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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone DIC - DIC 604s it is the complementary color DIC - DIC 2365s. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color DIC - DIC 604s. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the DIC - DIC 604s shade: DIC - DIC 603s, DIC - DIC 548s, DIC - DIC 2024s, DIC - DIC 2018s and DIC - DIC 583s

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color DIC - DIC 604s. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the DIC - DIC 604s shade: DIC - DIC 604s, DIC - DIC 2453s, DIC - DIC 519s, DIC - DIC 524s and DIC - DIC 2481s

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the DIC - DIC 604s shade: DIC - DIC 604s and DIC - DIC 604s

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the DIC - DIC 604s shade: DIC - DIC 604s, DIC - DIC 604s, DIC - DIC 605s, DIC - DIC 605s and DIC - DIC 605s

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The DIC - DIC 604s shade matches the following richer shades: DIC - DIC 604s, DIC - DIC 2301s, DIC - DIC 2264s, DIC - DIC 2264s and DIC - DIC 52s

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the DIC - DIC 604s shade: DIC - DIC 604s, DIC - DIC 442s, DIC - DIC 614s, DIC - DIC 2172s and DIC - DIC 2174s

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the DIC - DIC 604s shade: DIC - DIC 603s, DIC - DIC 604s, DIC - DIC 604s, DIC - DIC 604s and DIC - DIC 605s

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the DIC - DIC 604s shade: DIC - DIC 2295s, DIC - DIC 543s, DIC - DIC 604s, DIC - DIC 547s and DIC - DIC 546-1-2s

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the DIC - DIC 604s shade: DIC - DIC 604s, DIC - DIC 605s and DIC - DIC 616s

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the DIC - DIC 604s shade: DIC - DIC 604s, DIC - DIC 608s and DIC - DIC 617s

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the DIC - DIC 604s shade: DIC - DIC 604s, DIC - DIC 605s, DIC - DIC 442s and DIC - DIC 617s

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the DIC - DIC 604s shade: DIC - DIC 604s, DIC - DIC 608s, DIC - DIC 442s and DIC - DIC 2452s

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

Complementary color

CMYK 21 / 7 / 0 / 63

HEX #4A575E

RGB 74 87 94

HSL 201, 0.12%, 0.33%

LAB 36.14, -3.33, -5.75

DIC
DIC 2365s

CMYK 0 / 10 / 10 / 27

HEX #BAA7A8

RGB 186 167 168 1

HSL 356.84, 0.12%, 0.69%

LAB 70.11, 7.05, 1.99

DIC
DIC 603s

CMYK 0 / 2 / 7 / 25

HEX #BEBAB1

RGB 190 186 177 1

HSL 41.54, 0.09%, 0.72%

LAB 75.6, -0.2, 5.05

DIC
DIC 548s

CMYK 0 / 12 / 14 / 9

HEX #E7CCC6

RGB 231 204 198 1

HSL 10.91, 0.41%, 0.84%

LAB 84.1, 8.48, 6.44

DIC
DIC 2024s

CMYK 0 / 9 / 12 / 5

HEX #F3DDD7

RGB 243 221 215 1

HSL 12.86, 0.54%, 0.9%

LAB 89.71, 6.57, 5.67

DIC
DIC 2018s

CMYK 0 / 2 / 3 / 6

HEX #EFEBE8

RGB 239 235 232 1

HSL 25.71, 0.18%, 0.92%

LAB 93.27, 0.82, 1.92

DIC
DIC 583s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 0 / 13 / 15 / 32

HEX #AE9894

RGB 174 152 148 1

HSL 9.23, 0.14%, 0.63%

LAB 64.64, 7.46, 5.09

DIC
DIC 2453s

CMYK 0 / 10 / 15 / 42

HEX #95867F

RGB 149 134 127 1

HSL 19.09, 0.09%, 0.54%

LAB 57.05, 4.43, 5.82

DIC
DIC 519s

CMYK 0 / 9 / 16 / 49

HEX #81756D

RGB 129 117 109 1

HSL 24, 0.08%, 0.47%

LAB 50.09, 3.19, 6.09

DIC
DIC 524s

CMYK 0 / 21 / 18 / 56

HEX #6F585B

RGB 111 88 91 1

HSL 352.17, 0.12%, 0.39%

LAB 39.77, 9.97, 1.86

DIC
DIC 2481s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 1 / 0 / 11 / 28

HEX #B6B8A4

RGB 182 184 164 1

HSL 66, 0.12%, 0.68%

LAB 74.13, -4.26, 9.92

DIC
DIC 605s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 0 / 15 / 24 / 25

HEX #BEA190

RGB 190 161 144 1

HSL 22.17, 0.26%, 0.65%

LAB 68.35, 8.01, 12.81

DIC
DIC 2301s

CMYK 0 / 32 / 37 / 18

HEX #D08E84

RGB 208 142 132 1

HSL 7.89, 0.45%, 0.67%

LAB 65.3, 23.81, 15.49

DIC
DIC 2264s

CMYK 0 / 48 / 56 / 0

HEX #FF8570

RGB 255 133 112 1

HSL 8.81, 1%, 0.72%

LAB 68.9, 44.44, 32.45

DIC
DIC 52s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 8 / 2 / 0 / 30

HEX #A3AFB2

RGB 163 175 178 1

HSL 192, 0.09%, 0.67%

LAB 70.64, -3.58, -2.98

DIC
DIC 442s

CMYK 15 / 4 / 0 / 25

HEX #A3B9C0

RGB 163 185 192 1

HSL 194.48, 0.19%, 0.7%

LAB 73.73, -6.04, -6.09

DIC
DIC 614s

CMYK 28 / 7 / 0 / 21

HEX #91BBCA

RGB 145 187 202 1

HSL 195.79, 0.35%, 0.68%

LAB 73.43, -10.45, -12.12

DIC
DIC 2172s

CMYK 42 / 10 / 0 / 14

HEX #7FC6DB

RGB 127 198 219 1

HSL 193.7, 0.56%, 0.68%

LAB 76.08, -16.86, -17.46

DIC
DIC 2174s

CMYK 0 / 10 / 10 / 27

HEX #BAA7A8

RGB 186 167 168 1

HSL 356.84, 0.12%, 0.69%

LAB 70.11, 7.05, 1.99

DIC
DIC 603s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 1 / 0 / 11 / 28

HEX #B6B8A4

RGB 182 184 164 1

HSL 66, 0.12%, 0.68%

LAB 74.13, -4.26, 9.92

DIC
DIC 605s

CMYK 0 / 15 / 19 / 44

HEX #8E7873

RGB 142 120 115 1

HSL 11.11, 0.11%, 0.5%

LAB 52.31, 7.67, 5.9

DIC
DIC 2295s

CMYK 0 / 0 / 4 / 42

HEX #94948E

RGB 148 148 142 1

HSL 60, 0.03%, 0.57%

LAB 61.16, -1.14, 3.16

DIC
DIC 543s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 0 / 2 / 9 / 21

HEX #CAC5B8

RGB 202 197 184 1

HSL 43.33, 0.15%, 0.76%

LAB 79.59, -0.53, 7.13

DIC
DIC 547s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 1 / 0 / 11 / 28

HEX #B6B8A4

RGB 182 184 164 1

HSL 66, 0.12%, 0.68%

LAB 74.13, -4.26, 9.92

DIC
DIC 605s

CMYK 12 / 9 / 0 / 27

HEX #A3AABA

RGB 163 170 186 1

HSL 221.74, 0.14%, 0.68%

LAB 69.53, 0.79, -9.04

DIC
DIC 616s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 6 / 0 / 8 / 30

HEX #A8B3A5

RGB 168 179 165 1

HSL 107.14, 0.08%, 0.67%

LAB 71.75, -6.48, 5.82

DIC
DIC 608s

CMYK 7 / 7 / 0 / 28

HEX #ABABB7

RGB 171 171 183 1

HSL 240, 0.08%, 0.69%

LAB 70.32, 2.34, -6.14

DIC
DIC 617s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 1 / 0 / 11 / 28

HEX #B6B8A4

RGB 182 184 164 1

HSL 66, 0.12%, 0.68%

LAB 74.13, -4.26, 9.92

DIC
DIC 605s

CMYK 8 / 2 / 0 / 30

HEX #A3AFB2

RGB 163 175 178 1

HSL 192, 0.09%, 0.67%

LAB 70.64, -3.58, -2.98

DIC
DIC 442s

CMYK 7 / 7 / 0 / 28

HEX #ABABB7

RGB 171 171 183 1

HSL 240, 0.08%, 0.69%

LAB 70.32, 2.34, -6.14

DIC
DIC 617s

CMYK 0 / 8 / 10 / 29

HEX #B6A7A4

RGB 182 167 164 1

HSL 10, 0.11%, 0.68%

LAB 69.66, 4.89, 3.5

DIC
DIC 604s

CMYK 6 / 0 / 8 / 30

HEX #A8B3A5

RGB 168 179 165 1

HSL 107.14, 0.08%, 0.67%

LAB 71.75, -6.48, 5.82

DIC
DIC 608s

CMYK 8 / 2 / 0 / 30

HEX #A3AFB2

RGB 163 175 178 1

HSL 192, 0.09%, 0.67%

LAB 70.64, -3.58, -2.98

DIC
DIC 442s

CMYK 0 / 10 / 1 / 29

HEX #B5A2B4

RGB 181 162 180 1

HSL 303.16, 0.11%, 0.67%

LAB 68.72, 10.18, -6.75

DIC
DIC 2452s

Description

Color code: DIC - DIC 604s | qconv.com Color code: DIC - DIC 604s | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 182 red, 167 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
182 167 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 10 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 10% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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PANTONE® to HEX

convert from Pantone®-number (Pantone 0000) to #RRGGBB

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PANTONE® to HKS®

convert from Pantone®-number (Pantone 0000) to HKS®-number (HKS 00)

PANTONE® to Sherwin Williams®

convert from Pantone®-number (Pantone 0000) to Sherwin Williams®-number (SW 0000)

PANTONE® to NCS®

convert from Pantone®-number (Pantone 0000) to NCS-number (S0000-X00X)

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