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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 98 / 54 / 0 / 14 it is the complementary color CMYK 0 / 39 / 86 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 98 / 54 / 0 / 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 98 / 54 / 0 / 14: CMYK 96 / 53 / 0 / 16, CMYK 89 / 49 / 0 / 9, CMYK 83 / 46 / 0 / 1, CMYK 76 / 39 / 0 / 0 and CMYK 70 / 32 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 98 / 54 / 0 / 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 98 / 54 / 0 / 14: CMYK 98 / 54 / 0 / 14, CMYK 100 / 59 / 0 / 22, CMYK 100 / 64 / 0 / 29, CMYK 100 / 71 / 0 / 36 and CMYK 100 / 80 / 0 / 44

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

Complementary color

CMYK 0 / 39 / 86 / 2

HEX #FB9A24

RGB 251 154 36

HSL 32.93, 0.96%, 0.56%

LAB 72.06, 28.47, 70.24

 

CMYK 96 / 53 / 0 / 16

HEX #0965D6

RGB 9 101 214

HSL 213.07, 0.92%, 0.44%

LAB 44.55, 20.2, -64.42

 

CMYK 89 / 49 / 0 / 9

HEX #1A77E9

RGB 26 119 233

HSL 213.04, 0.82%, 0.51%

LAB 51.03, 16.81, -64.65

 

CMYK 83 / 46 / 0 / 1

HEX #2B89FC

RGB 43 137 252

HSL 213.01, 0.97%, 0.58%

LAB 57.5, 13.96, -64.77

 

CMYK 76 / 39 / 0 / 0

HEX #3C9BFF

RGB 60 155 255

HSL 210.77, 1%, 0.62%

LAB 63.03, 5.86, -57.53

 

CMYK 70 / 32 / 0 / 0

HEX #4DADFF

RGB 77 173 255

HSL 207.64, 1%, 0.65%

LAB 68.52, -2.38, -48.79

 

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

CMYK 100 / 59 / 0 / 22

HEX #0053C8

RGB 0 83 200

HSL 215.1, 1%, 0.39%

LAB 38.48, 26.19, -66.25

 

CMYK 100 / 64 / 0 / 29

HEX #0041B5

RGB 0 65 181

HSL 218.45, 1%, 0.35%

LAB 32.07, 30.64, -65.6

 

CMYK 100 / 71 / 0 / 36

HEX #002FA2

RGB 0 47 162

HSL 222.59, 1%, 0.32%

LAB 25.69, 35.13, -64.71

 

CMYK 100 / 80 / 0 / 44

HEX #001D8F

RGB 0 29 143

HSL 227.83, 1%, 0.28%

LAB 19.48, 39.24, -63.31

 

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

CMYK 98 / 68 / 0 / 14

HEX #0445DB

RGB 4 69 219

HSL 221.86, 0.96%, 0.44%

LAB 36.74, 42.67, -80.06

 

CMYK 98 / 85 / 0 / 14

HEX #0421DB

RGB 4 33 219

HSL 231.91, 0.96%, 0.44%

LAB 29.98, 61.91, -91.27

 

CMYK 95 / 98 / 0 / 14

HEX #0B04DB

RGB 11 4 219

HSL 241.95, 0.96%, 0.44%

LAB 27.5, 69.91, -95.41

 

CMYK 79 / 98 / 0 / 14

HEX #2F04DB

RGB 47 4 219

HSL 252, 0.96%, 0.44%

LAB 28.92, 70.46, -93.01

 

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

CMYK 100 / 53 / 0 / 94

HEX #00070F

RGB 0 7 15

HSL 212, 1%, 0.03%

LAB 1.68, -0.61, -3.95

 

CMYK 98 / 55 / 0 / 74

HEX #011E42

RGB 1 30 66

HSL 213.23, 0.97%, 0.13%

LAB 11.47, 5.88, -25.81

 

CMYK 98 / 54 / 0 / 54

HEX #023675

RGB 2 54 117

HSL 212.87, 0.97%, 0.23%

LAB 23.46, 11.54, -40.4

 

CMYK 98 / 54 / 0 / 34

HEX #034DA8

RGB 3 77 168

HSL 213.09, 0.96%, 0.34%

LAB 34.3, 17.31, -54.21

 

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

CMYK 26 / 98 / 0 / 14

HEX #A204DB

RGB 162 4 219

HSL 284.09, 0.96%, 0.44%

LAB 42.59, 79.09, -69.98

 

CMYK 13 / 0 / 98 / 14

HEX #BFDB04

RGB 191 219 4

HSL 67.81, 0.96%, 0.44%

LAB 82.78, -30.84, 81.4

 

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

CMYK 0 / 98 / 52 / 14

HEX #DB0469

RGB 219 4 105

HSL 331.81, 0.96%, 0.44%

LAB 47.19, 74.75, 6.1

 

CMYK 52 / 0 / 98 / 14

HEX #69DB04

RGB 105 219 4

HSL 91.81, 0.96%, 0.44%

LAB 78.27, -61.51, 75.96

 

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

CMYK 26 / 98 / 0 / 14

HEX #A204DB

RGB 162 4 219

HSL 284.09, 0.96%, 0.44%

LAB 42.59, 79.09, -69.98

 

CMYK 0 / 46 / 98 / 14

HEX #DB7704

RGB 219 119 4

HSL 32.09, 0.96%, 0.44%

LAB 60.13, 33.07, 66.58

 

CMYK 72 / 0 / 98 / 14

HEX #3DDB04

RGB 61 219 4

HSL 104.09, 0.96%, 0.44%

LAB 77.08, -71.4, 74.51

 

CMYK 98 / 54 / 0 / 14

HEX #0465DB

RGB 4 101 219

HSL 212.93, 0.96%, 0.44%

LAB 44.87, 22.03, -66.75

 

CMYK 0 / 98 / 3 / 14

HEX #DB04D4

RGB 219 4 212

HSL 301.95, 0.96%, 0.44%

LAB 51.72, 86.31, -50.73

 

CMYK 0 / 46 / 98 / 14

HEX #DB7704

RGB 219 119 4

HSL 32.09, 0.96%, 0.44%

LAB 60.13, 33.07, 66.58

 

CMYK 98 / 0 / 95 / 14

HEX #04DB0B

RGB 4 219 11

HSL 121.95, 0.96%, 0.44%

LAB 76.5, -76.49, 73.14

 

Description

Color code: CMYK 98 / 54 / 0 / 14 | qconv.com Color code: CMYK 98 / 54 / 0 / 14 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 101 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 101 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, 54 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 54% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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