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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 86 / 16 / 0 / 31 it is the complementary color CMYK 0 / 53 / 66 / 10. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 86 / 16 / 0 / 31. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 86 / 16 / 0 / 31: CMYK 82 / 13 / 0 / 33, CMYK 75 / 13 / 0 / 25, CMYK 69 / 12 / 0 / 18, CMYK 64 / 11 / 0 / 11 and CMYK 60 / 11 / 0 / 3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 86 / 16 / 0 / 31. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 86 / 16 / 0 / 31: CMYK 86 / 16 / 0 / 31, CMYK 95 / 17 / 0 / 38, CMYK 100 / 19 / 0 / 46, CMYK 100 / 21 / 0 / 53 and CMYK 100 / 24 / 0 / 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

Complementary color

CMYK 0 / 53 / 66 / 10

HEX #E66B4F

RGB 230 107 79

HSL 11.13, 0.75%, 0.61%

LAB 59.8, 45.77, 38.36

 

CMYK 82 / 13 / 0 / 33

HEX #1E94AB

RGB 30 148 171

HSL 189.79, 0.7%, 0.39%

LAB 56.48, -22.78, -20.92

 

CMYK 75 / 13 / 0 / 25

HEX #2FA6BE

RGB 47 166 190

HSL 190.07, 0.6%, 0.46%

LAB 63.01, -24.06, -21.64

 

CMYK 69 / 12 / 0 / 18

HEX #40B8D1

RGB 64 184 209

HSL 190.34, 0.61%, 0.54%

LAB 69.45, -25.03, -22.29

 

CMYK 64 / 11 / 0 / 11

HEX #51CAE4

RGB 81 202 228

HSL 190.61, 0.73%, 0.61%

LAB 75.82, -25.76, -22.87

 

CMYK 60 / 11 / 0 / 3

HEX #62DCF7

RGB 98 220 247

HSL 190.87, 0.9%, 0.68%

LAB 82.11, -26.32, -23.4

 

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

CMYK 95 / 17 / 0 / 38

HEX #08829D

RGB 8 130 157

HSL 190.87, 0.9%, 0.32%

LAB 50.04, -19.54, -22.77

 

CMYK 100 / 19 / 0 / 46

HEX #00708A

RGB 0 112 138

HSL 191.3, 1%, 0.27%

LAB 43.39, -17, -21.82

 

CMYK 100 / 21 / 0 / 53

HEX #005E77

RGB 0 94 119

HSL 192.61, 1%, 0.23%

LAB 36.63, -13.99, -20.77

 

CMYK 100 / 24 / 0 / 61

HEX #004C64

RGB 0 76 100

HSL 194.4, 1%, 0.2%

LAB 29.64, -10.81, -19.74

 

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

CMYK 86 / 30 / 0 / 32

HEX #1879AE

RGB 24 121 174

HSL 201.2, 0.76%, 0.39%

LAB 48.17, -7.25, -35.57

 

CMYK 86 / 45 / 0 / 32

HEX #1860AE

RGB 24 96 174

HSL 211.2, 0.76%, 0.39%

LAB 40.6, 8.25, -47.59

 

CMYK 86 / 59 / 0 / 32

HEX #1848AE

RGB 24 72 174

HSL 220.8, 0.76%, 0.39%

LAB 33.74, 24.24, -58.69

 

CMYK 86 / 73 / 0 / 32

HEX #182FAE

RGB 24 47 174

HSL 230.8, 0.76%, 0.39%

LAB 27.53, 40.56, -68.89

 

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

CMYK 86 / 16 / 0 / 11

HEX #20BFE3

RGB 32 191 227

HSL 191.08, 0.78%, 0.51%

LAB 71.63, -25.98, -28.81

 

CMYK 87 / 17 / 0 / 91

HEX #031317

RGB 3 19 23

HSL 192, 0.77%, 0.05%

LAB 4.94, -3.88, -4.27

 

CMYK 85 / 16 / 0 / 71

HEX #0B3E4A

RGB 11 62 74

HSL 191.43, 0.74%, 0.17%

LAB 23.71, -11.46, -12

 

CMYK 86 / 16 / 0 / 51

HEX #12697D

RGB 18 105 125

HSL 191.21, 0.75%, 0.28%

LAB 40.76, -16.72, -18.04

 

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

CMYK 53 / 86 / 0 / 32

HEX #5218AE

RGB 82 24 174

HSL 263.2, 0.76%, 0.39%

LAB 28.12, 56.73, -67.76

 

CMYK 0 / 19 / 86 / 32

HEX #AE8D18

RGB 174 141 24

HSL 46.8, 0.76%, 0.39%

LAB 59.99, 1.72, 60.08

 

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

CMYK 0 / 86 / 16 / 32

HEX #AE1892

RGB 174 24 146

HSL 311.2, 0.76%, 0.39%

LAB 40.78, 66.71, -29.66

 

CMYK 16 / 0 / 86 / 32

HEX #92AE18

RGB 146 174 24

HSL 71.2, 0.76%, 0.39%

LAB 66.86, -27.85, 64.83

 

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

CMYK 53 / 86 / 0 / 32

HEX #5218AE

RGB 82 24 174

HSL 263.2, 0.76%, 0.39%

LAB 28.12, 56.73, -67.76

 

CMYK 0 / 70 / 86 / 32

HEX #AE3418

RGB 174 52 24

HSL 11.2, 0.76%, 0.39%

LAB 40.44, 48.28, 43.73

 

CMYK 33 / 0 / 86 / 32

HEX #74AE18

RGB 116 174 24

HSL 83.2, 0.76%, 0.39%

LAB 65, -39.83, 62.51

 

CMYK 86 / 16 / 0 / 31

HEX #1994B0

RGB 25 148 176

HSL 191.13, 0.75%, 0.39%

LAB 56.61, -21.49, -23.59

 

CMYK 28 / 86 / 0 / 32

HEX #7E18AE

RGB 126 24 174

HSL 280.8, 0.76%, 0.39%

LAB 34.28, 62.59, -57.43

 

CMYK 0 / 70 / 86 / 32

HEX #AE3418

RGB 174 52 24

HSL 11.2, 0.76%, 0.39%

LAB 40.44, 48.28, 43.73

 

CMYK 59 / 0 / 86 / 32

HEX #48AE18

RGB 72 174 24

HSL 100.8, 0.76%, 0.39%

LAB 63.11, -53.99, 60.12

 

Description

Color code: CMYK 86 / 16 / 0 / 31 | qconv.com Color code: CMYK 86 / 16 / 0 / 31 | qconv.com - big

With this color cyan stands out from the other colors. The values representing the blue and green hue are greater than the third value. They are close together and exceed the value of the red hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 25 red, 148 green and 176 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
25 148 176 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 86 cyan, 16 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
86% 16% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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