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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 85 / 42 / 0 / 25 it is the complementary color CMYK 0 / 36 / 72 / 11. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 85 / 42 / 0 / 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 85 / 42 / 0 / 25: CMYK 82 / 40 / 0 / 27, CMYK 75 / 37 / 0 / 20, CMYK 70 / 34 / 0 / 12, CMYK 65 / 32 / 0 / 5 and CMYK 60 / 28 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 85 / 42 / 0 / 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 85 / 42 / 0 / 25: CMYK 85 / 42 / 0 / 25, CMYK 93 / 46 / 0 / 33, CMYK 100 / 51 / 0 / 40, CMYK 100 / 57 / 0 / 47 and CMYK 100 / 66 / 0 / 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

Complementary color

CMYK 0 / 36 / 72 / 11

HEX #E29040

RGB 226 144 64

HSL 29.63, 0.74%, 0.57%

LAB 66.89, 24.35, 53.69

 

CMYK 82 / 40 / 0 / 27

HEX #226FBA

RGB 34 111 186

HSL 209.61, 0.69%, 0.43%

LAB 45.98, 4.28, -45.98

 

CMYK 75 / 37 / 0 / 20

HEX #3381CD

RGB 51 129 205

HSL 209.61, 0.61%, 0.5%

LAB 52.74, 2.25, -46.09

 

CMYK 70 / 34 / 0 / 12

HEX #4493E0

RGB 68 147 224

HSL 209.62, 0.72%, 0.57%

LAB 59.41, 0.64, -46.16

 

CMYK 65 / 32 / 0 / 5

HEX #55A5F3

RGB 85 165 243

HSL 209.62, 0.87%, 0.64%

LAB 65.99, -0.65, -46.23

 

CMYK 60 / 28 / 0 / 0

HEX #66B7FF

RGB 102 183 255

HSL 208.24, 1%, 0.7%

LAB 72.17, -3.91, -43

 

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

CMYK 93 / 46 / 0 / 33

HEX #0C5DAC

RGB 12 93 172

HSL 209.63, 0.87%, 0.36%

LAB 39.39, 8.65, -48.37

 

CMYK 100 / 51 / 0 / 40

HEX #004B99

RGB 0 75 153

HSL 210.59, 1%, 0.3%

LAB 32.55, 12.25, -48.03

 

CMYK 100 / 57 / 0 / 47

HEX #003986

RGB 0 57 134

HSL 214.48, 1%, 0.26%

LAB 25.71, 16.7, -47.46

 

CMYK 100 / 66 / 0 / 55

HEX #002773

RGB 0 39 115

HSL 219.65, 1%, 0.23%

LAB 18.75, 21.48, -46.79

 

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

CMYK 85 / 55 / 0 / 25

HEX #1C55BE

RGB 28 85 190

HSL 218.89, 0.74%, 0.43%

LAB 38.66, 22.16, -60.11

 

CMYK 85 / 69 / 0 / 25

HEX #1C3ABE

RGB 28 58 190

HSL 228.89, 0.74%, 0.43%

LAB 31.79, 39.78, -71.36

 

CMYK 85 / 84 / 0 / 25

HEX #1C1FBE

RGB 28 31 190

HSL 238.89, 0.74%, 0.43%

LAB 26.58, 54.58, -79.99

 

CMYK 73 / 85 / 0 / 25

HEX #341CBE

RGB 52 28 190

HSL 248.89, 0.74%, 0.43%

LAB 27.51, 57.03, -78.4

 

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

CMYK 85 / 42 / 0 / 5

HEX #258DF2

RGB 37 141 242

HSL 209.56, 0.89%, 0.55%

LAB 57.9, 7.35, -58.61

 

CMYK 84 / 42 / 0 / 85

HEX #061626

RGB 6 22 38

HSL 210, 0.73%, 0.09%

LAB 6.8, -0.14, -12.94

 

CMYK 84 / 42 / 0 / 65

HEX #0E3459

RGB 14 52 89

HSL 209.6, 0.73%, 0.2%

LAB 21.1, 1.76, -26.01

 

CMYK 85 / 42 / 0 / 45

HEX #15518C

RGB 21 81 140

HSL 209.75, 0.74%, 0.32%

LAB 33.85, 4.11, -38

 

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

CMYK 27 / 85 / 0 / 25

HEX #8B1CBE

RGB 139 28 190

HSL 281.11, 0.74%, 0.43%

LAB 37.91, 66.79, -60.92

 

CMYK 7 / 0 / 85 / 25

HEX #B1BE1C

RGB 177 190 28

HSL 64.81, 0.74%, 0.43%

LAB 73.71, -22.42, 70.6

 

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

CMYK 0 / 85 / 41 / 25

HEX #BE1C70

RGB 190 28 112

HSL 328.89, 0.74%, 0.43%

LAB 42.68, 65.59, -5.52

 

CMYK 41 / 0 / 85 / 25

HEX #70BE1C

RGB 112 190 28

HSL 88.89, 0.74%, 0.43%

LAB 69.72, -47.83, 65.61

 

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

CMYK 27 / 85 / 0 / 25

HEX #8B1CBE

RGB 139 28 190

HSL 281.11, 0.74%, 0.43%

LAB 37.91, 66.79, -60.92

 

CMYK 0 / 44 / 85 / 25

HEX #BE6A1C

RGB 190 106 28

HSL 28.89, 0.74%, 0.43%

LAB 53.32, 28.26, 54.07

 

CMYK 58 / 0 / 85 / 25

HEX #4FBE1C

RGB 79 190 28

HSL 101.11, 0.74%, 0.43%

LAB 68.44, -57.68, 64

 

CMYK 85 / 42 / 0 / 25

HEX #1D6FBF

RGB 29 111 191

HSL 209.63, 0.74%, 0.43%

LAB 46.17, 5.77, -48.58

 

CMYK 1 / 85 / 0 / 25

HEX #BC1CBE

RGB 188 28 190

HSL 299.26, 0.74%, 0.43%

LAB 45.96, 75.05, -47.53

 

CMYK 0 / 44 / 85 / 25

HEX #BE6A1C

RGB 190 106 28

HSL 28.89, 0.74%, 0.43%

LAB 53.32, 28.26, 54.07

 

CMYK 84 / 0 / 85 / 25

HEX #1FBE1C

RGB 31 190 28

HSL 118.89, 0.74%, 0.43%

LAB 67.43, -66.29, 62.71

 

Description

Color code: CMYK 85 / 42 / 0 / 25 | qconv.com Color code: CMYK 85 / 42 / 0 / 25 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 29 red, 111 green and 191 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
29 111 191 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 85 cyan, 42 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
85% 42% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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