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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 88 / 44 / 0 / 20 it is the complementary color CMYK 0 / 39 / 78 / 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 88 / 44 / 0 / 20. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 88 / 44 / 0 / 20: CMYK 85 / 43 / 0 / 22, CMYK 79 / 39 / 0 / 15, CMYK 73 / 37 / 0 / 7, CMYK 69 / 34 / 0 / 0 and CMYK 62 / 27 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 88 / 44 / 0 / 20. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 88 / 44 / 0 / 20: CMYK 88 / 44 / 0 / 20, CMYK 96 / 48 / 0 / 27, CMYK 100 / 53 / 0 / 35, CMYK 100 / 59 / 0 / 42 and CMYK 100 / 67 / 0 / 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

Complementary color

CMYK 0 / 39 / 78 / 9

HEX #E78D33

RGB 231 141 51

HSL 30, 0.79%, 0.55%

LAB 66.73, 27.47, 59.35

 

CMYK 85 / 43 / 0 / 22

HEX #1D72C7

RGB 29 114 199

HSL 210, 0.75%, 0.45%

LAB 47.52, 6.99, -51.02

 

CMYK 79 / 39 / 0 / 15

HEX #2E84DA

RGB 46 132 218

HSL 210, 0.7%, 0.52%

LAB 54.18, 4.64, -51.15

 

CMYK 73 / 37 / 0 / 7

HEX #3F96ED

RGB 63 150 237

HSL 210, 0.83%, 0.59%

LAB 60.77, 2.76, -51.24

 

CMYK 69 / 34 / 0 / 0

HEX #50A8FF

RGB 80 168 255

HSL 209.83, 1%, 0.66%

LAB 67.23, 0.88, -50.83

 

CMYK 62 / 27 / 0 / 0

HEX #61BAFF

RGB 97 186 255

HSL 206.2, 1%, 0.69%

LAB 72.81, -6.44, -42.01

 

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

CMYK 96 / 48 / 0 / 27

HEX #0760B9

RGB 7 96 185

HSL 210, 0.93%, 0.38%

LAB 41.08, 11.77, -53.29

 

CMYK 100 / 53 / 0 / 35

HEX #004EA6

RGB 0 78 166

HSL 211.81, 1%, 0.33%

LAB 34.4, 15.67, -52.86

 

CMYK 100 / 59 / 0 / 42

HEX #003C93

RGB 0 60 147

HSL 215.51, 1%, 0.29%

LAB 27.68, 20.14, -52.29

 

CMYK 100 / 67 / 0 / 50

HEX #002A80

RGB 0 42 128

HSL 220.31, 1%, 0.25%

LAB 20.88, 24.86, -51.58

 

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

CMYK 88 / 59 / 0 / 20

HEX #1854CD

RGB 24 84 205

HSL 220.11, 0.79%, 0.45%

LAB 39.48, 28.42, -67.48

 

CMYK 88 / 74 / 0 / 20

HEX #1836CD

RGB 24 54 205

HSL 230.06, 0.79%, 0.45%

LAB 32.35, 47.33, -79.22

 

CMYK 88 / 88 / 0 / 20

HEX #1818CD

RGB 24 24 205

HSL 240, 0.79%, 0.45%

LAB 27.45, 61.6, -87.36

 

CMYK 74 / 88 / 0 / 20

HEX #3618CD

RGB 54 24 205

HSL 249.94, 0.79%, 0.45%

LAB 29.02, 62.69, -84.7

 

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

CMYK 0 / 0 / 0 / 100

HEX #000000

RGB 0 0 0

HSL 0, 0%, 0%

LAB 0, 0, 0

 

CMYK 88 / 43 / 0 / 80

HEX #061D33

RGB 6 29 51

HSL 209.33, 0.79%, 0.11%

LAB 10.23, 0.44, -17.11

 

CMYK 88 / 44 / 0 / 60

HEX #0C3966

RGB 12 57 102

HSL 210, 0.79%, 0.22%

LAB 23.55, 3.63, -30.6

 

CMYK 88 / 44 / 0 / 40

HEX #125699

RGB 18 86 153

HSL 209.78, 0.79%, 0.34%

LAB 36.15, 5.86, -42.23

 

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

CMYK 26 / 88 / 0 / 20

HEX #9718CD

RGB 151 24 205

HSL 282.1, 0.79%, 0.45%

LAB 40.64, 72.37, -65.15

 

CMYK 9 / 0 / 88 / 20

HEX #BBCD18

RGB 187 205 24

HSL 65.97, 0.79%, 0.45%

LAB 78.63, -25.59, 75.7

 

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

CMYK 0 / 88 / 44 / 20

HEX #CD1872

RGB 205 24 114

HSL 330.17, 0.79%, 0.45%

LAB 45.42, 70.06, -2.38

 

CMYK 44 / 0 / 88 / 20

HEX #72CD18

RGB 114 205 24

HSL 90.17, 0.79%, 0.45%

LAB 74.39, -53.23, 70.46

 

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

CMYK 26 / 88 / 0 / 20

HEX #9718CD

RGB 151 24 205

HSL 282.1, 0.79%, 0.45%

LAB 40.64, 72.37, -65.15

 

CMYK 0 / 44 / 88 / 20

HEX #CD7218

RGB 205 114 24

HSL 29.83, 0.79%, 0.45%

LAB 57.15, 30.18, 59.35

 

CMYK 62 / 0 / 88 / 20

HEX #4ECD18

RGB 78 205 24

HSL 102.1, 0.79%, 0.45%

LAB 73.12, -63.19, 68.88

 

CMYK 88 / 44 / 0 / 20

HEX #1872CC

RGB 24 114 204

HSL 210, 0.79%, 0.45%

LAB 47.74, 8.59, -53.54

 

CMYK 0 / 88 / 0 / 20

HEX #CD18CD

RGB 205 24 205

HSL 300, 0.79%, 0.45%

LAB 49.54, 80.99, -50.33

 

CMYK 0 / 44 / 88 / 20

HEX #CD7218

RGB 205 114 24

HSL 29.83, 0.79%, 0.45%

LAB 57.15, 30.18, 59.35

 

CMYK 88 / 0 / 88 / 20

HEX #18CD18

RGB 24 205 24

HSL 120, 0.79%, 0.45%

LAB 72.18, -71.35, 67.7

 

Description

Color code: CMYK 88 / 44 / 0 / 20 | qconv.com Color code: CMYK 88 / 44 / 0 / 20 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 24 red, 114 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
24 114 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 88 cyan, 44 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
88% 44% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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