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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 9 / 0 / 46 / 48 it is the complementary color CMYK 27 / 33 / 0 / 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 9 / 0 / 46 / 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 9 / 0 / 46 / 48: CMYK 5 / 0 / 50 / 48, CMYK 5 / 0 / 43 / 41, CMYK 5 / 0 / 38 / 34, CMYK 5 / 0 / 34 / 27 and CMYK 5 / 0 / 30 / 20

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 9 / 0 / 46 / 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 9 / 0 / 46 / 48: CMYK 9 / 0 / 46 / 48, CMYK 10 / 0 / 54 / 55, CMYK 10 / 0 / 65 / 62, CMYK 11 / 0 / 81 / 69 and CMYK 13 / 0 / 100 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

Complementary color

CMYK 27 / 33 / 0 / 28

HEX #867AB7

RGB 134 122 183

HSL 251.8, 0.3%, 0.6%

LAB 54.46, 18.11, -30.52

 

CMYK 5 / 0 / 50 / 48

HEX #7E8543

RGB 126 133 67

HSL 66.36, 0.33%, 0.39%

LAB 53.62, -12.92, 34.44

 

CMYK 5 / 0 / 43 / 41

HEX #8F9756

RGB 143 151 86

HSL 67.38, 0.27%, 0.46%

LAB 60.47, -13.24, 33.2

 

CMYK 5 / 0 / 38 / 34

HEX #A0A969

RGB 160 169 105

HSL 68.44, 0.27%, 0.54%

LAB 67.18, -13.49, 31.97

 

CMYK 5 / 0 / 34 / 27

HEX #B1BB7C

RGB 177 187 124

HSL 69.52, 0.32%, 0.61%

LAB 73.77, -13.68, 30.8

 

CMYK 5 / 0 / 30 / 20

HEX #C2CD8F

RGB 194 205 143

HSL 70.65, 0.38%, 0.68%

LAB 80.24, -13.83, 29.69

 

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

CMYK 10 / 0 / 54 / 55

HEX #687335

RGB 104 115 53

HSL 70.65, 0.37%, 0.33%

LAB 46.26, -14.21, 32.55

 

CMYK 10 / 0 / 65 / 62

HEX #576122

RGB 87 97 34

HSL 69.52, 0.48%, 0.26%

LAB 39.06, -13.76, 33.66

 

CMYK 11 / 0 / 81 / 69

HEX #464F0F

RGB 70 79 15

HSL 68.44, 0.68%, 0.18%

LAB 31.64, -13.05, 34.15

 

CMYK 13 / 0 / 100 / 76

HEX #353D00

RGB 53 61 0

HSL 67.87, 1%, 0.12%

LAB 23.98, -11.95, 32.41

 

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

CMYK 16 / 0 / 46 / 48

HEX #6F8447

RGB 111 132 71

HSL 80.66, 0.3%, 0.4%

LAB 52.22, -18.28, 30.34

 

CMYK 24 / 0 / 46 / 48

HEX #648447

RGB 100 132 71

HSL 91.48, 0.3%, 0.4%

LAB 51.46, -22.72, 29.23

 

CMYK 32 / 0 / 46 / 48

HEX #5A8447

RGB 90 132 71

HSL 101.31, 0.3%, 0.4%

LAB 50.84, -26.55, 28.32

 

CMYK 39 / 0 / 46 / 48

HEX #508447

RGB 80 132 71

HSL 111.15, 0.3%, 0.4%

LAB 50.29, -30.14, 27.51

 

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

CMYK 9 / 0 / 46 / 28

HEX #A7B864

RGB 167 184 100

HSL 72.14, 0.37%, 0.56%

LAB 71.84, -18.94, 40.53

 

CMYK 9 / 0 / 46 / 8

HEX #D6EB7F

RGB 214 235 127

HSL 71.67, 0.73%, 0.71%

LAB 89.51, -22.85, 49.81

 

CMYK 10 / 0 / 45 / 88

HEX #1C1F11

RGB 28 31 17

HSL 72.86, 0.29%, 0.09%

LAB 11.04, -4.51, 8.77

 

CMYK 9 / 0 / 46 / 68

HEX #4B522C

RGB 75 82 44

HSL 71.05, 0.3%, 0.25%

LAB 33.38, -9.69, 21.33

 

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

CMYK 46 / 0 / 29 / 48

HEX #47845E

RGB 71 132 94

HSL 142.62, 0.3%, 0.4%

LAB 50.28, -28.92, 14.51

 

CMYK 10 / 46 / 0 / 48

HEX #774784

RGB 119 71 132

HSL 287.21, 0.3%, 0.4%

LAB 38.01, 31.41, -26.06

 

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

CMYK 46 / 8 / 0 / 48

HEX #477984

RGB 71 121 132

HSL 190.82, 0.3%, 0.4%

LAB 47.85, -13.71, -11.27

 

CMYK 0 / 46 / 8 / 48

HEX #844779

RGB 132 71 121

HSL 310.82, 0.3%, 0.4%

LAB 39.23, 33.46, -17.26

 

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

CMYK 46 / 0 / 29 / 48

HEX #47845E

RGB 71 132 94

HSL 142.62, 0.3%, 0.4%

LAB 50.28, -28.92, 14.51

 

CMYK 38 / 46 / 0 / 48

HEX #524784

RGB 82 71 132

HSL 250.82, 0.3%, 0.4%

LAB 33.91, 20.1, -32.79

 

CMYK 0 / 46 / 17 / 48

HEX #84476D

RGB 132 71 109

HSL 322.62, 0.3%, 0.4%

LAB 38.75, 31.34, -10.55

 

CMYK 9 / 0 / 46 / 48

HEX #798548

RGB 121 133 72

HSL 71.8, 0.3%, 0.4%

LAB 53.28, -14.51, 31.3

 

CMYK 46 / 0 / 14 / 48

HEX #478471

RGB 71 132 113

HSL 161.31, 0.3%, 0.4%

LAB 50.73, -24.63, 4.14

 

CMYK 38 / 46 / 0 / 48

HEX #524784

RGB 82 71 132

HSL 250.82, 0.3%, 0.4%

LAB 33.91, 20.1, -32.79

 

CMYK 0 / 46 / 32 / 48

HEX #84475A

RGB 132 71 90

HSL 341.31, 0.3%, 0.4%

LAB 38.11, 28.38, 0.39

 

Description

Color code: CMYK 9 / 0 / 46 / 48 | qconv.com Color code: CMYK 9 / 0 / 46 / 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 121 red, 133 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
121 133 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, none magenta, 46 yellow and 48 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 0% 46% 48% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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