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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 87 / 8 / 0 / 49 it is the complementary color CMYK 0 / 43 / 47 / 7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 87 / 8 / 0 / 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 87 / 8 / 0 / 49: CMYK 82 / 4 / 0 / 51, CMYK 73 / 4 / 0 / 44, CMYK 66 / 4 / 0 / 36, CMYK 60 / 4 / 0 / 29 and CMYK 55 / 4 / 0 / 21

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 87 / 8 / 0 / 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 87 / 8 / 0 / 49: CMYK 87 / 8 / 0 / 49, CMYK 100 / 8 / 0 / 56, CMYK 100 / 9 / 0 / 64, CMYK 100 / 10 / 0 / 71 and CMYK 100 / 11 / 0 / 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

Complementary color

CMYK 0 / 43 / 47 / 7

HEX #EE877D

RGB 238 135 125

HSL 5.31, 0.77%, 0.71%

LAB 67.27, 38.23, 22.7

 

CMYK 82 / 4 / 0 / 51

HEX #16787D

RGB 22 120 125

HSL 182.91, 0.7%, 0.29%

LAB 45.75, -24.37, -10.44

 

CMYK 73 / 4 / 0 / 44

HEX #278A90

RGB 39 138 144

HSL 183.43, 0.57%, 0.36%

LAB 52.53, -25.45, -11.37

 

CMYK 66 / 4 / 0 / 36

HEX #389CA3

RGB 56 156 163

HSL 183.93, 0.49%, 0.43%

LAB 59.22, -26.17, -12.17

 

CMYK 60 / 4 / 0 / 29

HEX #49AEB6

RGB 73 174 182

HSL 184.4, 0.43%, 0.5%

LAB 65.8, -26.66, -12.89

 

CMYK 55 / 4 / 0 / 21

HEX #5AC0C9

RGB 90 192 201

HSL 184.86, 0.51%, 0.57%

LAB 72.29, -26.99, -13.55

 

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

CMYK 100 / 8 / 0 / 56

HEX #00666F

RGB 0 102 111

HSL 184.86, 1%, 0.22%

LAB 38.99, -21.4, -12.24

 

CMYK 100 / 9 / 0 / 64

HEX #00545C

RGB 0 84 92

HSL 185.22, 1%, 0.18%

LAB 32.06, -18.56, -10.92

 

CMYK 100 / 10 / 0 / 71

HEX #004249

RGB 0 66 73

HSL 185.75, 1%, 0.14%

LAB 24.88, -15.6, -9.57

 

CMYK 100 / 11 / 0 / 79

HEX #003036

RGB 0 48 54

HSL 186.67, 1%, 0.11%

LAB 17.37, -12.49, -8.16

 

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

CMYK 87 / 22 / 0 / 49

HEX #116682

RGB 17 102 130

HSL 194.87, 0.77%, 0.29%

LAB 39.97, -13.26, -22.28

 

CMYK 87 / 36 / 0 / 49

HEX #115382

RGB 17 83 130

HSL 204.96, 0.77%, 0.29%

LAB 33.81, -1.64, -31.94

 

CMYK 87 / 51 / 0 / 49

HEX #114082

RGB 17 64 130

HSL 215.04, 0.77%, 0.29%

LAB 27.84, 11.16, -41.49

 

CMYK 87 / 65 / 0 / 49

HEX #112D82

RGB 17 45 130

HSL 225.13, 0.77%, 0.29%

LAB 22.33, 24.58, -50.45

 

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

CMYK 87 / 8 / 0 / 29

HEX #18A7B5

RGB 24 167 181

HSL 185.35, 0.77%, 0.4%

LAB 62.65, -29.54, -17.19

 

CMYK 87 / 8 / 0 / 9

HEX #1ED6E8

RGB 30 214 232

HSL 185.35, 0.81%, 0.51%

LAB 78.58, -35.64, -20.91

 

CMYK 86 / 7 / 0 / 89

HEX #041A1C

RGB 4 26 28

HSL 185, 0.75%, 0.06%

LAB 7.66, -7.27, -4.07

 

CMYK 87 / 8 / 0 / 69

HEX #0A494F

RGB 10 73 79

HSL 185.22, 0.78%, 0.17%

LAB 27.83, -16.18, -9

 

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

CMYK 62 / 87 / 0 / 49

HEX #311182

RGB 49 17 130

HSL 256.99, 0.77%, 0.29%

LAB 18.65, 43.99, -56.44

 

CMYK 0 / 28 / 87 / 49

HEX #825E11

RGB 130 94 17

HSL 40.88, 0.77%, 0.29%

LAB 42.45, 7.72, 45.5

 

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

CMYK 0 / 87 / 7 / 49

HEX #821179

RGB 130 17 121

HSL 304.78, 0.77%, 0.29%

LAB 30.71, 55.35, -30.59

 

CMYK 7 / 0 / 87 / 49

HEX #798211

RGB 121 130 17

HSL 64.78, 0.77%, 0.29%

LAB 51.92, -16.85, 53.13

 

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

CMYK 62 / 87 / 0 / 49

HEX #311182

RGB 49 17 130

HSL 256.99, 0.77%, 0.29%

LAB 18.65, 43.99, -56.44

 

CMYK 0 / 80 / 87 / 49

HEX #821A11

RGB 130 26 17

HSL 4.78, 0.77%, 0.29%

LAB 28.18, 43.03, 33.11

 

CMYK 25 / 0 / 87 / 49

HEX #628211

RGB 98 130 17

HSL 76.99, 0.77%, 0.29%

LAB 50.22, -27.01, 51.01

 

CMYK 87 / 8 / 0 / 49

HEX #117882

RGB 17 120 130

HSL 185.31, 0.77%, 0.29%

LAB 45.86, -23.14, -13.26

 

CMYK 36 / 87 / 0 / 49

HEX #531182

RGB 83 17 130

HSL 275.04, 0.77%, 0.29%

LAB 23.17, 48.4, -48.83

 

CMYK 0 / 80 / 87 / 49

HEX #821A11

RGB 130 26 17

HSL 4.78, 0.77%, 0.29%

LAB 28.18, 43.03, 33.11

 

CMYK 51 / 0 / 87 / 49

HEX #408211

RGB 64 130 17

HSL 95.04, 0.77%, 0.29%

LAB 48.38, -39.91, 48.69

 

Description

Color code: CMYK 87 / 8 / 0 / 49 | qconv.com Color code: CMYK 87 / 8 / 0 / 49 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 17 red, 120 green and 130 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
17 120 130 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, 8 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 8% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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