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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 87 / 0 / 43 / 4 it is the complementary color CMYK 0 / 96 / 48 / 13. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 87 / 0 / 43 / 4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 87 / 0 / 43 / 4: CMYK 85 / 0 / 45 / 4, CMYK 79 / 0 / 40 / 0, CMYK 72 / 0 / 32 / 0, CMYK 65 / 0 / 25 / 0 and CMYK 59 / 0 / 17 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 87 / 0 / 43 / 4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 87 / 0 / 43 / 4: CMYK 87 / 0 / 43 / 4, CMYK 93 / 0 / 47 / 11, CMYK 100 / 0 / 51 / 18, CMYK 100 / 0 / 57 / 25 and CMYK 100 / 0 / 63 / 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

Complementary color

CMYK 0 / 96 / 48 / 13

HEX #DF0A73

RGB 223 10 115

HSL 330.42, 0.91%, 0.46%

LAB 48.44, 75.9, 1.84

 

CMYK 85 / 0 / 45 / 4

HEX #25F587

RGB 37 245 135

HSL 148.27, 0.91%, 0.55%

LAB 85.73, -70.83, 39.78

 

CMYK 79 / 0 / 40 / 0

HEX #36FF9A

RGB 54 255 154

HSL 149.85, 1%, 0.61%

LAB 89.22, -69.37, 35.02

 

CMYK 72 / 0 / 32 / 0

HEX #47FFAD

RGB 71 255 173

HSL 153.26, 1%, 0.64%

LAB 89.8, -63.76, 26.33

 

CMYK 65 / 0 / 25 / 0

HEX #58FFC0

RGB 88 255 192

HSL 157.37, 1%, 0.67%

LAB 90.51, -57.34, 17.67

 

CMYK 59 / 0 / 17 / 0

HEX #69FFD3

RGB 105 255 211

HSL 162.4, 1%, 0.71%

LAB 91.34, -50.23, 9.14

 

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

CMYK 93 / 0 / 47 / 11

HEX #0FE379

RGB 15 227 121

HSL 150, 0.88%, 0.47%

LAB 79.85, -68.55, 39.09

 

CMYK 100 / 0 / 51 / 18

HEX #00D166

RGB 0 209 102

HSL 149.28, 1%, 0.41%

LAB 73.91, -66.33, 40.89

 

CMYK 100 / 0 / 57 / 25

HEX #00BF53

RGB 0 191 83

HSL 146.07, 1%, 0.37%

LAB 67.94, -63.45, 42.74

 

CMYK 100 / 0 / 63 / 32

HEX #00AD40

RGB 0 173 64

HSL 142.2, 1%, 0.34%

LAB 61.88, -60.35, 44.47

 

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

CMYK 88 / 0 / 29 / 4

HEX #1EF4AD

RGB 30 244 173

HSL 160.09, 0.91%, 0.54%

LAB 86, -63.64, 21.03

 

CMYK 88 / 0 / 15 / 4

HEX #1EF4D0

RGB 30 244 208

HSL 169.91, 0.91%, 0.54%

LAB 86.77, -55.38, 3.95

 

CMYK 88 / 0 / 0 / 4

HEX #1EF4F4

RGB 30 244 244

HSL 180, 0.91%, 0.54%

LAB 87.73, -45.62, -13.46

 

CMYK 88 / 15 / 0 / 4

HEX #1ED0F4

RGB 30 208 244

HSL 190.09, 0.91%, 0.54%

LAB 77.23, -28.99, -29.37

 

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

CMYK 88 / 0 / 44 / 84

HEX #052917

RGB 5 41 23

HSL 150, 0.78%, 0.09%

LAB 13.71, -18.13, 8.23

 

CMYK 87 / 0 / 42 / 64

HEX #0C5C35

RGB 12 92 53

HSL 150.75, 0.77%, 0.2%

LAB 33.96, -32.86, 16.15

 

CMYK 87 / 0 / 43 / 44

HEX #138F52

RGB 19 143 82

HSL 150.48, 0.77%, 0.32%

LAB 52.28, -46.19, 23.72

 

CMYK 87 / 0 / 43 / 24

HEX #19C26F

RGB 25 194 111

HSL 150.53, 0.77%, 0.43%

LAB 69.43, -58.63, 30.72

 

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

CMYK 88 / 61 / 0 / 4

HEX #1E5FF4

RGB 30 95 244

HSL 221.78, 0.91%, 0.54%

LAB 45.62, 36.45, -79.61

 

CMYK 0 / 79 / 88 / 4

HEX #F4341E

RGB 244 52 30

HSL 6.17, 0.91%, 0.54%

LAB 53.8, 69.97, 57.42

 

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

CMYK 44 / 88 / 0 / 4

HEX #891EF4

RGB 137 30 244

HSL 270, 0.91%, 0.54%

LAB 42.43, 77.29, -84.58

 

CMYK 0 / 44 / 88 / 4

HEX #F4891E

RGB 244 137 30

HSL 30, 0.91%, 0.54%

LAB 67.44, 34.29, 67.92

 

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

CMYK 88 / 61 / 0 / 4

HEX #1E5FF4

RGB 30 95 244

HSL 221.78, 0.91%, 0.54%

LAB 45.62, 36.45, -79.61

 

CMYK 0 / 88 / 44 / 4

HEX #F41E89

RGB 244 30 137

HSL 330, 0.91%, 0.54%

LAB 53.99, 80.01, -2.89

 

CMYK 0 / 26 / 88 / 4

HEX #F4B41E

RGB 244 180 30

HSL 42.06, 0.91%, 0.54%

LAB 77.26, 11.77, 75.59

 

CMYK 87 / 0 / 43 / 4

HEX #20F58C

RGB 32 245 140

HSL 150.42, 0.91%, 0.54%

LAB 85.76, -70.33, 37.36

 

CMYK 88 / 88 / 0 / 4

HEX #1E1EF4

RGB 30 30 244

HSL 240, 0.91%, 0.54%

LAB 33.43, 70.47, -99.77

 

CMYK 0 / 88 / 44 / 4

HEX #F41E89

RGB 244 30 137

HSL 330, 0.91%, 0.54%

LAB 53.99, 80.01, -2.89

 

CMYK 0 / 0 / 88 / 4

HEX #F4F41E

RGB 244 244 30

HSL 60, 0.91%, 0.54%

LAB 93.46, -20.52, 88.36

 

Description

Color code: CMYK 87 / 0 / 43 / 4 | qconv.com Color code: CMYK 87 / 0 / 43 / 4 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 32 red, 245 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
32 245 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 87 cyan, none magenta, 43 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
87% 0% 43% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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