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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 91 / 17 / 0 / 46 it is the complementary color CMYK 0 / 42 / 52 / 5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 91 / 17 / 0 / 46. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 91 / 17 / 0 / 46: CMYK 87 / 14 / 0 / 48, CMYK 78 / 13 / 0 / 40, CMYK 70 / 12 / 0 / 33, CMYK 64 / 12 / 0 / 25 and CMYK 59 / 11 / 0 / 18

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 91 / 17 / 0 / 46. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 91 / 17 / 0 / 46: CMYK 91 / 17 / 0 / 46, CMYK 100 / 19 / 0 / 53, CMYK 100 / 22 / 0 / 61, CMYK 100 / 26 / 0 / 68 and CMYK 100 / 32 / 0 / 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

Complementary color

CMYK 0 / 42 / 52 / 5

HEX #F38D75

RGB 243 141 117

HSL 11.43, 0.84%, 0.71%

LAB 69.03, 36.3, 29.58

 

CMYK 87 / 14 / 0 / 48

HEX #117285

RGB 17 114 133

HSL 189.83, 0.77%, 0.29%

LAB 44.01, -18.9, -17.86

 

CMYK 78 / 13 / 0 / 40

HEX #228498

RGB 34 132 152

HSL 190.17, 0.63%, 0.36%

LAB 50.82, -20.35, -18.63

 

CMYK 70 / 12 / 0 / 33

HEX #3396AB

RGB 51 150 171

HSL 190.5, 0.54%, 0.44%

LAB 57.52, -21.38, -19.3

 

CMYK 64 / 12 / 0 / 25

HEX #44A8BE

RGB 68 168 190

HSL 190.82, 0.48%, 0.51%

LAB 64.12, -22.11, -19.9

 

CMYK 59 / 11 / 0 / 18

HEX #55BAD1

RGB 85 186 209

HSL 191.13, 0.57%, 0.58%

LAB 70.63, -22.65, -20.44

 

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

CMYK 100 / 19 / 0 / 53

HEX #006077

RGB 0 96 119

HSL 191.6, 1%, 0.23%

LAB 37.29, -15.14, -19.74

 

CMYK 100 / 22 / 0 / 61

HEX #004E64

RGB 0 78 100

HSL 193.2, 1%, 0.2%

LAB 30.32, -12.02, -18.67

 

CMYK 100 / 26 / 0 / 68

HEX #003C51

RGB 0 60 81

HSL 195.56, 1%, 0.16%

LAB 23.09, -8.71, -17.61

 

CMYK 100 / 32 / 0 / 76

HEX #002A3E

RGB 0 42 62

HSL 199.35, 1%, 0.12%

LAB 15.51, -5.11, -16.6

 

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

CMYK 92 / 32 / 0 / 47

HEX #0B5C88

RGB 11 92 136

HSL 201.12, 0.85%, 0.29%

LAB 36.94, -5.37, -30.68

 

CMYK 92 / 48 / 0 / 47

HEX #0B4788

RGB 11 71 136

HSL 211.2, 0.85%, 0.29%

LAB 30.29, 8.39, -41.27

 

CMYK 92 / 63 / 0 / 47

HEX #0B3388

RGB 11 51 136

HSL 220.8, 0.85%, 0.29%

LAB 24.37, 22.43, -50.87

 

CMYK 92 / 78 / 0 / 47

HEX #0B1E88

RGB 11 30 136

HSL 230.88, 0.85%, 0.29%

LAB 19.13, 36.51, -59.51

 

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

CMYK 92 / 17 / 0 / 26

HEX #109CBD

RGB 16 156 189

HSL 191.45, 0.84%, 0.4%

LAB 59.49, -21.74, -26.52

 

CMYK 91 / 18 / 0 / 6

HEX #15C6F0

RGB 21 198 240

HSL 191.51, 0.88%, 0.51%

LAB 74.09, -25.77, -32.08

 

CMYK 92 / 17 / 0 / 86

HEX #031E24

RGB 3 30 36

HSL 190.91, 0.85%, 0.08%

LAB 9.6, -7.79, -7.12

 

CMYK 91 / 17 / 0 / 66

HEX #084857

RGB 8 72 87

HSL 191.39, 0.83%, 0.19%

LAB 27.78, -12.8, -14.26

 

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

CMYK 57 / 92 / 0 / 47

HEX #3B0B88

RGB 59 11 136

HSL 263.04, 0.85%, 0.29%

LAB 19.83, 48.63, -58.24

 

CMYK 0 / 20 / 92 / 47

HEX #886D0B

RGB 136 109 11

HSL 47.04, 0.85%, 0.29%

LAB 47.23, 1.69, 51.31

 

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

CMYK 0 / 92 / 17 / 47

HEX #880B71

RGB 136 11 113

HSL 311.04, 0.85%, 0.29%

LAB 31.03, 56.55, -24.91

 

CMYK 17 / 0 / 92 / 47

HEX #71880B

RGB 113 136 11

HSL 71.04, 0.85%, 0.29%

LAB 53.11, -23.68, 55.13

 

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

CMYK 57 / 92 / 0 / 47

HEX #3B0B88

RGB 59 11 136

HSL 263.04, 0.85%, 0.29%

LAB 19.83, 48.63, -58.24

 

CMYK 0 / 75 / 92 / 47

HEX #88220B

RGB 136 34 11

HSL 11.04, 0.85%, 0.29%

LAB 30.41, 42.04, 38.35

 

CMYK 35 / 0 / 92 / 47

HEX #58880B

RGB 88 136 11

HSL 83.04, 0.85%, 0.29%

LAB 51.5, -34.09, 53.15

 

CMYK 91 / 17 / 0 / 46

HEX #0C728A

RGB 12 114 138

HSL 191.43, 0.84%, 0.29%

LAB 44.16, -17.45, -20.63

 

CMYK 29 / 92 / 0 / 47

HEX #600B88

RGB 96 11 136

HSL 280.8, 0.85%, 0.29%

LAB 25.27, 53.23, -49.09

 

CMYK 0 / 75 / 92 / 47

HEX #88220B

RGB 136 34 11

HSL 11.04, 0.85%, 0.29%

LAB 30.41, 42.04, 38.35

 

CMYK 63 / 0 / 92 / 47

HEX #33880B

RGB 51 136 11

HSL 100.8, 0.85%, 0.29%

LAB 49.9, -46.22, 51.16

 

Description

Color code: CMYK 91 / 17 / 0 / 46 | qconv.com Color code: CMYK 91 / 17 / 0 / 46 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 12 red, 114 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
12 114 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 91 cyan, 17 magenta, none yellow and 46 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
91% 17% 0% 46% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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