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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 96 / 0 / 68 / 30 it is the complementary color CMYK 0 / 69 / 20 / 3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 96 / 0 / 68 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 96 / 0 / 68 / 30: CMYK 93 / 0 / 71 / 30, CMYK 85 / 0 / 64 / 23, CMYK 79 / 0 / 58 / 16, CMYK 73 / 0 / 53 / 9 and CMYK 68 / 0 / 49 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 96 / 0 / 68 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 96 / 0 / 68 / 30: CMYK 96 / 0 / 68 / 30, CMYK 100 / 0 / 76 / 37, CMYK 100 / 0 / 87 / 44, CMYK 100 / 0 / 100 / 51 and CMYK 100 / 0 / 100 / 58

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

Complementary color

CMYK 0 / 69 / 20 / 3

HEX #F84CC6

RGB 248 76 198

HSL 317.44, 0.92%, 0.64%

LAB 60.96, 75.87, -27.88

 

CMYK 93 / 0 / 71 / 30

HEX #0CB334

RGB 12 179 52

HSL 134.37, 0.87%, 0.37%

LAB 63.81, -62.89, 51.64

 

CMYK 85 / 0 / 64 / 23

HEX #1DC547

RGB 29 197 71

HSL 135, 0.74%, 0.44%

LAB 69.93, -65.21, 50.52

 

CMYK 79 / 0 / 58 / 16

HEX #2ED75A

RGB 46 215 90

HSL 135.62, 0.68%, 0.51%

LAB 76.02, -66.85, 49.15

 

CMYK 73 / 0 / 53 / 9

HEX #3FE96D

RGB 63 233 109

HSL 136.24, 0.79%, 0.58%

LAB 82.08, -67.98, 47.71

 

CMYK 68 / 0 / 49 / 2

HEX #50FB80

RGB 80 251 128

HSL 136.84, 0.96%, 0.65%

LAB 88.09, -68.74, 46.26

 

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

CMYK 100 / 0 / 76 / 37

HEX #00A126

RGB 0 161 38

HSL 134.16, 1%, 0.32%

LAB 57.68, -59.36, 50.55

 

CMYK 100 / 0 / 87 / 44

HEX #008F13

RGB 0 143 19

HSL 127.97, 1%, 0.28%

LAB 51.49, -55.32, 50.47

 

CMYK 100 / 0 / 100 / 51

HEX #007D00

RGB 0 125 0

HSL 120, 1%, 0.25%

LAB 45.18, -50.82, 49.05

 

CMYK 100 / 0 / 100 / 58

HEX #006B00

RGB 0 107 0

HSL 120, 1%, 0.21%

LAB 38.75, -45.49, 43.9

 

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

CMYK 96 / 0 / 53 / 31

HEX #07B053

RGB 7 176 83

HSL 146.98, 0.92%, 0.36%

LAB 63.11, -58.32, 36.91

 

CMYK 96 / 0 / 37 / 31

HEX #07B06F

RGB 7 176 111

HSL 156.92, 0.92%, 0.36%

LAB 63.54, -53.19, 22.91

 

CMYK 96 / 0 / 21 / 31

HEX #07B08B

RGB 7 176 139

HSL 166.86, 0.92%, 0.36%

LAB 64.13, -46.64, 8.42

 

CMYK 96 / 0 / 5 / 31

HEX #07B0A7

RGB 7 176 167

HSL 176.8, 0.92%, 0.36%

LAB 64.87, -38.88, -6.05

 

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

CMYK 96 / 0 / 68 / 10

HEX #09E649

RGB 9 230 73

HSL 137.38, 0.92%, 0.47%

LAB 80.25, -75.93, 60.92

 

CMYK 96 / 0 / 69 / 90

HEX #011A08

RGB 1 26 8

HSL 136.8, 0.93%, 0.05%

LAB 6.89, -12.26, 6.81

 

CMYK 96 / 0 / 68 / 70

HEX #034D19

RGB 3 77 25

HSL 137.84, 0.93%, 0.16%

LAB 27.84, -33.31, 24.54

 

CMYK 96 / 0 / 68 / 50

HEX #058029

RGB 5 128 41

HSL 137.56, 0.92%, 0.26%

LAB 46.49, -48.57, 37.66

 

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

CMYK 96 / 47 / 0 / 31

HEX #075EB0

RGB 7 94 176

HSL 209.11, 0.92%, 0.36%

LAB 39.89, 9.41, -49.92

 

CMYK 0 / 96 / 85 / 31

HEX #B0071B

RGB 176 7 27

HSL 352.9, 0.92%, 0.36%

LAB 36.86, 60.24, 39.21

 

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

CMYK 69 / 96 / 0 / 31

HEX #3707B0

RGB 55 7 176

HSL 257.04, 0.92%, 0.36%

LAB 24, 59.55, -75.89

 

CMYK 0 / 69 / 96 / 31

HEX #B03707

RGB 176 55 7

HSL 17.04, 0.92%, 0.36%

LAB 41.18, 47.46, 50.69

 

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

CMYK 96 / 47 / 0 / 31

HEX #075EB0

RGB 7 94 176

HSL 209.11, 0.92%, 0.36%

LAB 39.89, 9.41, -49.92

 

CMYK 0 / 96 / 27 / 31

HEX #B00780

RGB 176 7 128

HSL 317.04, 0.92%, 0.36%

LAB 39.48, 67.28, -20.59

 

CMYK 0 / 50 / 96 / 31

HEX #B05807

RGB 176 88 7

HSL 28.76, 0.92%, 0.36%

LAB 47.27, 31.63, 54.58

 

CMYK 96 / 0 / 68 / 30

HEX #07B339

RGB 7 179 57

HSL 137.44, 0.92%, 0.36%

LAB 63.82, -62.64, 49.65

 

CMYK 96 / 76 / 0 / 31

HEX #072BB0

RGB 7 43 176

HSL 227.22, 0.92%, 0.36%

LAB 26.47, 43.03, -71.85

 

CMYK 0 / 96 / 27 / 31

HEX #B00780

RGB 176 7 128

HSL 317.04, 0.92%, 0.36%

LAB 39.48, 67.28, -20.59

 

CMYK 0 / 21 / 96 / 31

HEX #B08B07

RGB 176 139 7

HSL 46.86, 0.92%, 0.36%

LAB 59.63, 3.42, 63.26

 

Description

Color code: CMYK 96 / 0 / 68 / 30 | qconv.com Color code: CMYK 96 / 0 / 68 / 30 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 7 red, 179 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
7 179 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 96 cyan, none magenta, 68 yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
96% 0% 68% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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