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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 99 / 0 / 40 / 37 it is the complementary color CMYK 0 / 63 / 37 / 1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 99 / 0 / 40 / 37. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 99 / 0 / 40 / 37: CMYK 96 / 0 / 43 / 37, CMYK 87 / 0 / 39 / 30, CMYK 79 / 0 / 35 / 23, CMYK 73 / 0 / 31 / 16 and CMYK 68 / 0 / 28 / 9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 99 / 0 / 40 / 37. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 99 / 0 / 40 / 37: CMYK 99 / 0 / 40 / 37, CMYK 100 / 0 / 46 / 44, CMYK 100 / 0 / 54 / 51, CMYK 100 / 0 / 64 / 58 and CMYK 100 / 0 / 78 / 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

Complementary color

CMYK 0 / 63 / 37 / 1

HEX #FD5E9F

RGB 253 94 159

HSL 335.47, 0.98%, 0.68%

LAB 62.84, 65.87, -2.61

 

CMYK 96 / 0 / 43 / 37

HEX #07A15B

RGB 7 161 91

HSL 152.73, 0.92%, 0.33%

LAB 58.31, -51.79, 26.71

 

CMYK 87 / 0 / 39 / 30

HEX #18B36E

RGB 24 179 110

HSL 153.29, 0.76%, 0.4%

LAB 64.61, -53.52, 24.9

 

CMYK 79 / 0 / 35 / 23

HEX #29C581

RGB 41 197 129

HSL 153.85, 0.66%, 0.47%

LAB 70.86, -54.72, 23.24

 

CMYK 73 / 0 / 31 / 16

HEX #3AD794

RGB 58 215 148

HSL 154.39, 0.66%, 0.54%

LAB 77.06, -55.53, 21.74

 

CMYK 68 / 0 / 28 / 9

HEX #4BE9A7

RGB 75 233 167

HSL 154.94, 0.78%, 0.6%

LAB 83.21, -56.04, 20.36

 

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

CMYK 100 / 0 / 46 / 44

HEX #008F4D

RGB 0 143 77

HSL 152.31, 1%, 0.28%

LAB 52.04, -48.43, 26.1

 

CMYK 100 / 0 / 54 / 51

HEX #007D3A

RGB 0 125 58

HSL 147.84, 1%, 0.25%

LAB 45.6, -45.5, 28.17

 

CMYK 100 / 0 / 64 / 58

HEX #006B27

RGB 0 107 39

HSL 141.87, 1%, 0.21%

LAB 39.01, -42.25, 30.17

 

CMYK 100 / 0 / 78 / 65

HEX #005914

RGB 0 89 20

HSL 133.48, 1%, 0.17%

LAB 32.25, -38.53, 31.72

 

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

CMYK 99 / 0 / 25 / 37

HEX #01A179

RGB 1 161 121

HSL 165, 0.99%, 0.32%

LAB 58.86, -45.4, 10.96

 

CMYK 99 / 0 / 8 / 37

HEX #01A194

RGB 1 161 148

HSL 175.13, 0.99%, 0.32%

LAB 59.56, -38, -3.25

 

CMYK 99 / 8 / 0 / 37

HEX #0194A1

RGB 1 148 161

HSL 184.88, 0.99%, 0.32%

LAB 55.85, -27.77, -16.2

 

CMYK 99 / 25 / 0 / 37

HEX #0179A1

RGB 1 121 161

HSL 195, 0.99%, 0.32%

LAB 47.31, -13.4, -29.35

 

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

CMYK 99 / 0 / 41 / 17

HEX #03D47E

RGB 3 212 126

HSL 155.31, 0.97%, 0.42%

LAB 75.21, -63.06, 30.56

 

CMYK 100 / 0 / 37 / 97

HEX #000805

RGB 0 8 5

HSL 157.5, 1%, 0.02%

LAB 1.67, -2.51, 0.4

 

CMYK 98 / 0 / 41 / 77

HEX #013B23

RGB 1 59 35

HSL 155.17, 0.97%, 0.12%

LAB 21.04, -24.44, 10.06

 

CMYK 99 / 0 / 40 / 57

HEX #016E42

RGB 1 110 66

HSL 155.78, 0.98%, 0.22%

LAB 40.49, -38.29, 17.14

 

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

CMYK 99 / 78 / 0 / 37

HEX #0124A1

RGB 1 36 161

HSL 226.88, 0.99%, 0.32%

LAB 23.14, 41.64, -68.32

 

CMYK 0 / 81 / 99 / 37

HEX #A11E01

RGB 161 30 1

HSL 10.88, 0.99%, 0.32%

LAB 35.02, 51.3, 47.91

 

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

CMYK 42 / 99 / 0 / 37

HEX #5E01A1

RGB 94 1 161

HSL 274.88, 0.99%, 0.32%

LAB 26.66, 60.22, -62.26

 

CMYK 0 / 42 / 99 / 37

HEX #A15E01

RGB 161 94 1

HSL 34.88, 0.99%, 0.32%

LAB 46.42, 21.77, 54.41

 

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

CMYK 99 / 78 / 0 / 37

HEX #0124A1

RGB 1 36 161

HSL 226.88, 0.99%, 0.32%

LAB 23.14, 41.64, -68.32

 

CMYK 0 / 99 / 58 / 37

HEX #A10144

RGB 161 1 68

HSL 334.88, 0.99%, 0.32%

LAB 34.02, 59.06, 9.35

 

CMYK 0 / 22 / 99 / 37

HEX #A17E01

RGB 161 126 1

HSL 46.88, 0.99%, 0.32%

LAB 54.55, 3.64, 59.9

 

CMYK 99 / 0 / 40 / 37

HEX #02A160

RGB 2 161 96

HSL 155.47, 0.98%, 0.32%

LAB 58.37, -51.05, 24.09

 

CMYK 91 / 99 / 0 / 37

HEX #0E01A1

RGB 14 1 161

HSL 244.88, 0.99%, 0.32%

LAB 18.75, 55.99, -75.62

 

CMYK 0 / 99 / 58 / 37

HEX #A10144

RGB 161 1 68

HSL 334.88, 0.99%, 0.32%

LAB 34.02, 59.06, 9.35

 

CMYK 8 / 0 / 99 / 37

HEX #94A101

RGB 148 161 1

HSL 64.88, 0.99%, 0.32%

LAB 63.17, -21.04, 65.61

 

Description

Color code: CMYK 99 / 0 / 40 / 37 | qconv.com Color code: CMYK 99 / 0 / 40 / 37 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 2 red, 161 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
2 161 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 99 cyan, none magenta, 40 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
99% 0% 40% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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