20

HEX #0060CC

RGB 0 96 204

HSL 211.76, 1%, 0.4%

LAB 42.35, 19.2, -62.26

 

CMYK 100 / 53 / 0 / 4

HEX #0073F5

RGB 0 115 245

HSL 211.84, 1%, 0.48%

LAB 50.52, 23.11, -72.2

 

CMYK 87 / 46 / 0 / 0

HEX #2089FF

RGB 32 137 255

HSL 211.75, 1%, 0.56%

LAB 57.48, 14.34, -66.45

 

CMYK 100 / 53 / 0 / 21

HEX #005FCA

RGB 0 95 202

HSL 211.78, 1%, 0.4%

LAB 41.92, 19.05, -61.8

 

CMYK 28 / 100 / 0 / 20

HEX #9200CC

RGB 146 0 204

HSL 282.94, 1%, 0.4%

LAB 38.67, 74.79, -67.81

 

CMYK 12 / 0 / 100 / 20

HEX #B4CC00

RGB 180 204 0

HSL 67.06, 1%, 0.4%

LAB 77.81, -28.36, 77.7

 

CMYK 100 / 53 / 0 / 21

HEX #005FCA

RGB 0 95 202

HSL 211.78, 1%, 0.4%

LAB 41.92, 19.05, -61.8

 

CMYK 0 / 100 / 51 / 20

HEX #CC0063

RGB 204 0 99

HSL 330.88, 1%, 0.4%

LAB 43.86, 71.31, 4.65

 

CMYK 51 / 0 / 100 / 20

HEX #63CC00

RGB 99 204 0

HSL 90.88, 1%, 0.4%

LAB 73.44, -57.9, 72.45

 

CMYK 100 / 53 / 0 / 21

HEX #005FCA

RGB 0 95 202

HSL 211.78, 1%, 0.4%

LAB 41.92, 19.05, -61.8

 

CMYK 28 / 100 / 0 / 20

HEX #9200CC

RGB 146 0 204

HSL 282.94, 1%, 0.4%

LAB 38.67, 74.79, -67.81

 

CMYK 0 / 49 / 100 / 20

HEX #CC6900

RGB 204 105 0

HSL 30.88, 1%, 0.4%

LAB 55.01, 34.17, 63.06

 

CMYK 72 / 0 / 100 / 20

HEX #3ACC00

RGB 58 204 0

HSL 102.94, 1%, 0.4%

LAB 72.29, -67.45, 71.04

 

CMYK 100 / 53 / 0 / 21

HEX #005FCA

RGB 0 95 202

HSL 211.78, 1%, 0.4%

LAB 41.92, 19.05, -61.8

 

CMYK 0 / 100 / 1 / 20

HEX #CC00C9

RGB 204 0 201

HSL 300.88, 1%, 0.4%

LAB 48.33, 82.61, -49.98

 

CMYK 0 / 49 / 100 / 20

HEX #CC6900

RGB 204 105 0

HSL 30.88, 1%, 0.4%

LAB 55.01, 34.17, 63.06

 

CMYK 100 / 0 / 99 / 20

HEX #00CC03

RGB 0 204 3

HSL 120.88, 1%, 0.4%

LAB 71.69, -72.79, 69.99

 

Description

Color code: HEX #005FCABF | qconv.com Color code: HEX #005FCABF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, none red, 95 green and 202 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
0 95 202 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 75 cyan, 40 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
75% 40% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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