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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 89 / 0 / 77 / 3 it is the complementary color CMYK 0 / 96 / 13 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 89 / 0 / 77 / 3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 89 / 0 / 77 / 3: CMYK 87 / 0 / 79 / 3, CMYK 81 / 0 / 72 / 0, CMYK 74 / 0 / 65 / 0, CMYK 67 / 0 / 57 / 0 and CMYK 61 / 0 / 50 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 89 / 0 / 77 / 3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 89 / 0 / 77 / 3: CMYK 89 / 0 / 77 / 3, CMYK 96 / 0 / 83 / 10, CMYK 100 / 0 / 91 / 17, CMYK 100 / 0 / 100 / 24 and CMYK 100 / 0 / 100 / 31

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

Complementary color

CMYK 0 / 96 / 13 / 11

HEX #E408C6

RGB 228 8 198

HSL 308.18, 0.93%, 0.46%

LAB 52.67, 85.68, -41.08

 

CMYK 87 / 0 / 79 / 3

HEX #20F734

RGB 32 247 52

HSL 125.58, 0.93%, 0.55%

LAB 85.54, -81.1, 73.23

 

CMYK 81 / 0 / 72 / 0

HEX #31FF47

RGB 49 255 71

HSL 126.41, 1%, 0.6%

LAB 88.27, -80.57, 70.07

 

CMYK 74 / 0 / 65 / 0

HEX #42FF5A

RGB 66 255 90

HSL 127.62, 1%, 0.63%

LAB 88.65, -76.83, 63.52

 

CMYK 67 / 0 / 57 / 0

HEX #53FF6D

RGB 83 255 109

HSL 129.07, 1%, 0.66%

LAB 89.14, -72.09, 56.22

 

CMYK 61 / 0 / 50 / 0

HEX #64FF80

RGB 100 255 128

HSL 130.84, 1%, 0.7%

LAB 89.76, -66.42, 48.43

 

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

CMYK 96 / 0 / 83 / 10

HEX #0AE526

RGB 10 229 38

HSL 127.67, 0.92%, 0.47%

LAB 79.75, -78.08, 71.41

 

CMYK 100 / 0 / 91 / 17

HEX #00D313

RGB 0 211 19

HSL 125.4, 1%, 0.41%

LAB 73.96, -74.32, 70.01

 

CMYK 100 / 0 / 100 / 24

HEX #00C100

RGB 0 193 0

HSL 120, 1%, 0.38%

LAB 68.12, -69.89, 67.45

 

CMYK 100 / 0 / 100 / 31

HEX #00AF00

RGB 0 175 0

HSL 120, 1%, 0.34%

LAB 62.22, -64.98, 62.72

 

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

CMYK 89 / 0 / 62 / 4

HEX #1CF65E

RGB 28 246 94

HSL 138.17, 0.92%, 0.54%

LAB 85.49, -77.52, 58.25

 

CMYK 89 / 0 / 47 / 4

HEX #1CF682

RGB 28 246 130

HSL 148.07, 0.92%, 0.54%

LAB 85.89, -72.58, 42.39

 

CMYK 89 / 0 / 33 / 4

HEX #1CF6A6

RGB 28 246 166

HSL 157.98, 0.92%, 0.54%

LAB 86.46, -65.96, 25.23

 

CMYK 89 / 0 / 17 / 4

HEX #1CF6CB

RGB 28 246 203

HSL 168.17, 0.92%, 0.54%

LAB 87.23, -57.53, 7.21

 

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

CMYK 88 / 0 / 77 / 83

HEX #052B0A

RGB 5 43 10

HSL 127.89, 0.79%, 0.09%

LAB 14.3, -21.72, 16.37

 

CMYK 89 / 0 / 77 / 63

HEX #0A5E16

RGB 10 94 22

HSL 128.57, 0.81%, 0.2%

LAB 34.25, -38.8, 32.98

 

CMYK 89 / 0 / 77 / 43

HEX #109121

RGB 16 145 33

HSL 127.91, 0.8%, 0.32%

LAB 52.37, -53.9, 47.07

 

CMYK 89 / 0 / 77 / 23

HEX #15C42D

RGB 21 196 45

HSL 128.23, 0.81%, 0.43%

LAB 69.35, -67.91, 59.74

 

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

CMYK 89 / 29 / 0 / 4

HEX #1CAEF6

RGB 28 174 246

HSL 199.82, 0.92%, 0.54%

LAB 67.41, -10.77, -45.73

 

CMYK 0 / 89 / 65 / 4

HEX #F61C56

RGB 246 28 86

HSL 344.04, 0.92%, 0.54%

LAB 53.05, 77.36, 26.59

 

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

CMYK 77 / 89 / 0 / 4

HEX #391CF6

RGB 57 28 246

HSL 247.98, 0.92%, 0.54%

LAB 34.71, 72.42, -98.73

 

CMYK 0 / 77 / 89 / 4

HEX #F6391C

RGB 246 57 28

HSL 7.98, 0.92%, 0.54%

LAB 54.66, 69.12, 59.03

 

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

CMYK 89 / 29 / 0 / 4

HEX #1CAEF6

RGB 28 174 246

HSL 199.82, 0.92%, 0.54%

LAB 67.41, -10.77, -45.73

 

CMYK 0 / 89 / 12 / 4

HEX #F61CD9

RGB 246 28 217

HSL 307.98, 0.92%, 0.54%

LAB 57.49, 89.37, -44.13

 

CMYK 0 / 59 / 89 / 4

HEX #F6651C

RGB 246 101 28

HSL 20.09, 0.92%, 0.54%

LAB 60.77, 52.55, 63.55

 

CMYK 89 / 0 / 77 / 3

HEX #1BF739

RGB 27 247 57

HSL 128.18, 0.93%, 0.54%

LAB 85.53, -81.13, 71.76

 

CMYK 89 / 56 / 0 / 4

HEX #1C6CF6

RGB 28 108 246

HSL 217.98, 0.92%, 0.54%

LAB 49.04, 28.85, -75.15

 

CMYK 0 / 89 / 12 / 4

HEX #F61CD9

RGB 246 28 217

HSL 307.98, 0.92%, 0.54%

LAB 57.49, 89.37, -44.13

 

CMYK 0 / 33 / 89 / 4

HEX #F6A61C

RGB 246 166 28

HSL 37.98, 0.92%, 0.54%

LAB 74.16, 19.94, 73.72

 

Description

Color code: CMYK 89 / 0 / 77 / 3 | qconv.com Color code: CMYK 89 / 0 / 77 / 3 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 27 red, 247 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
27 247 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 77 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 77% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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