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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 91 / 64 / 0 / 12 it is the complementary color CMYK 0 / 26 / 87 / 8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 91 / 64 / 0 / 12. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 91 / 64 / 0 / 12: CMYK 89 / 63 / 0 / 14, CMYK 82 / 58 / 0 / 7, CMYK 77 / 54 / 0 / 0, CMYK 70 / 47 / 0 / 0 and CMYK 64 / 40 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 91 / 64 / 0 / 12. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 91 / 64 / 0 / 12: CMYK 91 / 64 / 0 / 12, CMYK 99 / 69 / 0 / 20, CMYK 100 / 76 / 0 / 27, CMYK 100 / 84 / 0 / 35 and CMYK 100 / 94 / 0 / 42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

Complementary color

CMYK 0 / 26 / 87 / 8

HEX #EBAE1F

RGB 235 174 31

HSL 42.06, 0.84%, 0.52%

LAB 74.85, 11.09, 73.03

 

CMYK 89 / 63 / 0 / 14

HEX #1951DB

RGB 25 81 219

HSL 222.68, 0.8%, 0.48%

LAB 39.93, 35.76, -74.81

 

CMYK 82 / 58 / 0 / 7

HEX #2A63EE

RGB 42 99 238

HSL 222.55, 0.85%, 0.55%

LAB 46.43, 32.45, -74.91

 

CMYK 77 / 54 / 0 / 0

HEX #3B75FF

RGB 59 117 255

HSL 222.24, 1%, 0.62%

LAB 52.81, 28.87, -73.97

 

CMYK 70 / 47 / 0 / 0

HEX #4C87FF

RGB 76 135 255

HSL 220.22, 1%, 0.65%

LAB 58.12, 19.8, -65.36

 

CMYK 64 / 40 / 0 / 0

HEX #5D99FF

RGB 93 153 255

HSL 217.78, 1%, 0.68%

LAB 63.61, 11.62, -56.53

 

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

CMYK 99 / 69 / 0 / 20

HEX #033FCD

RGB 3 63 205

HSL 222.18, 0.97%, 0.41%

LAB 33.95, 41.23, -76.59

 

CMYK 100 / 76 / 0 / 27

HEX #002DBA

RGB 0 45 186

HSL 225.48, 1%, 0.36%

LAB 27.9, 45.23, -75.44

 

CMYK 100 / 84 / 0 / 35

HEX #001BA7

RGB 0 27 167

HSL 230.3, 1%, 0.33%

LAB 22.21, 48.49, -73.51

 

CMYK 100 / 94 / 0 / 42

HEX #000994

RGB 0 9 148

HSL 236.35, 1%, 0.29%

LAB 17.15, 49.84, -70.3

 

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

CMYK 92 / 79 / 0 / 12

HEX #132FE1

RGB 19 47 225

HSL 231.84, 0.84%, 0.48%

LAB 33.15, 57.59, -89.43

 

CMYK 88 / 92 / 0 / 12

HEX #1A13E1

RGB 26 19 225

HSL 242.04, 0.84%, 0.48%

LAB 29.72, 68.56, -95.15

 

CMYK 73 / 92 / 0 / 12

HEX #3C13E1

RGB 60 19 225

HSL 251.94, 0.84%, 0.48%

LAB 31.49, 69.56, -92.14

 

CMYK 58 / 92 / 0 / 12

HEX #5E13E1

RGB 94 19 225

HSL 261.84, 0.84%, 0.48%

LAB 34.56, 71.51, -86.95

 

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

CMYK 90 / 65 / 0 / 92

HEX #020714

RGB 2 7 20

HSL 223.33, 0.82%, 0.04%

LAB 1.95, 0.92, -6.54

 

CMYK 92 / 63 / 0 / 72

HEX #061A47

RGB 6 26 71

HSL 221.54, 0.84%, 0.15%

LAB 10.79, 12.16, -30.4

 

CMYK 91 / 64 / 0 / 52

HEX #0B2C7A

RGB 11 44 122

HSL 222.16, 0.83%, 0.26%

LAB 21.12, 21.56, -47.37

 

CMYK 91 / 64 / 0 / 32

HEX #0F3FAD

RGB 15 63 173

HSL 221.77, 0.84%, 0.37%

LAB 31.05, 29.37, -62.5

 

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

CMYK 9 / 92 / 0 / 12

HEX #CC13E1

RGB 204 19 225

HSL 293.88, 0.84%, 0.48%

LAB 50.38, 84.55, -60.44

 

CMYK 28 / 0 / 92 / 12

HEX #A3E113

RGB 163 225 19

HSL 78.06, 0.84%, 0.48%

LAB 82.75, -44.34, 79.12

 

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

CMYK 0 / 92 / 64 / 12

HEX #E11351

RGB 225 19 81

HSL 341.94, 0.84%, 0.48%

LAB 48.34, 73.25, 22.7

 

CMYK 64 / 0 / 92 / 12

HEX #51E113

RGB 81 225 19

HSL 101.94, 0.84%, 0.48%

LAB 79.41, -69.19, 75.02

 

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

CMYK 9 / 92 / 0 / 12

HEX #CC13E1

RGB 204 19 225

HSL 293.88, 0.84%, 0.48%

LAB 50.38, 84.55, -60.44

 

CMYK 0 / 28 / 92 / 12

HEX #E1A313

RGB 225 163 19

HSL 41.94, 0.84%, 0.48%

LAB 71.04, 12.39, 72.16

 

CMYK 82 / 0 / 92 / 12

HEX #28E113

RGB 40 225 19

HSL 113.88, 0.84%, 0.48%

LAB 78.66, -75.67, 74.09

 

CMYK 91 / 64 / 0 / 12

HEX #1451E0

RGB 20 81 224

HSL 222.06, 0.84%, 0.48%

LAB 40.27, 37.42, -77.1

 

CMYK 0 / 92 / 18 / 12

HEX #E113B8

RGB 225 19 184

HSL 311.94, 0.84%, 0.48%

LAB 51.76, 82.41, -34.42

 

CMYK 0 / 28 / 92 / 12

HEX #E1A313

RGB 225 163 19

HSL 41.94, 0.84%, 0.48%

LAB 71.04, 12.39, 72.16

 

CMYK 92 / 0 / 73 / 12

HEX #13E13C

RGB 19 225 60

HSL 131.94, 0.84%, 0.48%

LAB 78.65, -75.22, 63.99

 

Description

Color code: CMYK 91 / 64 / 0 / 12 | qconv.com Color code: CMYK 91 / 64 / 0 / 12 | qconv.com - big

With this color blue stands out from the other colors. The value that represents the blue hue is greater than the other two values. It is far different from the value for the red and green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 20 red, 81 green and 224 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
20 81 224 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 64 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 64% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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