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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 92 / 32 / 0 / 7 it is the complementary color CMYK 0 / 60 / 92 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 92 / 32 / 0 / 7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 92 / 32 / 0 / 7: CMYK 90 / 31 / 0 / 9, CMYK 84 / 29 / 0 / 2, CMYK 77 / 23 / 0 / 0, CMYK 71 / 16 / 0 / 0 and CMYK 64 / 9 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 92 / 32 / 0 / 7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 92 / 32 / 0 / 7: CMYK 92 / 32 / 0 / 7, CMYK 99 / 34 / 0 / 15, CMYK 100 / 37 / 0 / 22, CMYK 100 / 41 / 0 / 29 and CMYK 100 / 45 / 0 / 37

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

Complementary color

CMYK 0 / 60 / 92 / 7

HEX #EC5E12

RGB 236 94 18

HSL 20.92, 0.86%, 0.5%

LAB 57.92, 51.96, 63.7

 

CMYK 90 / 31 / 0 / 9

HEX #18A1E8

RGB 24 161 232

HSL 200.48, 0.82%, 0.5%

LAB 62.94, -8.79, -45.1

 

CMYK 84 / 29 / 0 / 2

HEX #29B3FB

RGB 41 179 251

HSL 200.57, 0.96%, 0.57%

LAB 69.24, -10.92, -45.55

 

CMYK 77 / 23 / 0 / 0

HEX #3AC5FF

RGB 58 197 255

HSL 197.66, 1%, 0.61%

LAB 74.86, -17.68, -38.91

 

CMYK 71 / 16 / 0 / 0

HEX #4BD7FF

RGB 75 215 255

HSL 193.33, 1%, 0.65%

LAB 80.36, -24.91, -30.38

 

CMYK 64 / 9 / 0 / 0

HEX #5CE9FF

RGB 92 233 255

HSL 188.1, 1%, 0.68%

LAB 85.89, -31.3, -21.9

 

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

CMYK 99 / 34 / 0 / 15

HEX #028FDA

RGB 2 143 218

HSL 200.83, 0.98%, 0.43%

LAB 56.8, -4.48, -47.02

 

CMYK 100 / 37 / 0 / 22

HEX #007DC7

RGB 0 125 199

HSL 202.31, 1%, 0.39%

LAB 50.44, -1.17, -46.38

 

CMYK 100 / 41 / 0 / 29

HEX #006BB4

RGB 0 107 180

HSL 204.33, 1%, 0.35%

LAB 43.96, 2.4, -45.74

 

CMYK 100 / 45 / 0 / 37

HEX #0059A1

RGB 0 89 161

HSL 206.83, 1%, 0.32%

LAB 37.33, 6.21, -45.14

 

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

CMYK 93 / 46 / 0 / 7

HEX #117FED

RGB 17 127 237

HSL 210, 0.87%, 0.5%

LAB 53.4, 12.93, -63.07

 

CMYK 93 / 62 / 0 / 7

HEX #115AED

RGB 17 90 237

HSL 220.09, 0.87%, 0.5%

LAB 43.57, 36.45, -79.04

 

CMYK 93 / 77 / 0 / 7

HEX #1136ED

RGB 17 54 237

HSL 229.91, 0.87%, 0.5%

LAB 35.74, 57.8, -91.98

 

CMYK 93 / 93 / 0 / 7

HEX #1111ED

RGB 17 17 237

HSL 240, 0.87%, 0.5%

LAB 30.96, 72.03, -99.94

 

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

CMYK 91 / 33 / 0 / 87

HEX #031621

RGB 3 22 33

HSL 202, 0.83%, 0.07%

LAB 6.35, -2.83, -9.86

 

CMYK 92 / 32 / 0 / 67

HEX #073954

RGB 7 57 84

HSL 201.04, 0.85%, 0.18%

LAB 22.34, -4.65, -20.75

 

CMYK 92 / 32 / 0 / 47

HEX #0B5C87

RGB 11 92 135

HSL 200.81, 0.85%, 0.29%

LAB 36.88, -5.77, -30.16

 

CMYK 92 / 32 / 0 / 27

HEX #0F7EBA

RGB 15 126 186

HSL 201.05, 0.85%, 0.39%

LAB 50.18, -6.21, -39.34

 

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

CMYK 43 / 93 / 0 / 7

HEX #8611ED

RGB 134 17 237

HSL 271.91, 0.87%, 0.5%

LAB 40.55, 77.98, -83.74

 

CMYK 0 / 6 / 93 / 7

HEX #EDDE11

RGB 237 222 17

HSL 55.91, 0.87%, 0.5%

LAB 87.14, -12.92, 85.03

 

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

CMYK 0 / 93 / 31 / 7

HEX #ED11A4

RGB 237 17 164

HSL 319.91, 0.87%, 0.5%

LAB 53.04, 82.71, -20.51

 

CMYK 31 / 0 / 93 / 7

HEX #A4ED11

RGB 164 237 17

HSL 79.91, 0.87%, 0.5%

LAB 86.26, -49.07, 82.2

 

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

CMYK 43 / 93 / 0 / 7

HEX #8611ED

RGB 134 17 237

HSL 271.91, 0.87%, 0.5%

LAB 40.55, 77.98, -83.74

 

CMYK 0 / 62 / 93 / 7

HEX #ED5A11

RGB 237 90 17

HSL 19.91, 0.87%, 0.5%

LAB 57.42, 54.06, 63.7

 

CMYK 49 / 0 / 93 / 7

HEX #78ED11

RGB 120 237 17

HSL 91.91, 0.87%, 0.5%

LAB 84.28, -63.47, 79.77

 

CMYK 92 / 32 / 0 / 7

HEX #13A1ED

RGB 19 161 237

HSL 200.92, 0.86%, 0.5%

LAB 63.13, -7.2, -47.55

 

CMYK 16 / 93 / 0 / 7

HEX #C811ED

RGB 200 17 237

HSL 289.91, 0.87%, 0.5%

LAB 50.45, 86.11, -67.16

 

CMYK 0 / 62 / 93 / 7

HEX #ED5A11

RGB 237 90 17

HSL 19.91, 0.87%, 0.5%

LAB 57.42, 54.06, 63.7

 

CMYK 77 / 0 / 93 / 7

HEX #36ED11

RGB 54 237 17

HSL 109.91, 0.87%, 0.5%

LAB 82.59, -77.46, 77.69

 

Description

Color code: CMYK 92 / 32 / 0 / 7 | qconv.com Color code: CMYK 92 / 32 / 0 / 7 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 19 red, 161 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
19 161 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 92 cyan, 32 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
92% 32% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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