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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 8 / 40 / 0 / 30 it is the complementary color CMYK 39 / 0 / 49 / 42. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 8 / 40 / 0 / 30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 8 / 40 / 0 / 30: CMYK 3 / 39 / 0 / 32, CMYK 4 / 35 / 0 / 24, CMYK 4 / 33 / 0 / 17, CMYK 5 / 30 / 0 / 9 and CMYK 5 / 28 / 0 / 2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 8 / 40 / 0 / 30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 8 / 40 / 0 / 30: CMYK 8 / 40 / 0 / 30, CMYK 8 / 44 / 0 / 37, CMYK 8 / 50 / 0 / 45, CMYK 7 / 57 / 0 / 52 and CMYK 7 / 66 / 0 / 60

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

Complementary color

CMYK 39 / 0 / 49 / 42

HEX #5B944C

RGB 91 148 76

HSL 107.5, 0.32%, 0.44%

LAB 56.01, -33.13, 32.15

 

CMYK 3 / 39 / 0 / 32

HEX #A96BAE

RGB 169 107 174

HSL 295.52, 0.29%, 0.55%

LAB 54.03, 35.74, -25.7

 

CMYK 4 / 35 / 0 / 24

HEX #BA7DC1

RGB 186 125 193

HSL 293.82, 0.35%, 0.62%

LAB 60.74, 34.98, -26.07

 

CMYK 4 / 33 / 0 / 17

HEX #CB8FD4

RGB 203 143 212

HSL 292.17, 0.45%, 0.7%

LAB 67.35, 34.25, -26.41

 

CMYK 5 / 30 / 0 / 9

HEX #DCA1E7

RGB 220 161 231

HSL 290.57, 0.59%, 0.77%

LAB 73.85, 33.57, -26.74

 

CMYK 5 / 28 / 0 / 2

HEX #EDB3FA

RGB 237 179 250

HSL 289.01, 0.88%, 0.84%

LAB 80.26, 32.93, -27.05

 

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

CMYK 8 / 44 / 0 / 37

HEX #9359A0

RGB 147 89 160

HSL 289.01, 0.29%, 0.49%

LAB 46.82, 35.97, -28.9

 

CMYK 8 / 50 / 0 / 45

HEX #82478D

RGB 130 71 141

HSL 290.57, 0.33%, 0.42%

LAB 39.87, 36.77, -28.53

 

CMYK 7 / 57 / 0 / 52

HEX #71357A

RGB 113 53 122

HSL 292.17, 0.39%, 0.34%

LAB 32.84, 37.48, -28.03

 

CMYK 7 / 66 / 0 / 60

HEX #602367

RGB 96 35 103

HSL 293.82, 0.49%, 0.27%

LAB 25.77, 37.93, -27.27

 

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

CMYK 2 / 40 / 0 / 30

HEX #AF6AB2

RGB 175 106 178

HSL 297.5, 0.32%, 0.56%

LAB 54.7, 38.97, -26.93

 

CMYK 0 / 40 / 4 / 30

HEX #B26AAA

RGB 178 106 170

HSL 306.67, 0.32%, 0.56%

LAB 54.74, 38.42, -22.21

 

CMYK 0 / 40 / 11 / 30

HEX #B26A9E

RGB 178 106 158

HSL 316.67, 0.32%, 0.56%

LAB 54.28, 36.3, -15.93

 

CMYK 0 / 40 / 18 / 30

HEX #B26A92

RGB 178 106 146

HSL 326.67, 0.32%, 0.56%

LAB 53.87, 34.31, -9.54

 

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

CMYK 8 / 40 / 0 / 10

HEX #D389E6

RGB 211 137 230

HSL 287.74, 0.65%, 0.72%

LAB 67.62, 43.46, -35.89

 

CMYK 8 / 38 / 0 / 90

HEX #18101A

RGB 24 16 26

HSL 288, 0.24%, 0.08%

LAB 5.78, 5.77, -5.18

 

CMYK 8 / 40 / 0 / 70

HEX #472E4D

RGB 71 46 77

HSL 288.39, 0.25%, 0.24%

LAB 23.1, 17.75, -14.58

 

CMYK 9 / 40 / 0 / 50

HEX #754D80

RGB 117 77 128

HSL 287.06, 0.25%, 0.4%

LAB 38.98, 26.35, -22.11

 

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

CMYK 0 / 40 / 39 / 30

HEX #B26A6C

RGB 178 106 108

HSL 358.33, 0.32%, 0.56%

LAB 52.79, 28.98, 11.27

 

CMYK 40 / 0 / 25 / 30

HEX #6AB286

RGB 106 178 134

HSL 143.33, 0.32%, 0.56%

LAB 67, -32.47, 15.54

 

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

CMYK 0 / 8 / 40 / 30

HEX #B2A36A

RGB 178 163 106

HSL 47.5, 0.32%, 0.56%

LAB 67.05, -2.84, 31.58

 

CMYK 40 / 0 / 8 / 30

HEX #6AB2A3

RGB 106 178 163

HSL 167.5, 0.32%, 0.56%

LAB 67.69, -26.16, 0.58

 

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

CMYK 0 / 40 / 39 / 30

HEX #B26A6C

RGB 178 106 108

HSL 358.33, 0.32%, 0.56%

LAB 52.79, 28.98, 11.27

 

CMYK 31 / 0 / 40 / 30

HEX #7AB26A

RGB 122 178 106

HSL 106.67, 0.32%, 0.56%

LAB 67.29, -32.17, 31.1

 

CMYK 40 / 0 / 1 / 30

HEX #6AB2B1

RGB 106 178 177

HSL 179.17, 0.32%, 0.56%

LAB 68.08, -22.74, -6.59

 

CMYK 8 / 40 / 0 / 30

HEX #A46BB3

RGB 164 107 179

HSL 287.5, 0.32%, 0.56%

LAB 53.67, 35.17, -29.21

 

CMYK 0 / 29 / 40 / 30

HEX #B27F6A

RGB 178 127 106

HSL 17.5, 0.32%, 0.56%

LAB 57.74, 17.03, 19.25

 

CMYK 31 / 0 / 40 / 30

HEX #7AB26A

RGB 122 178 106

HSL 106.67, 0.32%, 0.56%

LAB 67.29, -32.17, 31.1

 

CMYK 40 / 11 / 0 / 30

HEX #6A9EB2

RGB 106 158 178

HSL 196.67, 0.32%, 0.56%

LAB 62.28, -11.99, -15.83

 

Description

Color code: CMYK 8 / 40 / 0 / 30 | qconv.com Color code: CMYK 8 / 40 / 0 / 30 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 164 red, 107 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
164 107 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 40 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 40% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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