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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 89 / 30 / 0 / 9 it is the complementary color CMYK 0 / 59 / 90 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 89 / 30 / 0 / 9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 89 / 30 / 0 / 9: CMYK 86 / 29 / 0 / 11, CMYK 80 / 27 / 0 / 4, CMYK 75 / 22 / 0 / 0, CMYK 68 / 15 / 0 / 0 and CMYK 61 / 8 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 89 / 30 / 0 / 9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 89 / 30 / 0 / 9: CMYK 89 / 30 / 0 / 9, CMYK 96 / 32 / 0 / 16, CMYK 100 / 35 / 0 / 24, CMYK 100 / 38 / 0 / 31 and CMYK 100 / 42 / 0 / 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

Complementary color

CMYK 0 / 59 / 90 / 10

HEX #E55D17

RGB 229 93 23

HSL 20.39, 0.82%, 0.49%

LAB 56.63, 49.97, 60.85

 

CMYK 86 / 29 / 0 / 11

HEX #1FA2E3

RGB 31 162 227

HSL 199.9, 0.78%, 0.51%

LAB 63.08, -10.74, -42.11

 

CMYK 80 / 27 / 0 / 4

HEX #30B4F6

RGB 48 180 246

HSL 200, 0.92%, 0.58%

LAB 69.42, -12.63, -42.55

 

CMYK 75 / 22 / 0 / 0

HEX #41C6FF

RGB 65 198 255

HSL 198, 1%, 0.63%

LAB 75.28, -17.45, -38.23

 

CMYK 68 / 15 / 0 / 0

HEX #52D8FF

RGB 82 216 255

HSL 193.53, 1%, 0.66%

LAB 80.81, -24.47, -29.67

 

CMYK 61 / 8 / 0 / 0

HEX #63EAFF

RGB 99 234 255

HSL 188.08, 1%, 0.69%

LAB 86.36, -30.67, -21.17

 

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

CMYK 96 / 32 / 0 / 16

HEX #0990D5

RGB 9 144 213

HSL 200.29, 0.92%, 0.44%

LAB 56.89, -6.73, -44.08

 

CMYK 100 / 35 / 0 / 24

HEX #007EC2

RGB 0 126 194

HSL 201.03, 1%, 0.38%

LAB 50.47, -3.71, -43.47

 

CMYK 100 / 38 / 0 / 31

HEX #006CAF

RGB 0 108 175

HSL 202.97, 1%, 0.34%

LAB 43.97, -0.23, -42.8

 

CMYK 100 / 42 / 0 / 39

HEX #005A9C

RGB 0 90 156

HSL 205.38, 1%, 0.31%

LAB 37.32, 3.48, -42.16

 

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

CMYK 88 / 44 / 0 / 9

HEX #1B82E8

RGB 27 130 232

HSL 209.85, 0.82%, 0.51%

LAB 54.05, 9.63, -59.22

 

CMYK 88 / 59 / 0 / 9

HEX #1B5FE8

RGB 27 95 232

HSL 220.1, 0.82%, 0.51%

LAB 44.58, 31.79, -74.57

 

CMYK 88 / 74 / 0 / 9

HEX #1B3DE8

RGB 27 61 232

HSL 230.05, 0.82%, 0.51%

LAB 36.74, 52.65, -87.47

 

CMYK 88 / 88 / 0 / 9

HEX #1B1BE8

RGB 27 27 232

HSL 240, 0.82%, 0.51%

LAB 31.45, 68.12, -96.27

 

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

CMYK 89 / 29 / 0 / 89

HEX #03141C

RGB 3 20 28

HSL 199.2, 0.81%, 0.06%

LAB 5.45, -3.13, -7.38

 

CMYK 89 / 30 / 0 / 69

HEX #09374F

RGB 9 55 79

HSL 200.57, 0.8%, 0.17%

LAB 21.41, -5.2, -18.88

 

CMYK 88 / 30 / 0 / 49

HEX #0F5B82

RGB 15 91 130

HSL 200.35, 0.79%, 0.28%

LAB 36.36, -6.86, -27.92

 

CMYK 89 / 30 / 0 / 29

HEX #147EB5

RGB 20 126 181

HSL 200.5, 0.8%, 0.39%

LAB 49.99, -7.83, -36.76

 

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

CMYK 41 / 88 / 0 / 9

HEX #881BE8

RGB 136 27 232

HSL 271.9, 0.82%, 0.51%

LAB 40.97, 75.28, -80.2

 

CMYK 0 / 6 / 88 / 9

HEX #E8DA1B

RGB 232 218 27

HSL 55.9, 0.82%, 0.51%

LAB 85.69, -12.91, 82.31

 

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

CMYK 0 / 88 / 29 / 9

HEX #E81BA4

RGB 232 27 164

HSL 319.9, 0.82%, 0.51%

LAB 52.53, 80.46, -21.38

 

CMYK 29 / 0 / 88 / 9

HEX #A4E81B

RGB 164 232 27

HSL 79.9, 0.82%, 0.51%

LAB 84.84, -46.78, 79.65

 

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

CMYK 41 / 88 / 0 / 9

HEX #881BE8

RGB 136 27 232

HSL 271.9, 0.82%, 0.51%

LAB 40.97, 75.28, -80.2

 

CMYK 0 / 59 / 88 / 9

HEX #E85F1B

RGB 232 95 27

HSL 19.9, 0.82%, 0.51%

LAB 57.48, 50.21, 60.41

 

CMYK 47 / 0 / 88 / 9

HEX #7BE81B

RGB 123 232 27

HSL 91.9, 0.82%, 0.51%

LAB 82.92, -60.54, 77.27

 

CMYK 89 / 30 / 0 / 9

HEX #1AA2E8

RGB 26 162 232

HSL 200.39, 0.82%, 0.51%

LAB 63.25, -9.25, -44.6

 

CMYK 15 / 88 / 0 / 9

HEX #C61BE8

RGB 198 27 232

HSL 290.05, 0.82%, 0.51%

LAB 50.23, 83.64, -64.7

 

CMYK 0 / 59 / 88 / 9

HEX #E85F1B

RGB 232 95 27

HSL 19.9, 0.82%, 0.51%

LAB 57.48, 50.21, 60.41

 

CMYK 74 / 0 / 88 / 9

HEX #3DE81B

RGB 61 232 27

HSL 110.05, 0.82%, 0.51%

LAB 81.17, -74.75, 75.1

 

Description

Color code: CMYK 89 / 30 / 0 / 9 | qconv.com Color code: CMYK 89 / 30 / 0 / 9 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 26 red, 162 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
26 162 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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