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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 8 / 86 / 0 / 33 it is the complementary color CMYK 58 / 0 / 64 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 8 / 86 / 0 / 33. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 8 / 86 / 0 / 33: CMYK 2 / 86 / 0 / 35, CMYK 3 / 77 / 0 / 27, CMYK 4 / 71 / 0 / 20, CMYK 4 / 65 / 0 / 13 and CMYK 5 / 60 / 0 / 5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 8 / 86 / 0 / 33. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 8 / 86 / 0 / 33: CMYK 8 / 86 / 0 / 33, CMYK 8 / 96 / 0 / 40, CMYK 8 / 100 / 0 / 48, CMYK 7 / 100 / 0 / 55 and CMYK 6 / 100 / 0 / 63

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

Complementary color

CMYK 58 / 0 / 64 / 9

HEX #62E754

RGB 98 231 84

HSL 114.29, 0.75%, 0.62%

LAB 82.05, -63.52, 58.9

 

CMYK 2 / 86 / 0 / 35

HEX #A218A6

RGB 162 24 166

HSL 298.31, 0.75%, 0.37%

LAB 39.73, 67.3, -43.55

 

CMYK 3 / 77 / 0 / 27

HEX #B32AB9

RGB 179 42 185

HSL 297.48, 0.63%, 0.45%

LAB 45.28, 69.25, -45.77

 

CMYK 4 / 71 / 0 / 20

HEX #C43CCC

RGB 196 60 204

HSL 296.67, 0.59%, 0.52%

LAB 51.07, 70.25, -47.42

 

CMYK 4 / 65 / 0 / 13

HEX #D54EDF

RGB 213 78 223

HSL 295.86, 0.69%, 0.59%

LAB 57, 70.62, -48.65

 

CMYK 5 / 60 / 0 / 5

HEX #E660F2

RGB 230 96 242

HSL 295.07, 0.85%, 0.66%

LAB 63.01, 70.57, -49.59

 

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

CMYK 8 / 96 / 0 / 40

HEX #8C0698

RGB 140 6 152

HSL 295.07, 0.92%, 0.31%

LAB 33.93, 63.99, -44.6

 

CMYK 8 / 100 / 0 / 48

HEX #7B0085

RGB 123 0 133

HSL 295.49, 1%, 0.26%

LAB 29.17, 58.9, -40.67

 

CMYK 7 / 100 / 0 / 55

HEX #6A0072

RGB 106 0 114

HSL 295.79, 1%, 0.22%

LAB 24.57, 52.85, -36.18

 

CMYK 6 / 100 / 0 / 63

HEX #59005F

RGB 89 0 95

HSL 296.21, 1%, 0.19%

LAB 19.84, 46.62, -31.55

 

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

CMYK 0 / 86 / 6 / 34

HEX #A9189F

RGB 169 24 159

HSL 304.14, 0.75%, 0.38%

LAB 40.56, 67.55, -37.94

 

CMYK 0 / 86 / 20 / 34

HEX #A91887

RGB 169 24 135

HSL 314.07, 0.75%, 0.38%

LAB 39.31, 64.18, -25.3

 

CMYK 0 / 86 / 34 / 34

HEX #A9186F

RGB 169 24 111

HSL 324, 0.75%, 0.38%

LAB 38.26, 61.3, -11.95

 

CMYK 0 / 86 / 49 / 34

HEX #A91857

RGB 169 24 87

HSL 333.93, 0.75%, 0.38%

LAB 37.44, 58.95, 2.1

 

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

CMYK 8 / 86 / 0 / 13

HEX #CC1FDE

RGB 204 31 222

HSL 294.35, 0.75%, 0.5%

LAB 50.79, 82.29, -58.07

 

CMYK 6 / 83 / 0 / 93

HEX #110312

RGB 17 3 18

HSL 296, 0.71%, 0.04%

LAB 2.06, 6.4, -4.98

 

CMYK 9 / 86 / 0 / 73

HEX #3F0A45

RGB 63 10 69

HSL 293.9, 0.75%, 0.15%

LAB 13.85, 33.34, -23.74

 

CMYK 8 / 86 / 0 / 53

HEX #6E1178

RGB 110 17 120

HSL 294.17, 0.75%, 0.27%

LAB 26.94, 51.13, -36.18

 

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

CMYK 0 / 78 / 86 / 34

HEX #A92618

RGB 169 38 24

HSL 5.79, 0.75%, 0.38%

LAB 37.64, 51.72, 40.93

 

CMYK 86 / 0 / 43 / 34

HEX #18A960

RGB 24 169 96

HSL 149.79, 0.75%, 0.38%

LAB 61.15, -52.61, 27.77

 

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

CMYK 0 / 8 / 86 / 34

HEX #A99B18

RGB 169 155 24

HSL 54.21, 0.75%, 0.38%

LAB 63.3, -8.12, 62.6

 

CMYK 86 / 0 / 8 / 34

HEX #18A99B

RGB 24 169 155

HSL 174.21, 0.75%, 0.38%

LAB 62.45, -38.4, -2.91

 

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

CMYK 0 / 78 / 86 / 34

HEX #A92618

RGB 169 38 24

HSL 5.79, 0.75%, 0.38%

LAB 37.64, 51.72, 40.93

 

CMYK 78 / 0 / 86 / 34

HEX #26A918

RGB 38 169 24

HSL 114.21, 0.75%, 0.38%

LAB 60.65, -59.29, 57.63

 

CMYK 86 / 8 / 0 / 34

HEX #189BA9

RGB 24 155 169

HSL 185.79, 0.75%, 0.38%

LAB 58.51, -27.49, -16.7

 

CMYK 8 / 86 / 0 / 33

HEX #9D18AB

RGB 157 24 171

HSL 294.29, 0.75%, 0.38%

LAB 39.18, 67.21, -47.47

 

CMYK 0 / 51 / 86 / 34

HEX #A95218

RGB 169 82 24

HSL 24, 0.75%, 0.38%

LAB 44.99, 32.23, 47.27

 

CMYK 78 / 0 / 86 / 34

HEX #26A918

RGB 38 169 24

HSL 114.21, 0.75%, 0.38%

LAB 60.65, -59.29, 57.63

 

CMYK 86 / 34 / 0 / 34

HEX #186FA9

RGB 24 111 169

HSL 204, 0.75%, 0.38%

LAB 44.84, -3.16, -37.89

 

Description

Color code: CMYK 8 / 86 / 0 / 33 | qconv.com Color code: CMYK 8 / 86 / 0 / 33 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 157 red, 24 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
157 24 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 86 magenta, none yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 86% 0% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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