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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 93 / 31 / 0 / 7 it is the complementary color CMYK 0 / 62 / 92 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 93 / 31 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 93 / 31 / 0 / 7: CMYK 91 / 29 / 0 / 9, CMYK 84 / 27 / 0 / 2, CMYK 78 / 22 / 0 / 0, CMYK 71 / 15 / 0 / 0 and CMYK 65 / 7 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 93 / 31 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 93 / 31 / 0 / 7: CMYK 93 / 31 / 0 / 7, CMYK 100 / 33 / 0 / 15, CMYK 100 / 36 / 0 / 22, CMYK 100 / 39 / 0 / 29 and CMYK 100 / 43 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

Complementary color

CMYK 0 / 62 / 92 / 7

HEX #EE5B12

RGB 238 91 18

HSL 19.91, 0.87%, 0.5%

LAB 57.75, 53.99, 63.74

 

CMYK 91 / 29 / 0 / 9

HEX #16A4E8

RGB 22 164 232

HSL 199.43, 0.83%, 0.5%

LAB 63.79, -10.56, -43.75

 

CMYK 84 / 27 / 0 / 2

HEX #27B6FB

RGB 39 182 251

HSL 199.53, 0.96%, 0.57%

LAB 70.07, -12.7, -44.25

 

CMYK 78 / 22 / 0 / 0

HEX #38C8FF

RGB 56 200 255

HSL 196.58, 1%, 0.61%

LAB 75.68, -19.44, -37.63

 

CMYK 71 / 15 / 0 / 0

HEX #49DAFF

RGB 73 218 255

HSL 192.2, 1%, 0.64%

LAB 81.17, -26.65, -29.14

 

CMYK 65 / 7 / 0 / 0

HEX #5AECFF

RGB 90 236 255

HSL 186.91, 1%, 0.68%

LAB 86.69, -33.02, -20.69

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 100 / 33 / 0 / 15

HEX #0092DA

RGB 0 146 218

HSL 199.82, 1%, 0.43%

LAB 57.67, -6.28, -45.64

 

CMYK 100 / 36 / 0 / 22

HEX #0080C7

RGB 0 128 199

HSL 201.41, 1%, 0.39%

LAB 51.34, -2.97, -44.95

 

CMYK 100 / 39 / 0 / 29

HEX #006EB4

RGB 0 110 180

HSL 203.33, 1%, 0.35%

LAB 44.87, 0.52, -44.3

 

CMYK 100 / 43 / 0 / 37

HEX #005CA1

RGB 0 92 161

HSL 205.71, 1%, 0.32%

LAB 38.25, 4.25, -43.67

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 93 / 45 / 0 / 7

HEX #1083EE

RGB 16 131 238

HSL 208.92, 0.87%, 0.5%

LAB 54.57, 10.8, -61.74

 

CMYK 93 / 61 / 0 / 7

HEX #105EEE

RGB 16 94 238

HSL 218.92, 0.87%, 0.5%

LAB 44.64, 34.25, -77.85

 

CMYK 93 / 76 / 0 / 7

HEX #1039EE

RGB 16 57 238

HSL 228.92, 0.87%, 0.5%

LAB 36.38, 56.52, -91.47

 

CMYK 93 / 92 / 0 / 7

HEX #1014EE

RGB 16 20 238

HSL 238.92, 0.87%, 0.5%

LAB 31.31, 71.56, -99.92

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 94 / 30 / 0 / 87

HEX #021721

RGB 2 23 33

HSL 199.35, 0.89%, 0.07%

LAB 6.64, -3.81, -9.42

 

CMYK 93 / 31 / 0 / 67

HEX #063A54

RGB 6 58 84

HSL 200, 0.87%, 0.18%

LAB 22.67, -5.43, -20.24

 

CMYK 93 / 31 / 0 / 47

HEX #0A5D87

RGB 10 93 135

HSL 200.16, 0.86%, 0.28%

LAB 37.19, -6.45, -29.67

 

CMYK 93 / 31 / 0 / 27

HEX #0D81BA

RGB 13 129 186

HSL 199.77, 0.87%, 0.39%

LAB 51.07, -8.06, -37.93

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 45 / 93 / 0 / 7

HEX #8310EE

RGB 131 16 238

HSL 271.08, 0.87%, 0.5%

LAB 40.2, 78.05, -84.9

 

CMYK 0 / 8 / 93 / 7

HEX #EEDB10

RGB 238 219 16

HSL 54.86, 0.87%, 0.5%

LAB 86.44, -11.02, 84.66

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 0 / 93 / 29 / 7

HEX #EE10A8

RGB 238 16 168

HSL 318.92, 0.87%, 0.5%

LAB 53.36, 83.43, -22.37

 

CMYK 29 / 0 / 93 / 7

HEX #A8EE10

RGB 168 238 16

HSL 78.92, 0.87%, 0.5%

LAB 86.76, -48.04, 82.79

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 45 / 93 / 0 / 7

HEX #8310EE

RGB 131 16 238

HSL 271.08, 0.87%, 0.5%

LAB 40.2, 78.05, -84.9

 

CMYK 0 / 64 / 93 / 7

HEX #EE5610

RGB 238 86 16

HSL 18.92, 0.87%, 0.5%

LAB 56.95, 56.1, 63.72

 

CMYK 48 / 0 / 93 / 7

HEX #7BEE10

RGB 123 238 16

HSL 91.08, 0.87%, 0.5%

LAB 84.69, -62.98, 80.27

 

CMYK 93 / 31 / 0 / 7

HEX #11A4ED

RGB 17 164 237

HSL 199.91, 0.87%, 0.5%

LAB 63.99, -8.96, -46.2

 

CMYK 17 / 93 / 0 / 7

HEX #C510EE

RGB 197 16 238

HSL 288.92, 0.87%, 0.5%

LAB 49.99, 85.95, -68.48

 

CMYK 0 / 64 / 93 / 7

HEX #EE5610

RGB 238 86 16

HSL 18.92, 0.87%, 0.5%

LAB 56.95, 56.1, 63.72

 

CMYK 76 / 0 / 93 / 7

HEX #39EE10

RGB 57 238 16

HSL 108.92, 0.87%, 0.5%

LAB 82.94, -77.36, 78.12

 

Description

Color code: CMYK 93 / 31 / 0 / 7 | qconv.com Color code: CMYK 93 / 31 / 0 / 7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 164 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 164 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 93 cyan, 31 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
93% 31% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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