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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone DIC - DIC 550s it is the complementary color DIC - DIC 653s. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color DIC - DIC 550s. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the DIC - DIC 550s shade: DIC - DIC 2314s, DIC - DIC 543s, DIC - DIC 604s, DIC - DIC 548s and DIC - DIC 621s

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color DIC - DIC 550s. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 529s, DIC - DIC 504s, DIC - DIC 582s and DIC - DIC 582s

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 550s, DIC - DIC 550s and DIC - DIC 550s

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 550s, DIC - DIC 550s, DIC - DIC 550s and DIC - DIC 550s

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The DIC - DIC 550s shade matches the following richer shades: DIC - DIC 550s, DIC - DIC 2310s, DIC - DIC 337s, DIC - DIC 207s and DIC - DIC 208s

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 2400s, DIC - DIC 2408s, DIC - DIC 222s and DIC - DIC 183s

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 550s, DIC - DIC 550s, DIC - DIC 550s and DIC - DIC 550s

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the DIC - DIC 550s shade: DIC - DIC 521s, DIC - DIC 530s, DIC - DIC 550s, DIC - DIC 652s and DIC - DIC 608s

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 550s and DIC - DIC 653s

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 653s and DIC - DIC 653s

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 550s, DIC - DIC 653s and DIC - DIC 653s

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the DIC - DIC 550s shade: DIC - DIC 550s, DIC - DIC 653s, DIC - DIC 653s and DIC - DIC 550s

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

Complementary color

CMYK 4 / 3 / 0 / 49

HEX #7C7D81

RGB 124 125 129

HSL 228, 0.02%, 0.5%

LAB 52.44, 0.44, -2.31

DIC
DIC 653s

CMYK 0 / 5 / 19 / 45

HEX #8C8571

RGB 140 133 113 1

HSL 44.44, 0.11%, 0.5%

LAB 55.63, -0.89, 11.74

DIC
DIC 2314s

CMYK 0 / 0 / 4 / 42

HEX #94948E

RGB 148 148 142 1

HSL 60, 0.03%, 0.57%

LAB 61.16, -1.14, 3.16

DIC
DIC 543s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 0 / 2 / 7 / 25

HEX #BEBAB1

RGB 190 186 177 1

HSL 41.54, 0.09%, 0.72%

LAB 75.6, -0.2, 5.05

DIC
DIC 548s

CMYK 2 / 1 / 0 / 19

HEX #C9CCCE

RGB 201 204 206 1

HSL 204, 0.05%, 0.8%

LAB 81.87, -0.65, -1.36

DIC
DIC 621s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 0 / 1 / 14 / 54

HEX #767565

RGB 118 117 101 1

HSL 56.47, 0.08%, 0.43%

LAB 48.9, -2.63, 8.97

DIC
DIC 529s

CMYK 0 / 6 / 10 / 61

HEX #635D59

RGB 99 93 89 1

HSL 24, 0.05%, 0.37%

LAB 39.92, 1.61, 3.15

DIC
DIC 504s

CMYK 0 / 6 / 11 / 69

HEX #4F4A46

RGB 79 74 70 1

HSL 26.67, 0.06%, 0.29%

LAB 31.81, 1.27, 3.13

DIC
DIC 582s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 0 / 11 / 32 / 38

HEX #9D8C6B

RGB 157 140 107 1

HSL 39.6, 0.2%, 0.52%

LAB 58.96, 1.2, 19.98

DIC
DIC 2310s

CMYK 0 / 20 / 51 / 29

HEX #B49058

RGB 180 144 88 1

HSL 36.52, 0.38%, 0.53%

LAB 61.96, 6.5, 34.73

DIC
DIC 337s

CMYK 0 / 22 / 70 / 21

HEX #CA9D3D

RGB 202 157 61 1

HSL 40.85, 0.57%, 0.52%

LAB 67.28, 6.95, 54.59

DIC
DIC 207s

CMYK 0 / 12 / 74 / 18

HEX #D2B836

RGB 210 184 54 1

HSL 50, 0.63%, 0.52%

LAB 74.98, -4.25, 65.26

DIC
DIC 208s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 23 / 17 / 0 / 42

HEX #737C95

RGB 115 124 149 1

HSL 224.12, 0.14%, 0.52%

LAB 52.1, 2.4, -14.59

DIC
DIC 2400s

CMYK 41 / 33 / 0 / 36

HEX #616EA4

RGB 97 110 164 1

HSL 228.36, 0.27%, 0.51%

LAB 47.46, 9.31, -30.62

DIC
DIC 2408s

CMYK 60 / 49 / 0 / 30

HEX #485BB3

RGB 72 91 179 1

HSL 229.35, 0.43%, 0.49%

LAB 41.4, 20.07, -49.15

DIC
DIC 222s

CMYK 72 / 39 / 0 / 19

HEX #397ECF

RGB 57 126 207 1

HSL 212.4, 0.61%, 0.52%

LAB 52.17, 5.58, -48.12

DIC
DIC 183s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 0 / 6 / 9 / 64

HEX #5D5755

RGB 93 87 85 1

HSL 15, 0.04%, 0.35%

LAB 37.48, 2.03, 2.03

DIC
DIC 521s

CMYK 0 / 2 / 14 / 55

HEX #747264

RGB 116 114 100 1

HSL 52.5, 0.07%, 0.42%

LAB 47.84, -1.88, 8.04

DIC
DIC 530s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 3 / 1 / 0 / 39

HEX #979A9C

RGB 151 154 156 1

HSL 204, 0.02%, 0.6%

LAB 63.42, -0.68, -1.43

DIC
DIC 652s

CMYK 6 / 0 / 8 / 30

HEX #A8B3A5

RGB 168 179 165 1

HSL 107.14, 0.08%, 0.67%

LAB 71.75, -6.48, 5.82

DIC
DIC 608s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 4 / 3 / 0 / 49

HEX #7C7D81

RGB 124 125 129 1

HSL 228, 0.02%, 0.5%

LAB 52.44, 0.44, -2.31

DIC
DIC 653s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 4 / 3 / 0 / 49

HEX #7C7D81

RGB 124 125 129 1

HSL 228, 0.02%, 0.5%

LAB 52.44, 0.44, -2.31

DIC
DIC 653s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 4 / 3 / 0 / 49

HEX #7C7D81

RGB 124 125 129 1

HSL 228, 0.02%, 0.5%

LAB 52.44, 0.44, -2.31

DIC
DIC 653s

CMYK 0 / 2 / 7 / 47

HEX #87847D

RGB 135 132 125 1

HSL 42, 0.04%, 0.51%

LAB 55.21, -0.2, 4.17

DIC
DIC 550s

CMYK 4 / 3 / 0 / 49

HEX #7C7D81

RGB 124 125 129 1

HSL 228, 0.02%, 0.5%

LAB 52.44, 0.44, -2.31

DIC
DIC 653s

Description

Color code: DIC - DIC 550s | qconv.com Color code: DIC - DIC 550s | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 135 red, 132 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
135 132 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 7 yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 7% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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nsc-logo

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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