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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 98 / 0 / 31 / 29 it is the complementary color CMYK 0 / 71 / 48 / 2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 98 / 0 / 31 / 29. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 98 / 0 / 31 / 29: CMYK 95 / 0 / 34 / 29, CMYK 87 / 0 / 30 / 22, CMYK 80 / 0 / 27 / 15, CMYK 74 / 0 / 25 / 8 and CMYK 70 / 0 / 23 / 1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 98 / 0 / 31 / 29. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 98 / 0 / 31 / 29: CMYK 98 / 0 / 31 / 29, CMYK 100 / 0 / 35 / 36, CMYK 100 / 0 / 40 / 43, CMYK 100 / 0 / 46 / 50 and CMYK 100 / 0 / 55 / 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

Complementary color

CMYK 0 / 71 / 48 / 2

HEX #FB4A82

RGB 251 74 130

HSL 341.02, 0.96%, 0.64%

LAB 58.99, 70.07, 8.66

 

CMYK 95 / 0 / 34 / 29

HEX #09B578

RGB 9 181 120

HSL 158.72, 0.91%, 0.37%

LAB 65.33, -53.02, 20.48

 

CMYK 87 / 0 / 30 / 22

HEX #1AC78B

RGB 26 199 139

HSL 159.19, 0.77%, 0.44%

LAB 71.51, -54.67, 18.78

 

CMYK 80 / 0 / 27 / 15

HEX #2BD99E

RGB 43 217 158

HSL 159.66, 0.7%, 0.51%

LAB 77.64, -55.87, 17.25

 

CMYK 74 / 0 / 25 / 8

HEX #3CEBB1

RGB 60 235 177

HSL 160.11, 0.81%, 0.58%

LAB 83.73, -56.73, 15.84

 

CMYK 70 / 0 / 23 / 1

HEX #4DFDC4

RGB 77 253 196

HSL 160.57, 0.98%, 0.65%

LAB 89.77, -57.33, 14.55

 

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

CMYK 100 / 0 / 35 / 36

HEX #00A36A

RGB 0 163 106

HSL 159.02, 1%, 0.32%

LAB 59.19, -49.77, 19.74

 

CMYK 100 / 0 / 40 / 43

HEX #009157

RGB 0 145 87

HSL 156, 1%, 0.28%

LAB 52.88, -47.15, 21.73

 

CMYK 100 / 0 / 46 / 50

HEX #007F44

RGB 0 127 68

HSL 152.13, 1%, 0.25%

LAB 46.44, -44.38, 23.8

 

CMYK 100 / 0 / 55 / 57

HEX #006D31

RGB 0 109 49

HSL 146.97, 1%, 0.21%

LAB 39.85, -41.38, 25.92

 

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

CMYK 98 / 0 / 15 / 30

HEX #03B399

RGB 3 179 153

HSL 171.14, 0.97%, 0.36%

LAB 65.4, -44.32, 2.5

 

CMYK 98 / 2 / 0 / 30

HEX #03B0B3

RGB 3 176 179

HSL 181.02, 0.97%, 0.36%

LAB 65.22, -35.38, -12.21

 

CMYK 98 / 18 / 0 / 30

HEX #0393B3

RGB 3 147 179

HSL 190.91, 0.97%, 0.36%

LAB 56.23, -21, -25.89

 

CMYK 98 / 34 / 0 / 30

HEX #0376B3

RGB 3 118 179

HSL 200.8, 0.97%, 0.36%

LAB 47.28, -4.64, -39.89

 

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

CMYK 98 / 0 / 31 / 9

HEX #05E8A0

RGB 5 232 160

HSL 160.97, 0.96%, 0.46%

LAB 81.99, -63.1, 22.18

 

CMYK 96 / 0 / 32 / 89

HEX #011C13

RGB 1 28 19

HSL 160, 0.93%, 0.06%

LAB 7.98, -12.08, 2.93

 

CMYK 97 / 0 / 30 / 69

HEX #024F37

RGB 2 79 55

HSL 161.3, 0.95%, 0.16%

LAB 29.11, -27.92, 8.3

 

CMYK 98 / 0 / 31 / 49

HEX #03825A

RGB 3 130 90

HSL 161.1, 0.95%, 0.26%

LAB 47.91, -40.49, 13.29

 

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

CMYK 98 / 87 / 0 / 30

HEX #0318B3

RGB 3 24 179

HSL 232.84, 0.97%, 0.36%

LAB 23.43, 53.65, -78.7

 

CMYK 0 / 70 / 98 / 30

HEX #B33503

RGB 179 53 3

HSL 17.05, 0.97%, 0.36%

LAB 41.43, 49.25, 52.38

 

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

CMYK 31 / 98 / 0 / 30

HEX #7C03B3

RGB 124 3 179

HSL 281.25, 0.97%, 0.36%

LAB 33.15, 66.98, -62.28

 

CMYK 0 / 31 / 98 / 30

HEX #B37C03

RGB 179 124 3

HSL 41.25, 0.97%, 0.36%

LAB 56.09, 13.05, 61.57

 

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

CMYK 98 / 87 / 0 / 30

HEX #0318B3

RGB 3 24 179

HSL 232.84, 0.97%, 0.36%

LAB 23.43, 53.65, -78.7

 

CMYK 0 / 98 / 67 / 30

HEX #B3033B

RGB 179 3 59

HSL 340.91, 0.97%, 0.36%

LAB 37.78, 62.65, 20.92

 

CMYK 0 / 11 / 98 / 30

HEX #B39F03

RGB 179 159 3

HSL 53.18, 0.97%, 0.36%

LAB 65.27, -6.1, 68.07

 

CMYK 98 / 0 / 31 / 29

HEX #04B57D

RGB 4 181 125

HSL 161.02, 0.96%, 0.36%

LAB 65.4, -52.11, 17.87

 

CMYK 80 / 98 / 0 / 30

HEX #2303B3

RGB 35 3 179

HSL 250.91, 0.97%, 0.36%

LAB 22.57, 60.46, -80.1

 

CMYK 0 / 98 / 67 / 30

HEX #B3033B

RGB 179 3 59

HSL 340.91, 0.97%, 0.36%

LAB 37.78, 62.65, 20.92

 

CMYK 18 / 0 / 98 / 30

HEX #93B303

RGB 147 179 3

HSL 70.91, 0.97%, 0.36%

LAB 68.35, -30.22, 69.23

 

Description

Color code: CMYK 98 / 0 / 31 / 29 | qconv.com Color code: CMYK 98 / 0 / 31 / 29 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 4 red, 181 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
4 181 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 98 cyan, none magenta, 31 yellow and 29 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
98% 0% 31% 29% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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